Customer Reviews

Cry, the Beloved Country (Oprah's Book Club)

5 star:		(174)
4 star:		(52)
3 star:		(24)
2 star:		(17)
1 star:		(18)

 

 

When first published in 1948 in apartheid South Africa, Cry, the Beloved Country raised more than eyebrows as a powerful book about the power of unity and an author's unflinching hope of a future where segregation no longer exists. The book summoned feelings of pride, optimism, and anticipation of a long-desired goal. But Paton's lyrical, poetic prose is not your typical run-of-the-mill anger evoking story about discrimination. The story is a humanizing experience that evokes feelings of sympathy and understanding, not hatred for a system so blatantly wrong.

In Cry, the Beloved Country, readers feel an uncanny connection to three things: the land, an old black rural priest searching in a corrupt city for his son, and an old white rural man confronting the loss of his son. All three aspects of the book are connected by a common thread. And a great thing about the book is that Paton doesn't feel the need to build up to the emotional climax by setting the readers against a well defined antagonist, or even an antagonist at all; on a micro-scale, the story is a moving tribute to man's inherent dignity; on a macro-scale, the themes and plethora of symbols are applied to man's all-too mortal nature.

This book is also a can't-miss for any fans of poetry who want to read a good work of prose. As the New Republic puts it, Cry, the Beloved Country is "the greatest novel to emerge out of the tragedy of South Africa, and one of the best novels of our time." I would be inclined to agree.

Of the (literally) thousands of books I have read in my life, this is still my favorite. I first read it as a freshman in high school (in 1960, when apartheid was still the law of South Africa), and the sheer beauty of the language took away my breath. The words were so powerful that I memorized many portions of the text, just so I would be able to repeat the words aloud whenever I wished. When JFK was assassinated in 1963, I gave a presentation to my senior English class, and began it with the section of this book that starts: "There is not much talking now, a silence falls on them all...." The class was mesmerized at Mr. Paton's eerily appropriate words, and tears were shed. I've always encouraged my own children to read and they are almost as voracious with books as their dad. Needless to say, this is one of the books I highly recommend to them, because of the excellent writing, and I highly recommend it to you for the same reason.

I first read the book when I was in high school for our novel section of AP English. As a writer now, it is strangely thrilling to see how Paton's ideas and poetry influenced my own prose. "The Grapes of Wrath" by Steinbeck was good, but I felt that it lacked the words of the heart that Paton writes with. Never have I read a more simple and profound book, so lovingly crafted, so authentic and natural, that some fifty years later after Paton wrote the novel, it still has not been superceded. Kumalo's plight is everyman's plight; his burden our burden; his son our son. Dear students, don't read this book because your teacher tells you to, you will learn nothing that way. Read it, because you earnestly desire it, because it is well worth it.

Tragic story set in South Africa during a now-ended era. Cry the Beloved Country is worth a careful read for its many-layered messages of loss and faith, of murder and penitence, of guilt and redemption - and through it all is Rev. Kumalo's love for his people (and not just his, but for the inherent goodness in ALL people), his family, his church - and most of all, his country.
It's a classic that has already withstood the test of time - and will doubtless continue to do so.
Don't miss it, and share it with someone else.

How much can a man love his country? How much can he love his son? His God? Can justice prevail when man cannot? What is forgiveness? Redemption? Grace? To consider all these elements in one novel is not possible. Or is it?

"Cry, the Beloved Country" is all these things and more. It is forgiveness writ large. It is agape love in the doing. It is the story of two fathers, each with a son. One son is the victim of apartheid and is lost. The other is also a victim of apartheid but of the other side. He seeks to find a way to make things better, to make things right. The lost one kills the seeking one. One is African, the other is Afrikaaner, and therein lies the difference and the ultimate. This difference, this ultimate, this absolute are what drove Alan Paton in the writing of South Africa's most famous, most searing novel of the separation of races in all ways.

Absalom Kumalo's life is limited in all ways because he is black South African. Arthur Jarvis is an engineer and has all the privileges of white South Africa, yet he is keen on social justice and works to bring it to pass. What irony then that the one without kills the one seeking to bring justice. However, it is this very irony that brings their fathers to friendship, to a bonding of black man and white man.

