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Bequest and Betrayal: Memoirs of a Parent's Death
 
 
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Bequest and Betrayal: Memoirs of a Parent's Death [Paperback]

Nancy K. Miller (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

January 22, 2000

Now in paper!

Bequest and Betrayal: Memoirs of a Parent's Death
Nancy K. Miller
Part criticism, part autobiography—an introspective look at grief by a major literary scholar.

"In a book that will change the ways we think about autobiography and criticism, Nancy K. Miller produces poignant revelations about what it means to live with a dying parent—as a son or daughter, as well as the difference that gender makes in such a painful situation. In Bequest and Betrayal, she develops an original feminist perspective by counterpointing lyrical introspection about her own grief with critical insights into memoirs by Simone de Beauvoir, Philip Roth, Art Spiegelman, Susan Cheever, Carolyn Steedman, and Annie Ernaux." —Sandra M. Gilbert and Susan Gubar, co-authors of The Madwoman in the Attic, No Man's Land, and The Norton Anthology of Literature by Women

"Miller's use of the memoir form offers a new model of serious criticism, and a way of imagining community through 'bonds of paper' as well as 'bonds of blood.'" —Elaine Showalter, London Review of Books

Melding the details of her own experience with the familial biographies of well-known contemporary writers, Miller recreates a common experience—the loss of a father or a mother—and exposes the often tortuous paths of mourning and attachment that we follow in the wake of loss. In the process, she offers pieces of personal history, revealing the mixed emotions provoked by her mother's sudden death from cancer and her father's painful struggle with Parkinson's disease. Memoirs about the loss of parents show how enmeshed in the family plot we have been and the price of our complicity in its stories. The death of parents forces us to rethink our lives, to reread ourselves. We read for what we need to find. Sometimes, we also find what we didn't know we needed.

Nancy K. Miller is Distinguished Professor of English and Comparative Literature at the Graduate Center of the City University of New York. She is author of Getting Personal and Subject to Change.


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Editorial Reviews

From Publishers Weekly

Interspersing her own story with a detailed study of other memoirs, Miller has put together a book that's part autobiography and part academic treatise. Both elements have their strengths, but Miller's recollections of her parents are more consistently accessible: letters her father had written to his dead wife; her mother's deathbed confession that "my father was not a satisfactory lover"; her ailing father's reluctant decision to cancel his season tickets to the opera, "emblem of my parents' life together as a successful middle-class couple in New York." Such passages add a necessary dose of humanity to what occasionally threatens to turn into an over-the-top analysis of parents, children and death. Reviewing the section of Philip Roth's Patrimony in which Roth contemplates his father's penis while bathing him, Miller writes that "re-creation of the father (the son's authorial project) retails re-membering him: seeing his father's penis anew, revitalizing its claims to masculinity." Her academic observations aren't always so convoluted. Indeed, her point that "we read for what we need to find" aptly sums up this project: aspiring memoirists, literature students and those simply interested in the story of a childless adult dealing with the death of her parents will find something worth thinking about in these pages.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

