A Bend in the River [Hardcover]

V. S. Naipaul (Author)

Book Description

Publication Date: June 1992

'Brilliant and terrifying' - "Observer". I had to be the man who was doing well and more than well, the man whose drab shop concealed some bigger operation that made millions. I had to be the man who had planned it all, who had come to the destroyed town at the bend in the river because he had foreseen the rich future. 'Salim, the narrator, is a young man from an Indian family of traders long resident on the coast of Central Africa. Salim has left the coast to make his way in the interior, there to take on a small trading shop of this and that, sundries, sold to the natives. The place is 'a bend in the river'; it is Africa. The time is post-colonial, the time of Independence. The Europeans have withdrawn or been forced to withdraw and the scene is one of chaos, violent change, warring tribes, ignorance, isolation, poverty and a lack of preparation for the modern world they have entered, or partially assumed as a sort of decoration. It is a story of historical upheaval and social breakdown. Naipaul has fashioned a work of intense imaginative force. It is a haunting creation, rich with incident and human bafflement, played out in an immense detail of landscape rendered with a poignant brilliance' - Elizabeth Hardwick. 'Always a master of fictional landscape, Naipaul here shows, in his variety of human examples and in his search for underlying social causes, a Tolstoyan spirit' - John Updike.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Review

'Brilliant and terrifying' Observer --This text refers to an out of print or unavailable edition of this title.

From the Inside Flap

First published in 1979, A Bend in the River is a profound and richly observed novel of the politics and society of postcolonial Africa. Salim, a young Indian man, moves to a town on a bend in the river of a recently independent nation. As Salim strives to establish his business, he comes to be closely involved with the fluid and dangerous politics of the newly created state, the remnants of the old regime clashing inevitably with the new. "Naipaul's novels are about the struggle for existence in a world still colonial despite the breakup of the old Western empires," wrote Alfred Kazin.
   A Bend in the River is demonstration of V. S. Naipaul's status as one of the world's best novelists. The New York Times Book Review noted: "For sheer abundance of talent there can hardly be a writer alive who surpasses V. S. Naipaul." Elizabeth Hardwick, who has provided a
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford-
able hardbound editions of impor-
tant works of literature and thought. For the Modern Library's seventy-
fifth anniversary, Random House redesigned the series, restoring
as its emblem the running torch-
bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-
gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

For a complete list of titles,
see the inside of the jacketnew Introduction for this Modern Library edition, has said, "The sweep of Naipaul's imagination, the brilliant fictional frame that expresses it, are in my view without equal today." --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Hardcover
• Publisher: Peter Smith Pub Inc (June 1992)
• Language: English
• ISBN-10: 0844666319
• ISBN-13: 978-0844666310
• Product Dimensions: 7.6 x 5 x 0.8 inches
• Average Customer Review: 4.2 out of 5 stars  See all reviews (88 customer reviews)
• Amazon Best Sellers Rank: #1,965,868 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

162 of 172 people found the following review helpful:

5.0 out of 5 stars This is not really fiction, April 14, 2000

By 

Ed Gibbon www.congocookbook.com - See all my reviews

This review is from: A Bend in the River (Paperback)

Naipaul's "A Bend in the River" is almost as much reportage as fiction. The novel is set in the city of Kisangani, on the Congo River in Congo (formerly the Zaire river in Zaire) -- though interestingly, the author never says this explicitly. I have never seen an account as to what Naipaul's experiences in Zaire were exactly, but he manages to tell the story of the early days of Zaire's independence, after colonial rule as the Belgian Congo.

The protagonist is a young Indian from the Eastern coast. ("Indian" in the sense of his ethnicity, his family has been in Africa longer than they can remember.) He has purchased a shop in Kisangani, and trys to build up his business as the "big man" consolidates power in the newly independent country. Things go from bad to worse, for the new shopkeeper and the country. Though this is fiction, every word is true.

Naipaul writes beautifully, and has many insights into Africa, colonialism, history, and life. This is one of the few books that I have read and enjoyed more than once.

Some people recommend Chinua Achebe's "Things Fall Apart" to readers looking for an "African" novel. But to recommend "Things Fall Apart" over "A Bend in the River" makes sense only if you can read just a single book about Africa. Achebe's novel is set in Nigeria; Naipaul's is about Zaire. It's like saying don't bother with "Brothers Karamozov", read "Great Expectations" instead. I should hope a serious reader would turn his attention to both.

