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While Berkeley choreographed and directed the musical sequences in these films, the plot sections were generally directed by others such as Lloyd Bacon. Keeler and Powell were the most frequent headliners, supported by character players such as Joan Blondell, Guy Kibbee, and Ned Sparks, and most of the songs were contributed by Harry Warren and Al Dubin. The stories aren't much, usually revolving around the putting-together of a musical show as well as the lives and loves of chorus girls. The term "gold diggers," which is the source of the title of two of the films included in this set, refers unflatteringly to chorus girls in search of wealthy husbands.
Gold Diggers of 1933 opens with a justly famous shot of Ginger Rogers wearing an outfit of coins and singing "We're in the Money" first in English then in pig Latin. Gold Diggers of 1935 is capped by "The Lullaby of Broadway," a 14-minute story-within-a-story that seems one of the inspirations for Singin' in the Rain's "Broadway Melody." Dames (1934) has the aforementioned title tune as well as "I Only Have Eyes for You" (with Powell singing to dozens of Keeler faces). Footlight Parade changes things up a bit by starring James Cagney as a producer desperately cranking out musical numbers. Keeler and Powell emerge from their bit-character roles to headline two of the big productions stacked together at the end, while Cagney replaces Powell in the third, showing off the vaudeville hoofing skills he would use later in 1942's Yankee Doodle Dandy.
DVD supplements are generous. The sixth disc is the 163-minute Busby Berkely Disc, a former laserdisc program that collects just the musical numbers from nine films without the plot filler. Most of the numbers are already included in the films in this collection, but there are also one number each from Fashions of 1934, Wonder Bar, In Caliente, and Gold Diggers of 1937. Also on the discs are new and old featurettes (one tracks the development of 42nd Street from book to screen to stage), and vintage cartoons and shorts (one promotional short has Berkeley on-screen talking up Dames). Picture quality is about the same as on the Astaire and Rogers Collection, Vol. 1: good for the age of the material, but with noticeable fuzz and print damage. --David Horiuchi
The greatest choreographer of all time....a life cut short, but in that time he broke the mold of how pictures should be make... Read morePublished 1 month ago by Judy L. Maynard
A wonderful compilation of Busby Berkeley's early work for Warner, this is a must-add to anyone's collection who loves musicals, dancing, and early talkies. Read morePublished 3 months ago by David L. Gill
Awesome - this arrived in time for Christmas and with the utter bilge spewed forth by the dictators known as 'broadcasters' for the 'festive' season on television these were a... Read morePublished 3 months ago by Hemloch Corbeau
Busby Burkeley at his best! Biggest sets, smallest costumes (for the girls), amazing photography for the time, he pushed everything to the limits,, and tons of your favorite stars... Read morePublished 3 months ago by Harry Tolen
This is absolutely great. I have wanted for a long time, just a compilation of just Busby Berkeley routines. This covers a great deal of them. Read morePublished 4 months ago by Kathryn G. Empey
Raunchy, silly, kaleidoscopic fun, with fabulous early Ginger Rogers, Joan Blondell, Dick Powell, the forgotten Aileen McMahon and the great Cagney. (And, well, Ruby Keeler... Read morePublished 4 months ago by arejaytoo