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The music . When I buy a compilation CD, it is because I want to be exposed to different types of music that I haven't heard yet, and this CD definitely delivers. I was already a fan of Hakim (for review's sake - pop Egyptian, the "Lion of Egypt", very danceable and fun - will get the audience dancing in your shows), Amr Diab - another pop artist that's very popular, Warda (sophisticated, lovely music - especially the track chosen - Bitwanees Beek - which is a must for your collection), with Mohammed Abdel Wahab - one of the classics of Arabic music... etc etc.
[ Actually, reading some of the reviews by some self-professed knowitalls "real arab women" who gave this album 0 stars - how could you??! Warda, Abdel Wahab, and Hakim are not pleasing to you?! Then what is? ]
Other songs include :
Sahra Saidi - a high-energy drum solo that sounded very familiar to me, definitely great to show off your isolations.
Ice Queen - I haven't heard this one before, it is interesting, it is an entrance song, extremly high energy, definitely not traditional but it keeps the traditional format of the intro songs (including the break of beledi in the middle and then the taksim). I've used it successfully (I think) in a more theatrical setting where I wanted to grab the audience from the beginning . Like putting on a serious face before letting them in the joke :)
Raks Africa - the opening song, not my favorite for bellydance, but it was interesting, maybe later I'll change my mind.
Chicky - hah. Very funny song. Actual lyrics: "Listen to the chickichika boom boom". It's good to have this one on hand if one day I feel very, VERY silly. Or maybe not.
One fault I find with this CD - for my own sake - it is that it's not experimental enough - it didn't have enough songs that I didn't know. If you've been dancing for a while, you already know most of the songs. Should have paid more attention to the list...
cheers,
ioana
I happened upon this Amazon listing while browsing middle eastern albums, so I decided to see what other people thought of it. My god, such a disparity in reviews! Either five stars or one?! I try not to be too opinionated about such things (at least not as opinionated as most of the one star reviewers), but I confess that I do enjoy going through Amazon and debunking innaccurate, misleading, or seriously biased reviewing.
This is where I "pull rank." Sorry, "one star" reviewers; I probably own more middle eastern CD's than all of you combined, and this album just does not deserve the vitriol that you are hurling at it. A somewhat cheesy, typical American commericalized, album concept, to be sure; and some equally cheesy westernized techno-tinged songs, as well...but it just doesn't suck as bad as your "rip" reviews would indicate. It is my philosopy that there are very few albums that deserve one-star reviews, in the first place (and this one probably isn't worthy of so many five-star reviews either), but why don't you just give it two stars, say it wasn't what you expected--or that it was exactly the "crap" that you expected--and move on. I'm always a bit confused as to why some of these people even bothered to by the CD in the first place. It's fairly obvious from the album listing, and other reviews, what this album is. I am always puzzled by the strange practice, that some people seem to do, of buying an album expecting--or seemingly even hoping-- to hate it, to have some sort of world view of theirs confirmed. Why waste your time, energy, and money?
All you do is reveal your biases--perhaps even outright prejudices--with these kinds of reviews; and, more to the point, you come across like big time SNOBS! I don't see anywhere on this album where it indicates that this is supposed to be a wholly "authentic oriental" dance/music presentation. Is there some unwritten law that states that westerners can't add some of their own cultural flavor to this music...god/allah knows that plenty of "oriental" music composers have assimilated western elements into their music (the great composer, Mohamed Abdel Wahab, himself, for one).
I am generally pretty liberal, but when it comes to things like music, I tend to be a bit of a traditionalist myself; for example, I can't stomach most "world beat" and "trance music," which to me is the equivalent of the taking world music and putting a "disco beat" to it (as was the trend back in the seventies), but we must not let ourselves become allergic to all things "modern," or updated, as was the sarcastic reviewer that made the word "modern" synonymous with the word "crappy." Tradition is great, but clinging TOO hard to our traditions is one of the main source of much of the trouble in the world today...especially in the "Middle East."
As someone who was born and raised in the U.S., I have an aversion to many things about this country, too; especially all of the commercialism and consumerism inherent to such a capitalist society...but I really feel compassion for those of you who are Arabic and living in a country whose customs you seem to despise so much. Perhaps you should channel the passion reflected in your angry words, into your dancing and/or daily spiritual practice.
Bottom line: not a great album; but not "shockingly bad," "crappy," "garbage," "horrible," "unbelievably awful," or "terrible," either (although, as the person who called it "terrible," also indicated, it might actually be a bit "contrived"). Some things are simply a matter of personal taste, others are more of a matter of personal prejudice. When writing a review, at least try to have some degree of objectivity--or if you feel like you have to write, and you just can't be objective, at least come right out and reveal your bias--or your review really isn't very useful at all.
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