Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO

Aaron Copland (Composer), Leonard Bernstein (Conductor), New York Philharmonic (Performer)

Product Details

• Performer: New York Philharmonic
• Conductor: Leonard Bernstein
• Composer: Aaron Copland
• Audio CD (October 28, 1997)
• SPARS Code: ADD
• Number of Discs: 1
• Label: Sony
• ASIN: B0000029XG
• In-Print Editions: MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (49 customer reviews)
• Amazon.com Sales Rank: #1,684 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com essential recording

Happy is the composer who has an advocate as passionate and talented as Leonard Bernstein. These Copland performances have been the preferred versions since they were first issued--better even than the composer's own, later recordings. Originally they were spread over two discs, but thanks to the extended playing time of the compact disc, you can now get all three great Copland ballets together, along with the ever popular Fanfare for the Common Man. Bernstein brings to this music the right sharpness of rhythm but also a typically open-hearted warmth. He coaxes a virtuoso response from the New York Philharmonic, which knows this music as well (or better) than anyone. Self- recommending. --David Hurwitz

Customer Reviews

Most Helpful Customer Reviews

104 of 105 people found the following review helpful:

5.0 out of 5 stars BUY THIS ONE!, August 8, 2003

By	A. Tohline "Tambora" (Rolla, MO) - See all my reviews (REAL NAME)

Pardon my shouting, but it's true. All the accolades this disc receives are warranted, and more. The playing on Appalachian Spring is pure, impassioned, eternal. No wonder Copland won the Pulitzer for it in 1945. It's just incredible. This recording of the Four Dance Episodes from Rodeo is DEFINITIVE. Every nuance and outburst of joyous energy in Buckaroo Holiday and Hoe Down is perfect. No one has done it better. And while Billy the Kid is "harder to mess up" in my opinion, I still haven't found a better reading of it than this one.

Just a couple of caveats, though. If you want the COMPLETE ballets for Appalachian Spring, Rodeo, and Billy the Kid, you will NOT find them here. These are the suites. For the complete Appalachian Spring (all 36 minutes in one track), I recommend Michael Tilson Thomas' version on a CD with the San Francisco Symphony called The Populist. And for complete versions of the other two, you need look no further than Leonard Slatkin's recordings with the St. Louis Symphony.

And then three more notes on the playing. The timpani player did an incredible job on this Bernstein Century recording; he consistently played the heck out the ample parts he got in all four pieces. This is one of the best features of the disc (I mean, you've gotta have good timpani for the Gun Battle in Billy the Kid, and here he does!)

Secondly, take particular note that the version of Fanfare for the Common Man is NOT the original. It is Copland's rescoring for his third symphony (which is also great in its own right). If you want the real original version, the best you can find features Copland himself conducting the London Symphony Orchestra, released on various other CDs on the Sony label, including a 36-minute "EP" called Aaron Copland Super Hits. If you do happen to buy that CD, note that it is mostly chopped up excerpts. However, the readings of El Salon Mexico and Fanfare make it worth the purchase price.

Thirdly and finally, I expected some sheer grandioso from the Variations on a Shaker Tune (Simple Gifts), which happens to be track seven on this recording. While Bernstein's reading is balanced and polished, this is the one place where he really should've played it up but didn't. Incidentally, Michael Tilson Thomas DOES play it up on his version of the complete ballet that I mentioned previously, really getting the low brass to ripple and rumble. It's very satisfying at high volume.

Please don't misconstrue these warnings to be negative. If you're getting a start in Copland's most popular repertoire, this Bernstein Century CD is the ONLY place to start. I just caution you that if you don't move on the other recordings as well, you are really missing the whole picture.

55 of 55 people found the following review helpful:

5.0 out of 5 stars Not enough superlatives to describe this gem of a disc., May 30, 2000

By A Customer

There are many recordings I have heard of these classic Copland works, conducted by such luminaries as Zubin Mehta, Donald Johanos, Morton Gould, even Eugene Ormandy. But none of these conductors knew the music of Aaron Copland better than his friend of 53 years, Leonard Bernstein, who Copland many times said conducted his music as if he had written it himself. No disc displays the tenderness and vivacity of Copland's Americana better than Bernstein and the Philharmonic's sensational performances of "Appalachian Spring," "Rodeo," and "Billy the Kid." These are works I know by heart, but it takes some doing for specific performances to make me emotional, and the fading last strains of "Appalachian" did it on my first listening test. The sound quality is top-notch, even for these recordings from 1959-1961. Look no further than Bernstein - who knew Copland better than anyone else - to deliver the finest recordings of these works ever. This is America at its most beautiful and exuberant. Do yourself a favor and start your collection of American music here.

40 of 41 people found the following review helpful:

5.0 out of 5 stars Easily the best Copland pieces and conductor, April 19, 2000

By	Justin Weaver (Goleta, CA USA) - See all my reviews

I've owned this CD since before its rerelease as part of the "Bernstein Century" series and have always treasured it. There are who-knows-how-many Copland recordings out there and I can honestly say this is the best I've yet heard. Although my musical taste hasn't always gravitated toward this sort of music, there's an unmistakable sincerity in Copland that speaks to me as an American and a lover of both folk and art music... is there any moment in all classical music history quite like the inception of "The Gift to Be Simple" in Appalachian Spring? Copland is never sappy, and can be quite muscular and rhythmically charged as much as lyrical and folksy. And Bernstein, a composer in this American tradition himself (arguably in some repertoire a true disciple of Copland), is the right conductor for these pieces. I'm still amazed at what a strong and yet immmediately comprehensible piece "Billy the Kid" is, equal to Appalachian Spring... Rodeo is also a delight. If you don't already have this one, I'd pick it up for this very reasonable discounted price and check out some of the late piano repertoire of Copland while you're at it too. It's easy to see here why Copland is one of American Classical's enduring names in composition and Bernstein in conducting! Enjoy!