Bernstein Century - Bernstein: Trouble In Tahiti / Facsimile

Mark Brown (Artist), Antonia Butler (Artist), Michael Clarke (Artist), Nancy Williams (Artist), Julian Patrick (Artist), Leonard Bernstein (Composer, Conductor), New York Philharmonic Orchestra (Orchestra), Columbia Wind Ensemble (Performer) | Format: Audio CD

Product Details

• Performer: Columbia Wind Ensemble
• Orchestra: New York Philharmonic Orchestra
• Conductor: Leonard Bernstein
• Composer: Leonard Bernstein
• Audio CD (March 16, 1999)
• Number of Discs: 1
• Label: Sony
• ASIN: B00000I9GA
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #51,280 in Music (See Top 100 in Music)
  • #62 in Music > Classical > Opera & Vocal > Languages > English

Track Listings

1. Prelude. Daa/Doa Day - Mornin' sun

2. Scene 1. Breakfast in the Little White Dream-House. How could you say

3. Scene 2. Sam's Office. Yes? Oh, Mister Partridge

4. Scene 3. Psychiatrist's Office / 2a. Sam's Office. I was standing in a

5. Scene 3a. Psychiatrist's Office. Then desire took hold inside me

6. Scene 4. Meeting in the Street. Well, of all people. I'm on my way - Leonard Bernstein

7. Interlude. Skid a lit day

8. Scene 5. The Gymnasium

9. Scene 6. The Hat Shop. What a movie

10. Scene 6a. Coming Home. There's a law - Leonard Bernstein

11. Scene 7. After Dinner. Evenin' shadows

12. 1. Molto Adagio - Piů Andante - Moderate Waltz tempo - Sostenuto assai

13. 2. Allegretto - Subito Allegro - Piů mosso - Andante - Meno mosso - ral

Customer Reviews

Most Helpful Customer Reviews

12 of 13 people found the following review helpful:

5.0 out of 5 stars A fantastic recording of an unfortunately overlooked piece, January 26, 2000

By 

"path31783" (NJ) - See all my reviews

This review is from: Bernstein Century - Bernstein: Trouble In Tahiti / Facsimile (Audio CD)

Leonard Bernstein was far more prolific than most people know; many think of him only in connection with West Side Story and On the Waterfront. Trouble in Tahiti, one of his earliest works, deserves a place among his better-known work. Although an opera, it never leans on recitative or pretentious bellowing. There is an amazing diversity in the score; one number is a swingy, scat-filled trio, another an aria of haunting beauty, another a hilarious evocation of escapist cinema. The liner notes excellently compare it with a Mahler symphony in the way it juxtaposes such different moods to such great effect. The libretto may seem to some a bit naive, but it is amazing to see the way Bernstein destroyed 1950's cliches of happy family life before they were even cliches! The cast is perfect: Julian Parick has the perfect resonant voice and arrogance; Nancy Williams switches from anger to wistful despair to high comedy with remarkable facility; and the trio is wonderful, especially the ethereal-voiced Antonia Butler. Facsimile, a "choreographic essay" on virtually the same subject (isolation and broken relationships) is truly an excellent companion. A great CD.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Wow! That's good!, May 7, 2000

By 

Cory (Virginia) - See all my reviews

This review is from: Bernstein Century - Bernstein: Trouble In Tahiti / Facsimile (Audio CD)

The title should speak for itself. I don't just give out 4s and 5s to most any CD. I expect much and I got much from this CD. This is one of the most passionate and moving pieces of music I have ever allowed to try the test of my ear and emotions. The vocalists are wonderful. The climax is a work of art. The finale to the first half of this work is tear jerking. The opera deals with a married couple who are in the pits of their marriage. And unlike many people today, this couple wants to fix the marriage. It was very clever how Bernstein had them go through the entire opera with just the two of them as characters. The jazz trio adds a lot to the mood, beginning, and 'intermission'. The opera was so great I spent so long on the internet trying to find the sequel, Quiet Place, which is on here but is sold out. I wrote the internet address of the company who has it in my review of the CD here since I just know you will love this music. I'm so attached to Trouble in Tahiti I have not even really listened to the other work on the CD.

4 of 4 people found the following review helpful:

5.0 out of 5 stars A great find for anyone who loves Bernstein's musicals, October 16, 2005

By 

Santa Fe Listener (Santa Fe, NM USA) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: Bernstein Century - Bernstein: Trouble In Tahiti / Facsimile (Audio CD)

By 1952 Leonard Bernstein had already finished a triumphant decade. His Sym. #1 had won the Pulitzer Prize, he had made a spectcular debut with the NY Phil., his ballet Fancy Free and the spin-off musical derived form it, On the Town, were smash hits. So the amazon reviewer isn't on the mark to call Trouble in Tahiti an early piece, nor is he right to say that Bernstein had a lifelong ambition to write the great American opera.

Trouble in Tahiti is jazzy and colloquial, its melodies and rhythms familiar to anyone who knows Bernstein's musc from the Forties, or the musical Wonderful Town that would follow it the next year. The work is operatic only in the sense that the voices of the two leads are more operatic than Broadway, but not by much. The trio that serves as Greek chorus sings in a parodistic pop style, half Andrews Sisters, half Manhattan Transfer.

The libretto is a bit embarrassing in its soap-opera simplicity, but in this case "dated" is a synonym for nostalgic--the score is full of tunes that evoke the immediate post-war period. The jazzy ballet filler, Facsimile, is just as winning. There was a classic performance in mono with Beverly Wolff in the lead that collectors prize, but this later stereo remake is almost as good. I've loved this minor work since I saw a college production in 1965 and return to it whenever I want to rekindle fond memories.