An unsatisfying amalgam of autobiography and literary criticism that achieves the dubious distinction of rendering its subject less, not more, interesting. Miller (English/City Univ. of New York; Getting Personal, not reviewed) examines Philip Roth's Patrimony, Simone de Beauvoir's A Very Easy Death, Art Spiegelman's Maus, and several other memoirs about the death of a parent. She leavens her didactic analyses (which rely heavily on feminist and psychoanalytic theory) with brief passages of autobiography. These fragments are meant to bolster her arguments and, more importantly, to demonstrate a correlation between the literary task of memorializing a dead parent and her own attempts to come to terms with the deaths of her mother and father. But the short personal sections, most less than a page, provide only glimpses of Miller's uneasy relationship with her parents. Too brief to sustain narrative momentum and too disjointed to develop cumulative emotional power, these details- -which hint of a long-running ``war'' with her mother and a sense of regret about her own childlessness--seem coy and elusive in the absence of context. Considering her willingness to divine the psychological motives of Roth and company, this elusiveness is curious. Miller ably delineates the pitfalls memoirists encounter: the fear of invading privacy balanced with the desire for self- knowledge; the danger of self-censorship inherent in family narrative; and most provocatively, the disturbing mix of regret and relief many feel at a parent's death. But ultimately she is more successful at drawing connections among the books she discusses than at using them to illuminate her personal struggle. ``The critic's classic move is to track the places where the autobiographer seems blind to the screen of his own self- disclosure,'' Miller notes. This volume would be more compelling if Miller examined her own motives more closely. (photos, not seen) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 208 pages
  • Publisher: Indiana University Press (January 22, 2000)
  • Language: English
  • ISBN-10: 0253213797
  • ISBN-13: 978-0253213792
  • Product Dimensions: 8.2 x 5.5 x 0.6 inches
  • Shipping Weight: 10.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,482,999 in Books (See Top 100 in Books)

More About the Author

NANCY K. MILLER is the author of "What They Saved," the story of how she reconstructed her family's missing past from a handful of mysterious objects passed down from her father. The strange collection--locks of hair, a postcard from Argentina, a cemetery receipt, letters written in Yiddish--moved her to search for the people who had left these traces of their lives and to understand what had happened to them. As Miller slowly pieced together her family portrait and assembled a genealogical tree, she felt connected in unexpected ways to an immigrant narrative that began in Eastern Europe at the turn of the twentieth century, when her ancestors headed for the Lower East Side of Manhattan. At the end of her decade-long quest, Miller started to imagine the life she might have had with the missing side of her family. Suspended between what had been lost and what she found, Miller finally comes to terms with the bittersweet legacy of the third generation--tantalizing fragments of disappeared worlds.

Nancy K. Miller has written, edited or co-edited more than a dozen volumes, including Getting Personal, Bequest and Betrayal, and But Enough About Me.

 

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1 of 1 people found the following review helpful:
5.0 out of 5 stars untitled, January 26, 2001
By 
Jarrod Hayes (Ann Arbor, MI USA) - See all my reviews
This review is from: Bequest and Betrayal: Memoirs of a Parent's Death (Paperback)
This is the first work of literary criticism that I read like a novel; I simply couldn't put it down. By combining literary criticism and autobiography, Miller pushes the boundaries of literary criticism in productive ways and forces us to rethink the field. Finally a book I can recommend and give to all my friends, regardless of whether they are academics.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Scholarly & readable-- what a combination!, September 15, 2000
By 
Kimberly Wells (Shreveport, LA USA) - See all my reviews
(REAL NAME)   
Nancy K. Miller is one of my favorite contemporary feminist theorists. This study of several "Memoirs" written by adult children of deceased parents kept me interested in ways that scholarship often does not (I usually read it for work, not pleasure-- this book combined the two). With this book, you should also read Maus : A Survivor's Tale by Art Spiegelman, because one of the most fascinating chapters is a study of Spiegelman's gripping Holocaust narratives. Autobiography shapes all writing in ways that critics are really just beginning to explore-- Dr. Miller is at the forefront of this field and deservedly so.
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Inside This Book (learn more)
First Sentence:
The origins of this book are inseparable from the loss of my parents. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
very easy death, home before dark
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Susan Cheever, John Cheever, New York, Mary Cheever, Simone de Beauvoir, Woman's Story, Annie Ernaux, Philip Roth, Dearest Doll, Linda Gray Sexton, Lynn Redgrave, Adrienne Rich, The Second Sex, Art Spiegelman, Jessica Benjamin, Jewish American, New Jersey, New Look, Rego Park, Adam Phillips, Blake Morrison, Françoise de Beauvoir, Hell Planet, Herman Roth, Sipping Street
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This book cites 42 books:
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