(The last days of the Belgian Congo is the setting for Barbara Kingsolver's "The Poisonwood Bible". Many good nonfiction stories from this time and place are found in "A Doctor's Life: Unique Stories" by William T. Close. A literary approach to the early days of the Belgian Congo is Joseph Conrad's "Heart of Darkness".)

49 of 52 people found the following review helpful:

4.0 out of 5 stars "Africa has no future", February 17, 2002

By 

"michaeleve" - See all my reviews

This review is from: A Bend in the River (Paperback)

Naipaul in one of his typically politically-incorrect interviews said these very words about the continent. A BEND IN THE RIVER is therefore a gloomy book and offers a pessimistic view of Africa. If Conrad had not already taken the title, then this book could easily have been called HEART OF DARKNESS. That's not a coincidence either as Naipaul is frequently compared to Conrad in terms of literary style and theme. The setting is the same also. Although A BEND.. takes place in a fictitious African country it can be read as either Congo or Uganda as it is based on his visits to those countries in the 1960's.

The principal character and narrator of the story is Salim, an Indian and Muslim. Indian merchant families like his have been living in the coastal area of the country for generations. The blacks live inland. Salim decides to move to a small, formerly-quaint colonial town in the interior to set up shop and sell cloth. He is immediately at a loss, in conflict, confused - a man in search of an identity in a country in search of itself. Salim must contend with the rapidly changing social, economic and political environment of the newly independent country while at the same time sort out his own world view in the face of the contending opinions of the other characters. There is the influence of the Big Man - and simply because he is president for life - his interests must be served. There are others: a Belgian priest; Raymond, the white speech writer for the Big Man; Yvette, Raymond's wife; Mahesh, a disillusioned Indian, and finally, the most unlikey important character - Ferdinand. He is a simple boy from the "bush", who, in this upside-down country, becomes Governor of the town after the nation is "radicalized" by the Big Man.

The newly-independent former-colony and the various cultural and political influences of the inhabitants are the foils for two of Naipaul's favorite themes. First is his affinity for, and identity with, dispossessed persons. Dispossessed in the personal sense of the word - no home, no country, no identity - a nobody. Following from this personal sense of rootlessness and anomie is Naipaul's un-romantic and oftentimes very critical assessment of the ability of developing countries to sustain the hopes and dreams of their people. This is ably summed up by Ferdinand. "We are all going to hell, and everyman knows this in his bones...everyone want's to make his money and run away. But where?"

Naipaul's prose is direct, not symbolic, so many students of Post Colonial literature have had a field-day dissecting Naipaul's various literary allusions and castigate him as a conservative and supporter of neo-colonialism. If that's your area of interest and particular world-view then you will definitely not enjoy A BEND.. If on the other hand you simply like well written, slightly satirical novels with finely-detailed characters and are inclined to not take writers or your reading material too seriously then this is a book you'll definitely enjoy.

85 of 94 people found the following review helpful:

5.0 out of 5 stars high point in Naipal's career, April 17, 2001

By 

Robert J. Crawford (Balmette Talloires, France) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   

This review is from: A Bend in the River (Paperback)

This is one of those novels that can haunt the imagination for the rest of the reader's life. It is a true masterpiece of exploratory fiction, from the opening paragraph, "The world is what it is," to the closing images of moths "white in white light." Its world is brutal and alien, yet brings out the humanity, vanities, and hopes that all of us share. As a window into the mind of underdeveloped countries, it is unsurpassed. It is so superior to Conrad's Heart of Darkness, to which it is so frequently compared, that critics should not even mention them together.

The writing is plain, yet elegant, a quiet symphony as it portrays a journey of violence and despair and growth. Once I finished it, I read it again from cover to cover in a single sitting, transported into these alien lives that only occur in few novels I have ever read. As such, it can serve as the starting point of a lifelong inner conversation, the true mark of a classic.

This novel was written at the high point in Naipal's career. He was just becoming world famous and this one cemented his reputation. It is a pity that his subsequent works never quite matched the sweep and depth of voice in this novel. Now he is criticized, perhaps rightly, for his sexism, his pessimism, and his petty prejudices.

But this novel is one of the best I ever read.