Being John Malkovich 1999 R CC

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(544) IMDb 7.8/10
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John Cusack, Cameron Diaz, Catherine Keener and - of course, John Malkovich - star in this brilliant comic fantasy about a puppeteer who discovers a portal into the mind of John Malkovich.

Starring:
John Cusack, Cameron Diaz
Runtime:
1 hour 54 minutes

Available in HD on supported devices.

Being John Malkovich

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Being John Malkovich - Special Edition

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Product Details

Genres Fantasy, Drama, Comedy
Director Spike Jonze
Starring John Cusack, Cameron Diaz
Supporting actors Ned Bellamy, Eric Weinstein, Madison Lanc, Octavia Spencer, Mary Kay Place, Orson Bean, Catherine Keener, K.K. Dodds, Reginald C. Hayes, Byrne Piven, Judith Wetzell, John Malkovich, Kevin Carroll, Willie Garson, W. Earl Brown, Charlie Sheen, Gerald Emerick, Bill M. Ryusaki
Studio NBC Universal
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

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161 of 189 people found the following review helpful By J. Cunningham on April 1, 2000
Format: DVD
Don't get me wrong- I loved American Beauty. I was shocked by The Sixth Sense. I was moved by Magnolia. But for me, the movie in 1999 that made me sit back and say "wow" was Being John Malkovich.
I am sure you know the plot, and words wouldn't help to describe how original (and ingenious) it is. The film works on so many levels- it is a screwball comedy, an existential discussion of the nature of existence, a study of sexual identity, and a satire of the modern desire to "escape" from life. On top of all of that, it is darn entertaining to watch!
The characters (played to perfection but Cusack, Diaz, Keener, and Malkovich himself) are all well-drawn, and the actors do a fantastic job- wait until you see Diaz, unrecognizable in frizzy hair and frumpy dress.
The directing is top notch as well. Spike Jonze (of Three Kings fame) has made a wise choice- he recognizes the script is the star and has directed a film without any flashy camera work, which would detract from the real focal point. That is not to say the work is pedestrian- he did everything that had to be done to make the film, and he did it well (note his Oscar nod for best director).
The production design is a big star here as well. The 7 1/2 floor is almost "Gilliam-esque"- in fact, when I first saw the preview I assumed it was Terry Gilliam's (Brazil, 12 Monkeys) newest film.
The best word to describe this film is "giddy." I saw that because that is what I brought away from it- I felt giddy watching it, and you can teel the cast and crew felt the same making it. The best thing I have read about the film was from a rejection letter from another studio, which neglected to option the screenplay: "I'm sure Being John Malkovich would be regarded as a work of genius on whatever planet it was written." If that doesn't make you want to see the thing, nothing will.
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38 of 43 people found the following review helpful By Parker Lewis on May 17, 2000
Format: DVD
"Well, there's this guy...." That's all that some viewers could really come up with when asked to describe "Being John Malkovich", the latest film starring Cameron Diaz, Catherine Keener and John Cusack. Oh...and John Malkovich is in it, too. This movie is so original, I can't even begin to explain this movie, other than that it was intelligent, fascinating, and hilarious. Because of the originality, it is completely unpredictable: you are so completely in the dark trying to guess what is going to happen next, that you end up not even bothering to guess-which makes a great movie-going experience.
Cusack plays Craig Schwartz, a puppeteer who believes he is not just a puppeteer, but an artist. Diaz, in a wig that makes her nearly unrecognizable, plays Schwartz' animal-loving wife, Lotte. Cusack, upon the realization that he might not make it as a puppeteer, decides to get a day job, at a place on the seventh and half floor of a New York skyscraper. It is here at this odd office floor, that Cusack stumbles upon a portal to John Malkovich's brain-where he is allowed to experience what it is like to be a celebrity for 15 minutes, and then be spit out somewhere outside the New Jersey turnpike. Hilarity ensues, and metaphysical questions are asked.
This movie is like a dream-and not in the sense that it's an incredibly great movie, although it is. It's like a dream because of the way that the logic is formatted. Things that have seemingly little significance, have a large significance by the movie's end. We are whisked away from plotline to plotline, that soon the rhythm of the rapidfire plot becomes catchy. Things that would not make sense in most movies makes complete sense here.
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16 of 17 people found the following review helpful By Renee Floyd on December 9, 2004
Format: DVD
Being John Malkovich is one of the most thematically ambitious films of the 1990's. It delves figuratively and literally into the weaknesses and complexities of the human psyche through the self-revealing and often comical actions of the main characters. Through bizarre situations, a subtle but emotional soundtrack, and a tiny portal on the 7 1/2 floor of an office building, Malkovich investigates the multi-faceted aspects of human beings, and the troubles they face in trying to find themselves.

Each character in this film is aware, sometimes painfully aware, of his or her identity, and the extremes that they reach in trying to change, control, and manipulate their identities suggest that consciousness is perhaps more trouble than it's worth. Craig Schwartz, played by John Cusack, is a talented puppeteer, and therefore a master at adopting multiple personalities, but until he finds a real person to imitate, he remains in his workshop, alone and unsatisfied with his life. That is, until he meets the magnetic Maxine, who's confidence and boldness enchants Craig for the entirety of the movie.

It seems logical to assume that if Craig is unhappy with his identity, then he could be happier if he wasn't aware of himself at all. As Craig says, "Consciousness is a terrible curse - I think; I feel; I suffer." Once Craig discovers the Malkovich portal in his office, people start lining up, literally, to partake in the life-altering experience; everyone, that is, except Maxine. Not once does she reveal the slightest interest in going through the portal. Maxine is comfortable in her own skin - a quality which Craig, and pretty much everyone who meets her, greatly admires - but it is not a comfort that comes from being ignorant of her own identity.
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