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She is dynamic, intense, driven as she pursues a film career for her daughter in Post-War Italy.
Relying on concise storytelling and genuine human emotion, these films just feel inherently real even so many decades later.
I have always been a fan of Italian neo-realist cinema being of Italian descent myself and this film is one of the best.
*** This review may contain spoilers ***
Rating: 4.5 out of 5.0
'Bellissima' begins with a radio presentation of Donizetti's opera L'elisir d'amore (The... Read more
Visconti is the most emotive and extravagant of the Italian neo-realists.Bellissima an early film has been restored to an amazing print by The Masters of Cinema series. Read morePublished 3 months ago by technoguy
This black and white film complements the intensity of fabulous Anna Magnani. She is dynamic, intense, driven as she pursues a film career for her daughter in Post-War Italy.Published 16 months ago by NoNNa
This is my favorite film of Visconti, just as Mamma Roma (to my taste) is the best Pasolini's movie. Read morePublished 22 months ago by vs
In this 1951 dialogue barrage, Anna Magnani (1908-1973) pushes all out to get her small daughter into films. She tries her husband's patience, and he slaps her a few. Read morePublished on April 28, 2012 by J. Faulk