Product Details

• Actors: Bibi Andersson, Gunnar Björnstrand, Margaretha Krook, Jörgen Lindström, Liv Ullmann
• Directors: Ingmar Bergman
• Format: Color, DVD, Full Screen, Letterboxed, Box set, Black & White, NTSC
• Language: English (Dolby Digital 2.0 Mono), Swedish (Dolby Digital 2.0 Mono)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.66:1
• Number of discs: 6
• Rating: R (Restricted)
• Studio: MGM
• DVD Release Date: April 27, 2004
• Run Time: 459 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
• ASIN: B0001MIK6I
• Amazon.com Sales Rank: #12,742 in Movies & TV (See Bestsellers in Movies & TV)

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• For more information about "The Ingmar Bergman Special Edition DVD Collection (Persona / Shame / Hour of the Wolf / The Passion of Anna / The Serpent's Egg)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

There is no denying this fact: Ingmar Bergman's films are true commitments. Though averaging only an hour and a half in length, the psychological depth, the magnitude of human exploration, and the emotional rollercoaster you embark on while watching his films can stick with you for a lifetime. According to Bergman, "No form of art goes beyond ordinary consciousness as film does, straight to our feelings, deep down into the dark rooms of our souls." By the mid-sixties, Bergman was about to show the world how far the medium film could go. He began to move away from his Seventh Seal style into the dreamlike, deconstructive, nonlinear realm that would continue throughout his career. This DVD set wonderfully captures all his landmark films of the late 1960s marking this significant transition. Each film stars Liv Ullmann, Bergman's beautiful muse, and involves another longtime collaborator, cinematographer Sven Nykvist. Each film has been remastered, and is presented in its unedited theatrical version loaded with pertinent extras, including a featurette on each film, interviews with cast members (every disc has an on-camera interview with Liv Ullmann), a feature-length commentary by Bergman biographer Marc Gervais on four of the films, and a wonderfully surprising commentary by David Carradine on The Serpent's Egg. Couple these films with an extra disc of supplemental material and you have yourself an incredible Ingmar Bergman film festival. --Rob Bracco

The Films:
In Persona (1966), Elisabeth Vogler (Live Ullmann) has stopped speaking and withdrawn from the world. At her doctor's orders, she moves to a remote cottage to be watched over by Nurse Alma (Bibi Andersson). To fill the silence, Nurse Alma talks aloud to her silent listener and slowly lays out her soul and identity to her patient. In essence, the nurse becomes the patient herself. If the extent of your Bergman exposure is The Seventh Seal, be prepared to get blown away by this film's hallucinatory, multilayered exploration in identity and personality. The hallucinatory analysis of personal identify continues with the haunting The Hour of the Wolf (Vargtimmen) (1968). Artist Johan Berg (Max von Sydow) is desperately trying hold on to his sanity, while being haunted by his demons. His wife (Ullmann) is trying to help, but also begins to share Johan's hallucinations. As they both begin a downward spiral Ullmann has to make a painful decision between the love of her husband or her own sanity. Shame (Skammen) (1968) stars von Sydow and Ullmann as a couple in the midst of a civil war. They escape to their farm for safety only to be haunted by the soldiers that invade their home. The Passion of Anna (En Passion) (1969) again stars von Sydow and Ullmann. Andreas and Anna live on a remote island with a neighboring couple. While trying to escape the skeletons of their pasts, they each seek solace in one another, even as their lives are torn apart by deception, isolation and psychological turmoil. The last film in the set is a leap forward to 1977. The Serpent's Egg (Das Schlangenei) may be the weakest of the set, but by no means is it a lesser film. It tells the tale of two Jewish trapeze artists trapped in Berlin during the Nazis regime. Bergman would only turn out three more feature films before disappearing into retirement. --Rob Bracco

Product Description

Disc 1: HOUR OF THE WOLF SE Disc 2: PASSION OF ANNA SE Disc 3: PERSONA SE Disc 4: THE SERPENT'S EGG SE Disc 5: SHAME SE Disc 6: BONUS DISC

Customer Reviews

Most Helpful Customer Reviews

64 of 69 people found the following review helpful:

3.0 out of 5 stars Well done, but the aspect ratios are STILL wrong, September 28, 2005

By	brian0918 - See all my reviews

Amazon Verified Purchase

I had originally given this collection 5 stars, but then did some investigating. It turns out that although they've fixed the aspect ratios on a couple of the films, they are still wrong on Shame, Persona, and Hour of the Wolf. This effectively chops out about 12% of the films, destroying Bergman's original compositions. I didn't believe it at first until I went through scene-by-scene and realized the horrible truth.

63 of 71 people found the following review helpful:

5.0 out of 5 stars MGM gets it right, April 23, 2004

By	Maurice Arcand (Toronto, Ontario Canada) - See all my reviews

After much confusion, the long-awaited Bergman set has finally come out. You can disregard all the negative comments you may have read about faked aspect ratios, etc. Yes, MGM tried to pull a fast one on a couple of the titles in this box, but after being caught out, they did the right thing by pulling the box and waiting to issue an excellent set with transfers that easily match those of Criterion, Kino, etc. (Let's hear it for consumer power!) All the titles are now in their proper aspect ratio. The black and white transfers (Persona, Hour of the Wolf and Shame) are truly beautiful. These films have probably not looked this good since they first came out. The digital transfers for the two colour titles offer equally fine video and clear original audio. The disc of bonus materials is fascinating, with rare interviews with Bergman himself from 1970 and 2002. The bonus disc and the five individual titles also offer interviews with key Bergman players, including Erland Josephson, Bibi Anderson and the ever-insightful Liv Ullmann.
As for the films, they speak for themselves. If you still haven't seen the four sixties films in this box (the summit of Bergman's art in the opinion of many critics), here's a chance to get acquainted with some truly great late-20th century art. Forget about the bad press. MGM got it right this time.

6 of 6 people found the following review helpful:

5.0 out of 5 stars focus on the "Collection" Disk, September 2, 2008

By	Kerry Walters (Lewisburg, PA USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

The five feature films that make up this special edition are probably well known to anyone who's thinking about buying it, so I'll limit my remarks to the sixth disk, the "Ingmar Bergman Collection" of special features. (Besides, I've reviewed each of the five feature films individually.)

The disk features a few photographic essays and an unopenable (at least for me) issue of "American Cinematographer" which presumably is devoted to Bergmaniana. The photographs are unremarkable, and the unopenable AC file is, of course, a disappointment. But three items in the supplemental disk make up for it.

The disk contains a 1970 interview with Bergman that most Bergman fans will have seen at some time. The gem is a 2002 interview, "Intermezzo," in which Bergman's conversation is both fascinating and revealing. He says, for example, that for a major period in his life, he thought film could be a refuge against his personal demons, someplace where he could find peace. The implication of his remarks is that his demons were still present at the end of his life. He worries that young directors are technically good but don't have anything to say. And he talks about his lifelong intimacy with Strindberg, beginning when he was a teenager. Fascinating stuff.

The second great item is a short documentary on Faro Island, with an emphasis on how its bleak landscape suited Bergman's temperament. For those of us (like myself) who have longed to see the two documentaries Bergman made about Faro, this short film is especially interesting.

Finally, there's a documentary on Sven Nyqvist's cinematography, which is very good indeed.