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On Being Ill [Hardcover]

Virginia Woolf (Author), Hermione Lee (Introduction)
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

October 1, 2002

In this poignant and humorous work, Virginia Woolf observes that though illness is part of every human being’s experience, it has never been the subject of literature—like the more acceptable subjects of war and love. We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!

On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.



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Editorial Reviews

From The New Yorker

The first sentence of this essay, which was originally published in T. S. Eliot's New Criterion, in 1926, includes references to both the consolations of angels and the indignities of the dentist's chair, and this almost gleeful waywardness is characteristic of what's to come. By turns lyrical, self-mocking, and outlandish, Woolf's meditation on the perils and privileges of the sickbed lampoons the loneliness that makes one "glad of a kick from a housemaid" and extolls the merits of bad literature for the unwell. As Hermione Lee points out in her excellent introduction, the author only hints here at the mental and physical illnesses that plagued her throughout her life, but one's knowledge of them gives the references to "waters of annihilation" and "deserts of the soul" an added resonance. And yet the consolations of creation are also considered. When Woolf imagines beauty in a frozen-over garden, even after the death of the sun—"There, thrusting its head up undaunted in the starlight, the rose will flower, the crocus will burn"—it seems less a triumph of nature than of art.
Copyright © 2005 The New Yorker

From Booklist

Woolf's essays, most famously A Room of One's Own, have been as liberating and nourishing as a freshening wind or drought-ending rain, and so the resurrection of this forgotten work on illness is a boon indeed. Written between two of Woolf's greatest novels, Mrs. Dalloway and To the Lighthouse, this is Woolf at her spangled best. Seemingly a cascade of gossamer thoughts, her prose is in fact as tightly knit, strongly patterned, impervious, and purposeful as a fisherman's sweater. Woolf wonders why illness, which is as much a part of life as love and greed, is not a common theme in literature, then reveals its import in lyrical yet ironic descriptions of illness' slow-motion parallel world, where the afflicted have time to watch the sky or carefully observe a rose. Illness is an altered state, says Woolf, who suffered from myriad chronic conditions, one that grants significant revelations. Insightfully and eloquently introduced by renowned Woolf biographer Hermione Lee, this scintillating and important addition to the Woolf canon is graced by Vanessa Bell's cover for the 1930 Hogarth Press edition. Donna Seaman
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 64 pages
  • Publisher: Paris Press (October 1, 2002)
  • Language: English
  • ISBN-10: 1930464061
  • ISBN-13: 978-1930464063
  • Product Dimensions: 8.2 x 5.3 x 0.5 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #465,280 in Books (See Top 100 in Books)

More About the Author

VIRGINIA WOOLF (1882-1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

 

Customer Reviews

4 Reviews
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Average Customer Review
4.0 out of 5 stars (4 customer reviews)
 
 
 
 
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27 of 28 people found the following review helpful:
5.0 out of 5 stars MUST READ, December 10, 2002
This review is from: On Being Ill (Hardcover)
On Being Ill is a small masterpiece. This is a unique book--compassionate, intelligent, affirming, and comforting, both for the "healthy" among us, and those who have experienced illness. This is Woolf at her best: brilliant, daring, probing, and Hermione Lee's Introduction is a gem.

Also, for those of us who care about design, the book is a beauty, a work of art in itself.

Put this book among those most dear to you!

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11 of 12 people found the following review helpful:
4.0 out of 5 stars A glowing perspective, February 26, 2004
This review is from: On Being Ill (Hardcover)
In this discerning and somewhat humorous essay, Virginia Woolf remarks on humanity's experiences with illness, whether mental or physical, and on how it is rarely the subject of literature or art. She notes our contradictory nature toward sympathy and offers an opinion about what illness tells us about the natural world. Hermione Lee's fascinating introduction firmly places this remarkable work in the context of Woolf's life and writing. This Paris Press edition recreates the original artwork and typeset of the 1930 printing of "On Being Ill".
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21 of 26 people found the following review helpful:
5.0 out of 5 stars A precious gift to readers, March 16, 2003
By A Customer
This review is from: On Being Ill (Hardcover)
From its magnificent cover, to its brilliant and sensitive insights into the psychology of illness--being ill, being near someone who is ill, anticipating being ill or well again--this book is a jewel. I love the way it feels in my hands. I love the way my eyes roam over the pages. I love the way it feels beneath my pillow. I've given it to friends and they have given it to their friends. And I am so pleased that Paris Press--"beautiful and daring feminist books"--has reprinted it as Woolf and Vanessa Bell intended. Precious!
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