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Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism
 
 
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Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism [Hardcover]

Erika Doss (Author)

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Book Description

0226159426 978-0226159423 October 11, 1991 1
In this acclaimed revisionist study, Erika Doss chronicles an historic cultural change in American art from the dominance of regionalism in the 1930s to abstract expressionism in the 1940s. She centers her study on Thomas Hart Benton and Jackson Pollock, Benton's foremost student in the early thirties, charting Pollock's early imitation of Benton's style before his radical move to abstraction. By situating painting within the evolving sociopolitical and cultural context of the Depression and the Cold War, Doss explains the reasons for this change and casts light on its significance for contemporary culture.

"A welcome addition to the growing body of literature that deals with the art and culture of the depression and cold war eras. It is a pioneering work that makes a valuable contribution to our understanding of a puzzling conundrum of American art—the shift from regionalism to abstract expressionism."—M. Sue Kendall, Winterthur Portfolio

"An important scholarly contribution. . . . This book will stand as a step along the way to a better understanding of the most amazing transition in the art of our tumultuous century."—James G. Rogers, Jr., Art Journal

"A valuable and interesting book that restores continuity and political context to the decades of depression and war."—Marlene Park, American Historical Review

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First Sentence:
In 1919, thirty-year-old artist Thomas Hart Benton embarked on a project that would consume nine years of his life: a multipaneled mural called The American Historical Epic. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
shift from regionalism, regionalist art, regionalist pictures, drip pictures, cultural panel, producer tradition, regionalist style, corporate appropriation, industrial panel, movie workers, postwar pictures, consensus culture, oil glaze, movie culture, nonobjective art, egg tempera, postwar critics, office murals, historical mural, essay appended, corporate hegemony, abstract expressionism, drip paintings, scene art
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Thomas Hart Benton, Jackson Pollock, United States, New School, America Today, Kansas City, Common Sense, The Year of Peril, American Tobacco Company, Associated American Artists, Art Front, Benton Papers, Henry Luce, Partisan Review, American Regionalism, Whitney Museum, Grant Wood, Popular Front, Museum of Modern Art, Art Digest, Art Institute, Cold War, New Republic, Equitable Life Assurance Society
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