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Beowulf: Doom of Glory [Paperback]

Gareth Hinds (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

March 1, 2000
The conclusion of the epic Beowulf comic book trilogy.

It is the late viking age. An escaped prisoner wanders into a mysterious rocky defile on the windswept coast of Geatland. Inside, he discovers an ancient barrow, heaped high with decaying riches and sparkling gems. Sleeping atop the treasure is a 50-foot winged fire-drake, an ancient creature who has guarded the hoard for untold centuries. The prisoner, hypnotized by the sight of the treasure, steals a single golden goblet and flees in terror.

Beowulf has ruled his people well for 50 years, shielding them from all threats and giving unstintingly of his treasure. In a single night, his peaceful reign is ended. The enraged dragon flies to Beowulf's village, where it burns his throne-hall and the homes of many of his people to the ground. Even in his old age, Beowulf is still by far the strongest of the Geats, and so he goes forth with a band of warriors to seek out and destroy the dragon. This will be Beowulf's most desperate battle, and the fate of the entire Geatish tribe hangs in the balance.


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Editorial Reviews

About the Author

Gareth Hinds studied illustration at Parson School of Design. From his Boston studio, he produces work for a number of fields, including comic books, computer games, portraiture, editorial and architectural illustration, and reportage. His work has won recognition from the Society of Illustrators, the Xeric Foundation, and numerous journalistic publications in the comic industry.

Product Details

  • Paperback: 40 pages
  • Publisher: thecomic.com (March 1, 2000)
  • ISBN-10: 1893131033
  • ISBN-13: 978-1893131033
  • Product Dimensions: 10.2 x 6.3 x 0.1 inches
  • Shipping Weight: 3.2 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,133,885 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Fitting Completion of Interesting Series, December 17, 2000
By 
"disneychick" (Main Street, USA) - See all my reviews
This review is from: Beowulf: Doom of Glory (Paperback)
The final book in Hinds' three-part series, Doom of Glory, fulfills the promise of his earlier two installments. Here, Hinds' demonstrates he is not afraid to take chances with the medium. In keeping with the poem's increasing focus on aging, mortality, and the price of fame, this part of the series provides a visual contrast to the other two books. Rather than being constructed with vivid colors and bold shading, this book is done in a monochromatic scheme filled with blacks and grays. This is particularly fitting for Beowulf's world, where things are neither quite so vivid as in the first half of the poem (with the battles between Beowulf and Grendel/Grendel's mother), nor are they the black-and-white, easy answers of one's youth. Instead, Beowulf's life, his rule, his decision to enter into the last battle with the dragon is less clear. Is Beowulf doing the right thing in fighting the dragon? What are the costs and outcomes of this decision? What makes a good king and what makes a good life? All these questions and their answers, like Hinds' illustrations, are shades of gray. It's a beautiful way to address the themes of the Beowulf poem and Hinds should receive credit for this decision, if for nothing else in the series.

However, that last statement should not suggest that there is nothing else to praise in Hinds' work. His illustrations of both Beowulf as an old man and the dragon, positioning them as foes more alike than different, is keeping well within the poem. As I've said in other reviews, Hinds' work is a near-translation into a new medium, sticking more closely to the essence of Beowulf than many prose versions I've read. Further, it reintroduces and reinterprets Beowulf in ways that show how relevant the Beowulf poem is comtemporarily. It speaks to its audience as much as the Beowulf poem did to its.

Hinds' work can be enjoyed as a viable version of Beowulf or on its own. It's that good.

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