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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
4.0 out of 5 stars
This is an excellent performance!,
By A Customer
This review is from: Berlioz: Symphonie Fantastique / Excerpts From Lelio ~ Tilson Thomas (Audio CD)
Tilson Thomas brings out the full character of each movement of the Symphonie Fantastique. This recording has an extreme style to it. Each movement conveys the appropriate mood. I love the dynamic contrasting! Some movements are a little slow at times, but the styles and fabulous playing by the San Francisco Symphony make the piece a real pleasure to listen to!
8 of 9 people found the following review helpful:
5.0 out of 5 stars
Not inferior to classical musicians.,
This review is from: Berlioz: Symphonie Fantastique / Excerpts From Lelio ~ Tilson Thomas (Audio CD)
As a classical trombonist, I will go on record as saying the musicians do NOT struggle with any passage within the symphony. Tilson Thomas' rendering is as close to flawless as I have heard. By contrast, the brass in the "incomparable London Philharmonic" sound bright, weak and tinny, while the strings are far too erratic to call a polished performance! I would rate this recording ahead of the Montreal Symphony and on par with the Concertgebouw. I own close to 15 recordings of this work and this is, by far, the best
6 of 7 people found the following review helpful:
5.0 out of 5 stars
One of the very best,
By emmkay (Illinois) - See all my reviews
This review is from: Berlioz: Symphonie Fantastique / Excerpts From Lelio ~ Tilson Thomas (Audio CD)
IMHO, this is one of the finest recent recordings of this magnificent work, second perhaps only to Mariss Jansons fantastic recording with the Concertgebouw on EMI. I was lucky enough to hear this conductor/orchestra pairing perform this piece live on tour a few years ago and can say that this recording lacks none of the emotional immediacy they are capable of live. To me this performance proves that the SFSO rightfully belongs among the finest virtuoso orchestras in the world. Few have recorded this piece with such stellar ensemble playing. Note to Tina: if you read the score, Berlioz says that the bells are supposed to be placed 'derriere la scene' - behind the stage. Tilson Thomas's bells are not too sweet at all. They are how they should be. Most other conductors ignore that instruction unfortnately. The witches aren't dancing on the market square after all.
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