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Among the hostages are not only Hosokawa and Roxane Coss, the American soprano, but an assortment of Russian, Italian, and French diplomatic types. Reuben Iglesias, the diminutive and gracious vice president, quickly gets sideways of the kidnappers, who have no interest in him whatsoever. Meanwhile, a Swiss Red Cross negotiator named Joachim Messner is roped into service while vacationing. He comes and goes, wrangling over terms and demands, and the days stretch into weeks, the weeks into months.
With the omniscience of magic realism, Ann Patchett flits in and out of the hearts and psyches of hostage and terrorist alike, and in doing so reveals a profound, shared humanity. Her voice is suitably lyrical, melodic, full of warmth and compassion. Hearing opera sung live for the first time, a young priest reflects:
Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven.Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give, even in a novel so imbued with the rich imaginative potential of magic realism. But in a fractious world, Bel Canto remains a gentle reminder of the transcendence of beauty and love. --Victoria Jenkins --This text refers to the Hardcover edition.
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Like the hostages themselves, we get lulled by the harmony and unreality of life within the compound, yet as time passes Patchett delicately conveys a sense of impending doom through the Swiss Red Cross mediator, who himself longs to become a hostage after seeing the community that has been created within the walls of the Vice President's house. Patchett tells us at the beginning of the story what the end will be, and yet creates an aura of suspense as we realize that dreams of the future will never be fulfilled.
There is a surprise ending here that I wasn't sure rang true, but the book stands without it--a wonderful novel!
In terms of style and texture, Patchett has endeavored to compose a work that is lyrical and "magical," and she largely succeeds in creating an ethereal, dreamlike mood throughout. As such, however, the degree to which readers ultimately will embrace the novel depends upon their willingness to engage in a "willing suspension of disbelief." Those possessed of any significant degree of skepticism regarding the actual nature of political struggle, small group social psychology, and human behavior generally will find much about which to be dubious, beginning with the notion that ALL of the guerrillas would be mesmerized by Roxanne Coss' operatic singing. They also will look askance at the romantic interludes portrayed here, including the prospect of romance between a superstar American singer and a staid Japanese businessman. Furthermore, the lack of substantive political content is striking and to me, disappointing. It would seem that a lengthy confrontation between desperate rural guerrillas and cosmopolitan luminaries would reveal more insights regarding the social and economic bases for radical grassroots rebellion (and ruling class repression) than Patchett offers here. I must also join the chorus of voices rising in protest against the tacked-on ending, which is just plain horrible.
Despite these flaws, this book is a well-crafted and thoughtful work that once started is hard to put down.
The book takes place in an unnamed country in South America. A birthday party has been arranged for a prominent Japanese businessman named Mr. Hosokawa. The only reason that Mr. Hosokawa has agreed to come to this party in his honor is that Roxanne Coss, a world famous soprano, is there to sing for the assembled guests. Ms. Coss does sing brilliantly and all seems to be going well. Unfortunately, the party turns sour quickly when a band of revolutionaries breaks into the house and holds the guests hostage.
Patchett, in a display of literary virtuosity, brings the characters in "Bel Canto" to brilliant life. With wit, humor and pathos, the author shows how living in close quarters with strangers sometimes brings out the best in people. Mr. Hosokawa, who is usually a businesslike automaton, blossoms into a sensitive and caring individual under the influence of Roxanne and her lovely music. Gen Watanable, who is Hosokawa's translator and secretary, falls in love with one of the female revolutionaries, and his life also takes off in unexpected directions.
Patchett touches on many themes in "Bel Canto," such as the power of glorious music to touch our souls and the importance of seeking beauty and romance in our lives. Since the world we live in is sometimes a barbaric place, it is not always possible for peace and love to flourish. Therefore, Patchett seems to be saying, it is vital to seize those rare moments in our lives when we can enjoy everything that is wonderful and amazing around us.
"Bel Canto" is marred by a pace that is a bit too leisurely and by a somewhat unsatisfying conclusion. However, overall it is an entertaining novel that is notable not only for the author's development of character, but also for her imagination, originality and wonderful use of language.