Amazon.com: Berlioz: Les Troyens: Hector Berlioz, Colin Davis, Royal Opera House Chorus and Orchestra Covent Garden, Anne Howells, Anthony Raffell, Berit Lindholm, David Lennox, Dennis Wicks, Elizabeth Bainbridge, Heather Begg, Ian Partridge, Jon Vickers, Josephine Veasey, Peter Glossop, Pierre Thau, Raimund Herincx, Roger Soyer, Ryland Davies: Music

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Berlioz: Les Troyens
 
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Berlioz: Les Troyens

Hector Berlioz , Colin Davis , Royal Opera House Chorus and Orchestra Covent Garden , Anne Howells , Anthony Raffell , Berit Lindholm , David Lennox , Dennis Wicks , Elizabeth Bainbridge , Heather Begg , Ian Partridge , Jon Vickers , Josephine Veasey , Peter Glossop , Pierre Thau , Raimund Herincx , Roger Soyer , Ryland Davies Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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MP3 Download, 53 Songs, 2005 $36.12  
Audio CD, 2005 --  

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Product Details

  • Performer: Anne Howells, Anthony Raffell, Berit Lindholm, David Lennox, Dennis Wicks, et al.
  • Orchestra: Royal Opera House Chorus and Orchestra Covent Garden
  • Conductor: Colin Davis
  • Composer: Hector Berlioz
  • Audio CD (May 10, 2005)
  • SPARS Code: ADD
  • Number of Discs: 4
  • Label: Philips
  • ASIN: B000787WVA
  • In-Print Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #335,739 in Music (See Top 100 in Music)

Disc: 1
1. Les Troyens, opera, H. 133a: Act 1. No. 1. Choeur de la populace troyenne. Ha! ha! Après dix ans
2. Les Troyens, opera, H. 133a: Act 1. No. 2. Récitatif et air. Les Grecs ont disparu / Malheureeux Roi!
3. Les Troyens, opera, H. 133a: Act 1. No. 2. Récitatif et air. Chorèbe... / No. 3. Duo. C'est lui! / Reviens à toi, vierge adorée!
4. Les Troyens, opera, H. 133a: Act 1. No. 4. Marche et hymne. Dieux protecteurs de la ville éternelle
5. Les Troyens, opera, H. 133a: Act 1. No. 5. Combat de ceste - Pas de lutteurs
See all 11 tracks on this disc
Disc: 2
1. Les Troyens, opera, H. 133a: Act 2. Tableau 1. No. 12. Scène et récitatif. Introduction orchestrale / O lumière de Troie!... / A
2. Les Troyens, opera, H. 133a: Act 2. Tableau 1. No. 13. Récitatif et choeur. Quelle espérance encor est permise / Le salut des va
3. Les Troyens, opera, H. 133a: Act 2. Tableau 2. No. 14. Choeur - Prière. Ah! Puissante Cybèle
4. Les Troyens, opera, H. 133a: Act 2. Tableau 2. No. 15. Récitatif et choeur. Tous ne périront pas / O digne soeur d'Hector
5. Les Troyens, opera, H. 133a: Act 2. Tableau 2. No. 16. Final. Complices de sa gloire / Le trésor! le trésor!
See all 17 tracks on this disc
Disc: 3
1. Les Troyens, opera, H. 133a: Act 4. Tableau 1. No. 29. Chasse royale et orage - Pantomime
2. Les Troyens, opera, H. 133a: Act 4. Tableau 2. No. 30. Récitatif. Dites, Narbal, qui cause vos alarmes?
3. Les Troyens, opera, H. 133a: Act 4. Tableau 2. No. 31. Air et duo. De quels revers menaces-tu Carthage / Vaine terreur
4. Les Troyens, opera, H. 133a: Act 4. Tableau 2. No. 32. Marche pour l'entrée de la reine
5. Les Troyens, opera, H. 133a: Act 4. Tableau 2. No. 33. Ballets. a. Pas des Almées
See all 11 tracks on this disc
Disc: 4
1. Les Troyens, opera, H. 133a: Act 5. Tableau 1. No. 38. Chanson d'Hylas. Vallon sonore
2. Les Troyens, opera, H. 133a: Act 5. Tableau 1. No. 39. Récitatif et choeur. Préparez tout, il faut partir enfin / Chaque jour vo
3. Les Troyens, opera, H. 133a: Act 5. Tableau 1. No. 40. Duo. Par Bacchus! ils sont fous avec leur Italie!...
4. Les Troyens, opera, H. 133a: Act 5. Tableau 1. No. 41. Récitatif mesuré et air. Inutiles regrets!... / Ah! quand viendra l'insta
5. Les Troyens, opera, H. 133a: Act 5. Tableau 1. No. 42. Scène. Entrée!...
See all 13 tracks on this disc

 

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9 of 9 people found the following review helpful:
5.0 out of 5 stars A Classic Must-get, October 9, 2007
This review is from: Berlioz: Les Troyens (Audio CD)
Introduction:
This was the first complete (and now there is an even MORE complete Davis recording) set of this wonderful opera. Before Beecham and Davis recorded it, this opera had to undergo a very large-scale demystification process. The myths surrounding this opera were bigger than the opera itself, and nowhere half as noble. Rumor had it that the opera was "impossible". It is not impossible, and it is certainly not as difficult to stage as any of the Wagner operas. But Berlioz had few real champions, while Wagner had legions. So the "impossible" was really a prejudice, and it took conductors like Beecham, Munch, and Davis to bring Berlioz back from the crypt of obscurity. And what we rediscovered was a titan of music.
The singers:
Jon Vickers is wonderful as Aeneas; opulent and strongly voiced, without being thick. Berit Lindhold and Josephine Veasey are great as well...though admittedly some moments have them in thick voice. They sound confident and strong, but sometimes consternated. The chorus sounds brilliant.
The direction:
Colin Davis brings the Royal Hunt and Storm to life...orchestral declamations, and chorus telling Aeneas to leave Carthage. It's a very colourful and dramatic scene that never fails me. It makes for a great listen as a single orchestral piece -just like Ride of the Valkyries does...but both these famous scenes are far better with the voices.
The sound:
As far as sound goes, there is nothing to complain about. There are a few instances of certain persons being placed far back in the sound, but in these instances it is dramatically appropriate to do so for the opera's sake.
The music:
I like to equate the difficulty level of this opera with Wagner's "Die Meistersinger von Nurnberg". Wagner's longest single opera was the first opera I got really involved with. I've found myself surprised that many people find it his toughest opera...for me it is his easiest. But the thing about Berlioz's Les Troyen, and Wagner's opera is that they both require you to delve into the libretto.
Final thoughts:
I suggest listening to this opera often. Listen to certain scenes at a time, if it suits you. If you find it hard to listen to because of the length, I especially recommend working at it in this way. After you've familiarized yourself with it, no doubt you will agree with me that it is par with any Wagner opera.
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