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Belle and Sebastian: Just a Modern Rock Story
 
 
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Belle and Sebastian: Just a Modern Rock Story [Deckle Edge] [Hardcover]

Paul Whitelaw (Author)
3.9 out of 5 stars  See all reviews (8 customer reviews)


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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Book Description

July 28, 2005
In the eight years since their first release, Belle and Sebastian have grown from a secretive cult concern into one of the most beloved and revered pop’n’roll bands in the world. Intelligent and sensitive, witty and original, beautiful and bold, their music inspires the kind of devotion not seen since the The Smiths. Their continuing desire to push the boundaries of their vision has resulted in some of the most essential and idiosyncratic records of recent times.

In this, the first biography of Belle and Sebastian, Paul Whitelaw traces their unpredictable personal and creative curve. With all original interviews and personal photos from the band Belle and Sebastian: Just A Modern Rock Story is the definitive account of the clandestine world and continuing rise of the unique and fascinating musical phenomenon that is Belle and Sebastian.


Editorial Reviews

From Publishers Weekly

Scottish music journalist Whitelaw delivers the first account of idiosyncratic, media-shy Glaswegian indie-rock darlings Belle & Sebastian. A product of the musical vision of University of Glasgow student Stuart Murdoch, Belle & Sebastian recorded its first record, Tigermilk (a collection of 10 catchy, lyrically engaging songs), in 1996 as part of a university course, and eventually signed to the independent label Jeepster. After the release of an acclaimed second record, If You're Feeling Sinister, life in the band became increasingly difficult. At the time of its signing, Belle & Sebastian, which has had numerous members including horn and string players, was essentially a studio entity enacting Murdoch's musical vision, and the band struggled with live performances. Internally, the band was a mess of self-doubt and clashing personalities, exacerbated by Murdoch's doomed romance with cellist and charter member Isobel Campbell, who left in 2002. While hitting the major beats of the band members' lives and careers, Whitelaw is annoyingly reverential to his subjects. Written with band cooperation, the book shambles along (to use a phrase often associated with the group's rare live shows) with frustratingly little insight, even if it does offer illumination, if for no other reason than that the band has always been studiously committed to staying out of the press. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Paul Whitelaw is a music/arts writer based in Edinburgh, Scotland. Since 2001 he has worked as the music editor at Metro, one of the United Kingdom's most popular newspapers. His work has also appeared in The Scotsman, Scotland on Sunday, Melody Maker and NME.

Product Details

  • Hardcover: 320 pages
  • Publisher: St. Martin's Griffin; First Edition edition (July 28, 2005)
  • Language: English
  • ISBN-10: 0312341377
  • ISBN-13: 978-0312341374
  • Product Dimensions: 8.3 x 5.8 x 1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,236,900 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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3 star:
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Average Customer Review
3.9 out of 5 stars (8 customer reviews)
 
 
 
 
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22 of 23 people found the following review helpful:
3.0 out of 5 stars This is just a tender affair..., September 19, 2005
By 
Peter Arnold (Cupertino, CA United States) - See all my reviews
(REAL NAME)   
This review is from: Belle and Sebastian: Just a Modern Rock Story (Hardcover)
I am thankful to Paul Whitelaw for writing this book. The author has collected good material from right at the source, excepting that drummer Richard Colburn declined to be interviewed. He presents basic bios of the band members, and excellent detail about the blossoming period before and around "Tigermilk". Whitelaw even had access to Stuart's correspondence - he seems to have been quite a letter-writer. For the devoted fan just reading this stuff can make you remember how you felt when you first fell in love with Belle & Sebastian.

The book's weakness is the use of a journalistic style peculiar to the British music press, which might be called "NME English." In this idiom it is not a taste crime to use the word "copacetic" in public nor to affect aimlessly awful alliteration. We are treated to sub-headings culled from lyrics, another Melody Maker style-manual staple.