Umfundisi is the black priest (not Catholic) of a simple, poor church in a village located near the home of the rich landowner and farmer, James Jarvis, who really does not know his son until he is dead. It is the getting to know his son that he connects with the African, and the father becomes the son in the ways of love and forgiveness. The umfundisi is one of my favorite characters in all literature I have read because of his humility and reverence.

This novel, published in 1948, remains as one, even today, apropos to race relations, to their very real potentials and actualities. Mutual respect, sincerity, forgiveness, and grace all come to the fore in this most magnificent, lyrical novel.

It would be on my Top 10 list of books I would take if marooned on the proverbial deserted island.

Hi. I'm a high-school student, a 9th grader to be exact. I was not assigned this book, but did pick it from a list to read for a report. I am EXTREMELY glad that I did. I do admit that it is hard to get into. In the beginning, I was quite annoyed at Paton for blatantly ignoring correct grammar on quotes, and if you don't get it, i would suggest just reading the first few chapters a couple times in a place where you can concentrate. If you can be patient this long, it will suddenly click. I picked up and put this book back down about twice in two weeks,just to read the first five chapters, but then i was able to get into it, and finished it within two days.
If you can perservere, get ready for a passionate, wonderful, brilliant ride. The characters are incredibly sincere, in both their good and bad sides. Paton does not try to make anyone a hero, even priests loose their temper at some point. What he does manage to do is make you laugh, open your mouth wide with astonishment, anger you, make you cry, and finally leave you with a sense of hope. This is an amazing book that captures the essense of South Africa's struggle for balance, in a time when white people were ripping away any structure the black Africans had, and expecting them to deal with what ideas and technology were brought from the western world. We read Kaffir Boy earlier this year, and it is very interesting to see the difference of opinion on little things like the Afrikaans language when a book is written by a white South African, and a black South African. (I...just don't know if i would recommend Kaffir Boy.)
This is...I've run out of adjectives. But this is a simply marvelous book, which EVERYONE needs to read. And understand. And enjoy. Because it's very hard not to.

Beautiful imagery, language and chronology. I loved the journey that this book took me on. I read this book very s-l-o-w-l-y to capture every detail to really try and understand. The writing style allows the reader to go through the emotions of the main character (Umfumdisi) on his desperate search to find his son. You will experience the beauty of South Africa, just as you will know the grim of its land. I appreciated the introduction to native words and their meanings, to native traditions and their customs. This was more than a good read, it was an experience. (From the words of Cry, the beloved country - "Go well and stay well").

Tragic story set in South Africa during a now-ended era. Cry the Beloved Country is worth a careful read for its many-layered messages of loss and faith, of murder and penitence, of guilt and redemption - and through it all is Rev. Kumalo's love for his people (and not just his, but for the inherent goodness in ALL people), his family, his church - and most of all, his country.
It's a classic that has already withstood the test of time - and will doubtless continue to do so.
Don't miss it, and share it with someone else.

Somehow, in my slog through high school English, I was deprived of the reading of Paton's "Cry, the Beloved Country". Unlike many things, though, this was a true deprivation. I first read this several summers ago; though Paton's novel is specifically relevant to an era that is now receding into the past, his prose remains haunting. So deceptively simple is his language, yet flowing, this is almost a book best savoured aloud (well-worth the reading of to a friend).

Though apartheid has now blessedly slipped the scene, leaving South Africa with its aftermath to struggle through, Paton's story of the Reverend Kumalo's search for redemption is enduring. Perhaps most significant though, is the very simple idea at the core...reconciliation...of father with lost son, lost daughter...of murderer with the victim's kin...and...in Paton's time, and still so in our own...of each of us with our fellow humans.

This is a book that moves me deeply every time I read it, and loses nothing in a rereading. Of the thousands of books I have read, encompassing a myriad of styles, of academic fields...this is still the one book that I recommend without hesitation, without prejudice, to any and to every. This is a truly beautiful work.

The writing is trully amazing. I have never read such a lyrical book. There are sections of it which feel like they could to be sung. There is wonderful poetic rhythm to the language.

And then of course there is the actual story ... which is also beautiful and tragic. The drama is very intense. Don't let the difficult to pronounce names put you off. This is worth reading numerous times.