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Beowulf: Letterpress Edition
 
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Beowulf: Letterpress Edition [Paperback]

Bertha Rogers (Author, Translator)
5.0 out of 5 stars  See all reviews (1 customer review)

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Editorial Reviews

Review

"Rogers's ten illustrations supply insight into her treatment of the translation... derived from Anglo-Saxon art... yet with a contemporary edge..." -- Chelsea Review.

Language Notes

Text: English (translation)

Product Details

  • Paperback: 136 pages
  • Publisher: Birch Brook Pr; 1 edition (January 30, 2001)
  • Language: English
  • ISBN-10: 0913559598
  • ISBN-13: 978-0913559598
  • Product Dimensions: 9.5 x 6.3 x 0.8 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,509,321 in Books (See Top 100 in Books)

More About the Author

More than 250 of Bertha Rogers's poems appear in journals and anthologies, and the collections Heart Turned Back (Salmon Poetry, Ireland, 2010), Even the Hemlock: Poems, Illuminations, Reliquaries (Six Swans Artists Editions, NY, 2005); The Fourth Beast (chapbook, Snark Press, IL, 2004); A House of Corners (Three Conditions Press, Maryland Poetry Review Chapbook Contest Winner, 2000); Sleeper, You Wake (Mellen, NY 1991). Her translation of Beowulf, the Anglo-Saxon epic poem, was published in 2000 (Birch Brook Press, NY), and her translation of the riddle-poems from the Anglo-Saxon Exeter Book, Uncommon Creatures, Singing Things, will be published in 2010 (Birch Brook Press, NY).
In 2002 she received a Ludwig Vogelstein Grant for poetry and visual art; and in 2006 she was the recipient of an AE Ventures Grant for excellence in both poetry and visual art and for contributions to the field through the not-for-profit literary press and center she founded in 1992, http://www.brighthillpress.org at Bright Hill Literary Center in Treadwell, NY. The organization is distinguished for its reading series, Word Thursdays; its poetry publishing program, Bright Hill Press; its children and high-school literary programs, and its word-and-image exhibits, as well as its 10,000-volume humanities library. The organization also developed and administers, in partnership with the New York State Council on the Arts, the New York State Literary website and print map, http://www.nyslittree.org. She has served as a judge for local, regional, and NY state NEA Poetry Outloud Contests, and she was a member of the selection committee for the first New York Writers Hall of Fame.
Her word and image works have been shown in hundreds of juried and solo exhibits throughout the US and Europe and are collected in the Harry Ransom Archive at the University of Texas and other private and public collections. In 2009 she was awarded a DEC grant for her interdisciplinary exhibit "Riddle Me This: The Anglo-Saxon Riddle-Poems Translated & Illuminated"; the show was at DCHA Museum, Hanford Mills Museum, and the WH Adams Bookstore; it is on tour and being shown through April at the Downtown Writer's Center GallerY, Syracuse.
In 2007 Rogers received the 2007 Teaching Artist Distinguished Service to the Arts in Education Field Award from Partners for Arts Education and the Association of Teaching Artists in New York. She serves as program director for the New York State Literary Web Site, nyslittree.org, publisher of the first Literary Map of New York State (2005), in partnership with the New York State Council on the Arts, and she is a member of the New York State Writers in the Schools Panel. Her web site is http://bertharogers.com.

 

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1 of 3 people found the following review helpful:
5.0 out of 5 stars The founding masterpiece of English poetry, January 9, 2002
This review is from: Beowulf: Letterpress Edition (Paperback)
Beowulf is a tale of glory, courage and death. It starts with a burial at sea, on a boat forever roaming the ocean with a rich hoard of gold and it ends with the pyre of Beowulf himself buried with a rich hoard in a mound to remember the dead king and to be a signal to all sailors about the land they will welcome as a harbour of peace. But the whole trajectory of this tale is founded on three exploits, three killings of monsters. First Grendel the sea monster who is destroyed with sheer muscular strength. Then Grendel's mother at the bottom of the sea in a lair that looks like a womb that has to be purified by the killing and beheading of both the mother and the son, a son that has no father and that is the last descendant of the outcast Cain. It is the perfect Christian rewriting of an old saga, the destruction of all monsters, of the last monsters bringing the end of Cain's line and the redemption of humanity in God by the cleansing of the womb that produced such monsters. It is the killing of the mother that had no husband and her son that had no father, of those unhuman beings that live on preying humanity. All the old legends are thus christianized and Beowulf, the hero, some would have seen a god in him in the old days, becomes a Christian hero who cleanses the womb and christianizes it, who brings the light of God to the world along with glory and peace. But the chistianization of the saga is only complete when a third killing takes place, a killing that will mean the death and sacrifice of the hero. The third monster is a serpent, a dragon, keeping a fantastic treasure under his guard. The monster of flight, fire and also water, the cross of all monsters of water, air and fire, living in a deep burrow in the earth. He associates the four elements and has to be killed for humanity to be free of such menaces. Beowulf will do it though he will die of it. It is the killing of the dragon in the Book of Revelation that opens the road to the New Jerusalem, the City of God. This dragon is also an obvious father symbol. Hence all the monsters are destroyed, and the victory is complete by the killing of the father, though that killing both means the death of the hero and the birth of a new hero who helps Beowulf defeat the dragon. The treasure of the dragon will yet not be appropriated by the winner because it represents the strength of this dragon, of the father, of the hero. The hero will be buried with it and the tomb will become a beaconing symbol of security and welcome for men. This christianization is very subtle. Eight warriors will enter the dragon's lair, eight like Jesus Christ in christian symbolism, but also like the omega of the Book of Revelation. And then twelve warriors will consecrate the burial mound of Beowulf, twelve like the twelve doors of the New Jerusalem, like the representatives of the City of God, of the prediction of the end of the world and the redemption of all worthy men and women after the last call of God who is both the alpha, the beginning, and the omega, the end, of life, of the world, of humanity, of any man's life that has to start with a heroic act and end with another.

The language itself makes it difficult to read but the effort is leading to a worthwhile beauty that no translation can ever achieve.

Dr Jacques COULARDEAU

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