Along with the purple-prose-tinted spectacles of the rock journalist comes an entirely binary value-judgment system in which all that is good is inflated to perfection, all else banished to outer darkness. Everything the band did well he celebrates as a triumph, everything less successful is relegated to the discount bin of disaster. Naturally he venerates the "Tigermilk" and "Sinister" albums, but unjustly condemns the equally brilliant "Arab Strap" largely without musical evidence. Out of commendable loyalty he talks up "Dear Catastrophe Waitress" as a bold new step. This could be straight out of a press release - I was hoping for a more reflective evaluation. The events surrounding "Storytelling" get plenty of attention but the deceptively strong album itself gets short shrift and is tossed into the bargain bin with only FISHYCLAP below it. Similarly with people - attempting to be even-handed, the author still manages to forgive Stuart M. every admitted misstep. Isobel gets the opposite treatment.

However because the material is of great interest to us we can forgive such irritations. I suspect writing every week about intimately subjective experience (which is the lot of the music journo) eventually drains all meaning from everyday vocabulary and syntax, leading to train wrecks of modifiers heaped exponentially upon one-another in search of that original descriptive high. At this length it does begin to wear, but still this is a book all fans will enjoy.

So pick up the book knowing it is not rock criticism but a deservedly sentimental celebration of a beloved band. If Belle and Sebastian were an anime series, this could be fan-fiction. It's not all we want to know but it's a good start.
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8 of 8 people found the following review helpful:
3.0 out of 5 stars Dear Catastrophe Author, January 4, 2006
By 
Colly (Kalamazoo, Michigan) - See all my reviews
This review is from: Belle and Sebastian: Just a Modern Rock Story (Hardcover)
The best review was written below by Peter Arnold. While in total agreement with that reviewer, I just want to add a few things. Mainly, that reading this book feels like reading one very, very long NME review - the word play is suprisingly annoying and difficult to read when one just wants to understand a simple point. This kind of word play is fine for a one paragraph review in a rock & roll magazine, but wasteful within a book format. The little bits which are written in italics are especially wasteful and dramatic.
The author also had a tendency to portray band relationships in a gossipy way. While the dynamics of the band's friendships and romances are at first interesting and an important part of the history, the author tends to go on and on and rehash the same old thing even at the end of the book. He clearly disliked Isobel Campbell which made me wonder, was he emotionally involved with her? Did she scorn his romantic advances? Heehee, now I'm playing like the author!
In short, I would have valued more quotes from the band, none of the author's opinions, and a more straightforward manner of writing. Bottom line; Belle and Sebastian are one of my most beloved bands of all time and despite a frustratingly written book, it was still a pleasure to learn about them.
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11 of 14 people found the following review helpful:
5.0 out of 5 stars If You're Feeling Curious, August 3, 2005
By 
Steven Moore (Ann Arbor, MI USA) - See all my reviews
(REAL NAME)   
This review is from: Belle and Sebastian: Just a Modern Rock Story (Hardcover)
If, like me, you enjoy B&S's music but don't know much about them, this is an informative biography. It features capsule biographies, track-by-track details for all the albums and EPs, lots of photos, and is written with that witty flair that seems to come natural to British pop journalists. The author knows his music history, and contra PW's review above can be critical of the band when they deserve it. Finally, the book reprints the lovely liner/stories from the CD booklets, in a larger point-size for greater readability. Stuart Murdoch designed the cover, too.
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Inside This Book (learn more)
First Sentence:
Scotland's greatest poet was born in Alloway, an otherwise unremarkable town just outside Ayr on the southwest coast of Northern Britain. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
legal man, curious boy, cover stars, wandering days, chart position, sleeve notes
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Stuart David, Stuart Murdoch, Fold Your Hands, Arab Strap, New York, The State, San Francisco, The Smiths, Space Boy, Stevie Jackson, Halt Bar, Mark Jones, Lisa Helps the Blind, Rough Trade, Seymour Stein, Isobel Campbell, Legal Man, Mark Radcliffe, Nick Drake, Sarah Martin, Stef D'Andrea, Stow College, John Peel, Melody Maker, The Enclave
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