Berlioz: Symphonie Fantastique/Roméo Et Juliette

Hector Berlioz (Composer), Charles Münch (Conductor), Boston Symphony Orchestra (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Boston Symphony Orchestra
• Conductor: Charles Münch
• Composer: Hector Berlioz
• Audio CD (February 10, 1998)
• SPARS Code: DDD
• Number of Discs: 1
• Label: RCA
• ASIN: B000003GBQ
• In-Print Editions: MP3 Download
• Average Customer Review: 3.7 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #190,788 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

22 of 23 people found the following review helpful:

5.0 out of 5 stars A note on the recording, April 21, 2003

By 

R. Grames (Florissant, MO USA) - See all my reviews
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This review is from: Berlioz: Symphonie Fantastique/Roméo Et Juliette (Audio CD)

This is, to my mind, one of the truly great Berlioz interpretations. This is not really disputed by earlier reviews, but there have been comments on the sound. It is worth noting that the recordings made by RCA from '54 to '56 were really experiments with no clear intent to market the results. As John Pfieffer, the producer, noted in any number of interviews, the stereo recordings were made while commercial monaural sessions were going on. In some cases, they did not even continuously monitor the stereo as it was being laid down on tape. The biggest problem, since they were using a two- or three-mic setup, was finding the ideal position to produce a good balance between direct and reverberant sound. Boston Symphony Hall is much more reverberant than Chicago Symphony Hall and caused more problems of the type noted by some listeners, but also ended up producing some of the most spectacular results once the sweet-spot was found. The Munch: Saint-Saens 3rd Symphony is a good example.

Many of these recordings were not even released in stereo at first, having to wait until this CD series was created in the mid-90's. I think this one was, though, first on stereo reel-to-reel tape and then on LP. I do recommend that anyone interested in this great performance snap up the CD while it is still available. As many know, BMG has a much lower commitment to the classics than they used to and are axing many titles as they sell out. And the great John Pfieffer and Richard Mohr are no longer around to protest.

Happy listening.

9 of 9 people found the following review helpful:

4.0 out of 5 stars Music-making of the old (French) school, December 10, 2002

By 

Paul Bubny "Paul Bubny" (Maplewood, NJ United States) - See all my reviews
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This review is from: Berlioz: Symphonie Fantastique/Roméo Et Juliette (Audio CD)

Charles Munch managed the contradictory feat of performances that tingled with excitement without being crass, and managed clarity without being clinical about it. A very old-school conductor in that regard. This nearly half-century-old "Symphonie fantastique" is a case in point. I can't think of anyone else in my experience who has so neatly brought out the hints of delirium inherent in Berlioz's score--while maintaining Gallic unflappability. At times the whole thing threatens to come unglued, and that sense of living dangerously is probably what Berlioz intended (the neatly-organized performances of Sir Colin Davis, which for some are the standard in this symphony, are anything but "on the edge"). In this he is aided by the very French-sounding Boston Symphony, of which he was then music director, and while their technical smoothness probably didn't reach its peak under Munch's direction, you get the sense that they would go anywhere the sometimes unpredictable maestro asked. RCA's engineers were a little less helpful, producing dry, close-up (if immediate) early stereo that sounds more dated than the historic Strauss recordings they'd made with Fritz Reiner and the Chicago Symphony earlier that year (1954). The sound improves greatly in the apt (and deliciously done) coupling from seven years later: the "Scene d'amour" from "Romeo et Juliette." It was at a performance of Shakespeare's play that Berlioz not only resolved to set the Bard's tale of "star cross'd lovers" to music one day, but also first laid eyes on the actress who became the indirect inspiration for "Symphonie fantastique" (and later, Mrs. Berlioz).

13 of 16 people found the following review helpful:

5.0 out of 5 stars One of the great performances of this work, October 23, 1998

By 

[e-mail] (Hollywood, Florida) - See all my reviews

This review is from: Berlioz: Symphonie Fantastique/Roméo Et Juliette (Audio CD)

Charles Munch was conductor of the Boston Symphony Orchestra from the late 50's through the early 60's. He was most famous for her interpretations of French music, especially Berlioz. His performances are rich in color, expression, power and excitement. While there are many fine, newer recordings, there is probably no finer performance on disc of this work. And the sound, though vintage early '60's, used advanced recording techniques and is excellent.