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Being Naked--Playing Dead: The Art of Peter Greenaway
 
 
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Being Naked--Playing Dead: The Art of Peter Greenaway [Paperback]

Alan Woods (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

February 15, 1997 0719047722 978-0719047725
Greenaway's assertion that his is 'a cinema of ideas not plots' is developed in this book with discussion of his use of the themes of repetition, quotation theatricality, power relations and images of the nude as flesh. Close analysis of individual films such as The Cook, The Thief, His Wife and Her Lover, Belly of an Architect and Drowning by Numbers together with a discussion of his latest film The Pillow Book (1996) and recent interviews between Greenaway and Alan Woods about his work, make this book a must for all Greenaway enthusiasts.

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Editorial Reviews

Review

"Being naked playing dead, by exploring the obvious theatrically of Greenaway's films, finds important things to say about the relations between theatre and cinema and will, therefore, be of interest to students of both media, as well as to enthusiasts of the controversial filmmaker." --Contemporary Theatre Review

Product Details

  • Paperback: 320 pages
  • Publisher: Manchester University Press (February 15, 1997)
  • Language: English
  • ISBN-10: 0719047722
  • ISBN-13: 978-0719047725
  • Product Dimensions: 9.5 x 6.7 x 0.9 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,612,891 in Books (See Top 100 in Books)

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11 of 11 people found the following review helpful:
4.0 out of 5 stars A Greenaway Primer, November 27, 2000
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This review is from: Being Naked--Playing Dead: The Art of Peter Greenaway (Paperback)
Woods' book is an exellent introduction to Greenaway's films. Woods' covers all of Greenaway's film's up to the Pillow Book. Primarily, as the title suggests, Woods is concerned with the coporeal qualities of Greenaway's cinema (and other things as well but being naked and playing dead is Woods' focus). The book can be a bit thick for those not interested in really getting into Greenaway's films. However, for those who are interested in very astute commentary on one the most interesting and challenging filmmakers working today, I recommend this book wholeheartedly.
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Inside This Book (learn more)
First Sentence:
Naturalism is based on a lie. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
two noughts, witnessed space, skipping girl, contemporary art practice, narrative camera, dominant cinema, vertical features, perspective frame
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Falls, The Pillow Book, Vertical Features Remake, Fear of Drowning, Flying Out of This World, Van Meegeren, Channel Four, Victor Emmanuel, Andrea Doria, Les Carabiniers, John Cage, Large Glass, Prosperos Books, Sacha Vierny, Tom Phillips, Watching Water, Peeping Tom, Tulse Luper, Last Year, Michael Nyman, Michel Ange, Alan Howard, Cindy Sherman, Battleship Potemkin, Central Office of Information
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