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The Belly of Paris (Oxford World's Classics) [Paperback]

Emile Zola (Author), Brian Nelson (Translator)
5.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

Oxford World's Classics September 28, 2009
Unjustly deported to Devil's Island following Louis-Napoleon's coup-d'�tat in December 1851, Florent Quenu escapes and returns to Paris. He finds the city changed beyond recognition. The old March� des Innocents has been knocked down as part of Haussmann's grand program of urban reconstruction, replaced by Les Halles, the spectacular new food markets. Disgusted by a bourgeois society whose devotion to food is inseparable from its devotion to the Government, Florent attempts an insurrection. Les Halles, apocalyptic and destructive, play an active role in Zola's picture of a world in which food and the injustice of society are inextricably linked.
This is the first English translation in fifty years of Le Ventre de Paris (The Belly of Paris). The third in Zola's great cycle, Les Rougon-Macquart, it is as enthralling as Germinal, Th�r�se Raquin, and the other novels in the series. Its focus on the great Paris food hall, Les Halles--combined with Zola's famous impressionist descriptions of food--make this a particularly memorable novel. Brian Nelson's lively translation captures the spirit of Zola's world and his Introduction illuminates the use of food in the novel to represent social class, social attitudes, political conflicts, and other aspect of the culture of the time. The bibliography and notes ensure that this is the most critically up-to-date edition of the novel in print.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Editorial Reviews

Review

* --This text refers to the Kindle Edition edition.

About the Author

Brian Nelson has also translated Zola's The Ladies' Paradise, Pot Luck, and The Kill for OWC. He is Professor of French Studies at Monash University in Melbourne.

Product Details

  • Paperback: 320 pages
  • Publisher: Oxford University Press, USA (September 28, 2009)
  • Language: English
  • ISBN-10: 0199555842
  • ISBN-13: 978-0199555840
  • Product Dimensions: 7.6 x 5 x 0.8 inches
  • Shipping Weight: 8.5 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #19,754 in Books (See Top 100 in Books)

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12 of 12 people found the following review helpful:
5.0 out of 5 stars The Belly of Paris, November 11, 2010
By 
Stephen Balbach (Ashton, MD United States) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: The Belly of Paris (Oxford World's Classics) (Paperback)
The Belly of Paris (French 1873; tr. Brian Nelson 2007) is one of the earlier works in Zola's 20-volume Rougon-Macquart series. It takes place in 1858 in the great Parisian food market of Les Halles. While the plot is somewhat anemic, the real strength is in the descriptions of Les Halles, its vendors and mainly the food itself. Vast quantities of food. Zola reaches levels of such lush detail to make one both ravenous, and nauseous with sights and smells before the age of refrigeration and knowledge of bacteria. On another level the novel is a satire of the greedy Bourgeois, or middle-class, which are depicted as the comfortable "fat people", in contrast to the revolutionary inclined and dangerous "thin people". Beneath the proper and upright middle class is a greedy animal driven by materialism, ready to stomp out threats to its creature comforts. Zola's criticism of the Bourgeois has both the particular historical interest of 19th century France, and universal timelessness. It's curious to see a novel from the 1870s focusing on middle class obesity and excessive materialism, a problem more relevant to our era, Zola was prescient about where the future was headed. It's even more curious that this novel was only recently translated in 2007, prior to that the most recent translation was from the 1950s and had long been out of print. Although the story itself is somewhat simple, the lush descriptions are fascinating and beautiful, sublime even, no other book in the series is so heavy on description, and his satire of the evils of greed and materialism among the middle class are as relevant and subversive as ever.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars Timeless, November 14, 2011
This review is from: The Belly of Paris (Oxford World's Classics) (Paperback)
I picked this up after seeing it included on a 'great books about food' list. The descriptions of food are both divine and disgusting. The plot - revolution against the uppper class and the blind support of the upper class by those who struggle is timeless. I wonder if a screen play has ever been attempted. This one would translate beautifully to the screen!
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8 of 14 people found the following review helpful:
5.0 out of 5 stars The Fat and the Skinny, June 4, 2010
This review is from: The Belly of Paris (Oxford World's Classics) (Paperback)
You will always find someone who buys you a drink, but no one will ever buy you food!
It is dishonest to be hungry!
Zola's volume 3 in the Rougon Maquart series is at its core about the disgusting bourgeoisie, who will love government as long as business is profitable. The food market "Les Halles" has recently been built, in the course of Haussmann's redesign of Paris, and it is a wonder of modern society. A side character, the painter Claude (later the hero of the sequel The Masterpiece), says: what a shame that the bourgeois scoundrels get to eat all this food!

Our hero Florent is a man who was unjustly banned to Devil's Island during the Coup d'Etat of Napoleon III. He escapes and finds his way back to Paris, where he tries to live in the Halles world, under a fake identity. Problem: too many people know him from old times! And he can't stay away from political circles, though he is harmlessness personified.
Clandestine life might still work, but he is a danger to his brother's wellbeing. The brother is not the main problem, but his wife is. The couple runs a successful butchery in the area and can't risk being identified with a runaway convict, a political prisoner! On top of that, Florent might eventually want his rightful share in the successful business, or at least of the inheritance that bought it. He must go back to the devil!
One of the key scenes in the book is set in the butchery during an evening. Florent, who lives with this brother's family, is telling a `story' about how he was transported to Devil's Island, how he escaped with 2 companions, how they both died, how he walked alone through the jungles of Dutch Guyana, how he found a settlement, and slowly managed to earn and save some money for his return to France. During his tale we watch the butcher and his staff do a batch of boudin, the blood sausage from pig's blood.

Florent is a weak character. He obtains a job as inspector of the fish market in the Halles, but he can not be assertive to use his authority. He is a well-intentioned push-over.

Lisa, the charcutiere, is the negative central heroine. She is a proper daughter to patriarch Maquart, one of the two evil half-brothers who started the `dynasty' in volume 1. She is also a cousin of speculator Saccard from La Curee, the second volume. Claude, the painter, is a nephew of the evil Lisa. He dislikes her thoroughly. But she wins. She is not actually evil, just a proper person who likes her comfort and supports the emperor and disapproves of political activists.

Napoleon III took power in 1851. The novel is set in 1858, nearly through half time of the shameful 2nd Empire. Zola despised the epoch. He wrote the novel in 1872, after the downfall of the usurper. Florent can not settle down to accept the second empire and remains in opposition. Is he a danger? Well, tyrannies have never been very slow in declaring any opposition a danger, up to now.
Zola's political outspokenness brought him trouble even when the regime had already fallen. I like him for it, and for his encyclopedic forays into the real world. 'Naturalism' had its own poetic values.

I admit that I post the review after reading only half of the book; what prompted me to post it prematurely is this: after I read the tale of the escape from Devil's Island (see the Papillon movie with D.Hoffman and Steve McQueen if you want a visual idea), I watched the movie To Have and Have Not (already reviewed). That ends on the exodus of Bogart plus an assembly of odd people from Vichy Martinique (another shameful period of French history) by boat with the lunatic intention to liberate a prisoner from Devil's Island. (Which mainly shows how far away from the world's realities William Faulkner lived and wrote!)
Does this happen to you too, that things come in pairs? To me, all the time.

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