Bel Sogno: Italian Arias & Scenes

Cristina Gallardo-Domas (Composer), Maurizio Barbacini (Conductor), Münchner Rundfunkorchester (Artist), Giacomo Puccini (Artist), Vincenzo Bellini (Artist), Alfredo Catalani (Artist), Giuseppe Verdi (Artist), Francesco Cilea (Artist), Gaetano Donizetti (Artist)

Product Details

• Conductor: Maurizio Barbacini
• Composer: Cristina Gallardo-Domas
• Audio CD (January 29, 2002)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Elektra / Wea
• ASIN: B000059QWD
• Average Customer Review: 3.3 out of 5 stars See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #245,027 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

13 of 14 people found the following review helpful:

3.0 out of 5 stars So, so close..., April 6, 2002

By	"drvox" (Nashville, TN) - See all my reviews

Surely I am not the only operatic connoisseur who has waited in vain for a top-of-the-line Italianate soprano to appear on the current vocal scene, only to be disappointed time and time again with squally top registers, nonexistent chest tones, and senses of legato akin to a vegetable steamer. I would love to tell you that our wait is over, but alas and alack, I don't have that pleasure. But, and it is a big but, this singer comes so close - in her finer moments, she reminds me of the young Leontyne Price, both in vocal poise and stylistic choices; in others, the shrill, vibrato-stricken, two-dimensional vocal largesse of Sarah Brightman. What is most disheartening is that this is a major talent, and what is vocally out-of-sync could be fixed quite easily and quickly - though that would require a hiatus of a few months from her emerging international career - not an easy option. When the voice is singing on darker vowels ('oh' and 'oo'), or emerging from them, the voice is simply ravishing with depth of tone, warmth of color, and ease of production - her use of dynamics harkens back to a previous vocal era. However, whenever she finds herself situated within the brighter vowel sounds ('ah' 'ih' 'ee'), she comes off the voice and renders her tone inert, harsh and overtaxed - all chiaro, no scuro! Vocals aside, her approach to the music is stylistically authentic, emotionally moving and viscerally thrilling, though wisdom would encourage her to wait for some of the vocally heftier heroines later in her career. Leontyne's advice to 'Sing on the interest, not on the principal' should be taken to heart by this immensely talented singer.

4 of 5 people found the following review helpful:

3.0 out of 5 stars Beautiful voice, flawed album, April 14, 2002

By	M. Tietjen "tietj" (Syracuse, NY, USA) - See all my reviews (REAL NAME)

I have waited for a recital album to come from this young soprano ever since I heard her Angelica in the recent recording of Il Trittico. I was disappointed in the resulting album, however--Gallardo-Domas's voice is large and beautiful, but she doesn't quite have the vocal technique or ability to sing some of these arias. In the verismo pieces, such as the Puccini selections or the Catalani aria, she is quite good, although her "Senza Mamma" was much better in the Trittico recording. In the previous recording, she demonstrated an ability to float a beautiful pianissimo high note, but she seems to have lost a little of that on this album. Her vibrato is uncontrolled and sometimes seems to take over her voice. The Verdi and Bel Canto selections are much worse--the less-than-perfect technique that is permissable in Verismo is unacceptable here. Her coloratura on "Sempre libera" is simply painful to listen to, and why she would choose to record this aria is beyond me.

3 of 4 people found the following review helpful:

5.0 out of 5 stars no need for pessimism, April 23, 2005

By	S. Park (Yokohama) - See all my reviews (REAL NAME)

it's surprising to see so many negative reviews here, since I remember GRAMOPHONE magazine gushing about the "sheer pleasure" of reviewing Gallardo-Domas' album, which made me risk the purchase despite a tired old song selection (NOT another "Sempre libera"! NOT another "Un bel di"!). and I was converted. the technical aspects aside (of which I don't know enough to discuss knowledgeably), her singing is so emotional, so heart-on-sleeve, it breathes life into age-old arias. her Violetta is truly overwhelming, and even if one takes into account the differences in taste that might be prejudiced against a voice like hers, she deserves better. I vote 5 stars.