Bert Jansch

Bert Jansch | Format: Audio CD

Product Details

• Audio CD (September 11, 2001)
• Number of Discs: 1
• Label: Castle Music (UK)
• ASIN: B00005AFMK
• Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #88,544 in Music (See Top 100 in Music)
  • #77 in Music > Indie Music > Folk > Folk Rock

Track Listings

1. Strolling Down The Highway

2. Smokey River

3. Oh How Your Love Is Strong

4. I Have No Time

5. Finches

6. Veronica

7. Needle Of Death

8. Do You Hear Me Now?

9. Rambling's Gonna Be The Death Of Me

10. Alice's Wonderland

11. Running From Home

12. Courting Blues

13. Casbah

14. Dreams Of Love

15. Angie

16. Instrumental Medley 1964

17. Angie (Live) 1964

Editorial Reviews

UK reissue of the influential British folk artist's 1965 debut album. Includes two bonus tracks, 'Instrumental Medley' (1964) & 'Angie' (live 1964). 17 tracks in all. Includes 10 page booklet with notes and photos. 2001.

Customer Reviews

Most Helpful Customer Reviews

17 of 19 people found the following review helpful:

5.0 out of 5 stars milestone album, October 28, 2001

By 

C. H Smith (Bowling Green, Kentucky United States) - See all my reviews
(REAL NAME)   

This review is from: Bert Jansch (Audio CD)

Considering the fact that this is one of the very most important albums of contemporary acoustic guitar music ever recorded, it is not terribly well known in the U.S.A. Nor is Jansch in general. Some people are aware of him in his role as group leader of the influential folk band Pentangle; others vaguely connect him with John Renbourn for their work together both as a duo and in that band. Renbourn is much better known in the U. S. at this point, and in truth the material he has put out through the years has been of a more consistent excellence than has Jansch's. But in terms of sheer creative importance and influence, there can be little question as to who gets the nod. A few years back a poll was taken in England among musicians to rate the most important acoustic guitarists of the twentieth century. Jansch came out second, behind only blues legend Robert Johnson. Jansch was to Britain's folk-rock genesis what Dylan was to the American one; only with Jansch the emphasis was on the role of the guitar rather than the role of voice and lyrics. Those who are aware of what was being played before the issue of this 1965 recording in the way of acoustic guitar will understand what an effect this work had on the scene. Countless musicians on both sides of the Atlantic immediately gained a sense of dramatic inspiration from Jansch's blues-inspired, but ultimately more elaborately contrapuntal, play. Listen on this album to Jansch's version of Davy Graham's famous instrumental 'Angie,' then listen to Paul Simon's version of the same work on "Sounds of Silence"; it is pretty obvious who Simon was trying to emulate here (and in fact Simon and Jansch shared an apartment in England for a while in late 1965 or early 1966). Or listen to 'Mrs. Robinson' after reviewing the first album by Pentangle, which contains rhythm guitar work by Jansch exhibiting exactly the same kind of style and power. Other musicians strongly influenced by Jansch include Renbourn himself, Nick Drake, Pierre Bensusan, Neil Young, Jimmy Page, and Donovan; he is also gaining some attention among the younger generation of musicians.

Jansch hasn't much of a voice, and he doesn't look very pretty, but it would be a pity if this leading light from the Beatles generation revolution in popular music passed from the scene without getting the recognition he deserves. I'm not sure I would even consider this first album of his his best in absolute terms: my vote would go either to "Jack Orion" or "Rosemary Lane."

3 of 3 people found the following review helpful:

5.0 out of 5 stars Classic British folk guitar god's debut, one of his stronger records., November 29, 2007

By 

Elliot Knapp (Seattle, Washington United States) - See all my reviews

This review is from: Bert Jansch (Audio CD)

Not only was Bert Jansch one of the biggest names in the 1960's British folk revival, he was also one of the most influential guitarists of any genre, and to this day is one of the most enduring figures of the scene. He sits primarily alongside Davy Graham, and perhaps his Pentangle bandmate John Renbourn as one of the 60's British folk movement guitar heroes, covered by and influencing the great Roy Harper, Donovan, Ralph McTell, Tudor Lodge, and, yes, Led Zeppelin's Jimmy Page. This album, his 1965 debut, was indeed recorded in a kitchen on guitars that didn't belong to Jansch, but after one listen you'll realize that this record's humble beginnings belie the fantastic playing and music within.

Unlike John Renbourn, who was something of a "lead" folk guitarist, and Davy Graham, whose uncanny guitar skills fluidly shift from fingerpicked rhythm guitar to lead without effort, Bert Jansch's style is primarily of the unaccompanied rhythm/lead combo fingerstyle variety. That is, the guitar on this album weaves fingerpicked chord progressions to accompany Jansch's vocals while simultaneously playing a guitar melody--like 2 guitars playing at the same time! Jansch's trademark style is dizzying in its fluidity, melodiousness, and originality. Not only that, but he shows himself to be a pretty competent songwriter and singer at the same time!

On many of the album's cuts, Jansch sings in a rough Scottish-inflected brogue about the sort of itinerant lifestyle lived by many folk artists of the day. The topics run the gamut from hitchhiking ("Strolling Down the Highway"), rambling ("Rambling's Going To Be the Death of Me"), rustic/agrarian lifestyle ("I Have No Time"), and the romantic exploits of a rambler ("Courting Blues"). Outside of these sorts of traditional folk subjects, though, Jansch's songwriting also stretches to reach some compelling heights with the cautionary heroin song, "Needle of Death" (one of his most well-known), and the anti-war protest song "Do You Hear Me Now?" Throughout, Jansch's voice, though rough, has a great propensity for expression and won't be a taste too hard to acquire for fans of Bob Dylan and the like.

Unlike on some of his later albums, nearly half of the songs on Jansch's debut are instrumentals. These are some of my favorites on the album, since he gets to stretch out his guitar chops a bit more with the absence of vocals. The mysterious "Alice's Wonderland" and the hypnotic "Casbah" are a couple of my favorites. Throughout the entire album, though, his playing is ear candy that is worth the price of admission even without the lyrics and vocals. Anyone who's a fan of the above-mentioned artists should check out Jansch, since he's of the same caliber and earned their endorsement as an influence. Also, fans of American folk who are interested in what was happening across the pond owe it to themselves to check out one of Britain's most legendary guitarists. In any case, Jansch's debut a classic and a necessary part of any folk, guitar, or folk-rock fan's collection. Enjoy the magic.

1 of 3 people found the following review helpful:

5.0 out of 5 stars Reviewer Chas H Smith nails it in one, March 6, 2002

By 

Chris Holmes "busker" (Corfu, Greece) - See all my reviews
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This review is from: Bert Jansch (Audio CD)

...This album is a good intro to the tougher stuff like 'Orion' and i'm glad to see 'Birthday Blues' and the whimsical 'Nicola' being offered as well as the family-affair 'Crimson Moon' with competent enough backing by son and wife.