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Bertolt Brecht Committee Un-American Activities

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Audio CD, May 30, 2012
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Editorial Reviews

This recording captures the 1947 testimony of German author and playwright Bertolt Brecht before the U.S. House of Representatives Un-American Activities Committee (HUAC), which sought to uncover alleged Communist activity. Though fragments of the hearing had been previously broadcast, and the transcript had been printed by the government, this 1961 release marks the first time the entire encounter was released to the public-and perhaps the only recording of Brecht speaking in English. The album includes commentary by Eric Bentley, a theater critic and one-time Harvard professor considered a Bertolt Brecht expert. The liner notes include an introduction by Bentley and complete transcript of the recording.

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
  1. October 30th 1947 pt. 1: The Actual Recording with Added Commentary by Eric Bentley32:46$0.99  Buy MP3 
  2. October 30th 1947 pt. 2: The Actual Recording with Added Commentary by Eric Bentley32:10Album Only

Product Details

  • Audio CD (May 30, 2012)
  • Number of Discs: 1
  • Label: Folkways Records
  • ASIN: B00242VSK8
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #549,349 in Music (See Top 100 in Music)

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Most Helpful Customer Reviews

2 of 2 people found the following review helpful By Bradley Weismann on March 2, 2014
Format: Audio CD Verified Purchase
OK, not the catchiest title. However, if you learn the context behind this recording, it becomes a riveting piece of theater, one composed on the fly by the master playwright Brecht himself – under the threat of imprisonment and deportation.

Bertolt Brecht is the one of the most influential playwrights and poets of the 20th century. Coming of age in chaotic Weimar Germany of the 1920s, he began his career as a balladeer and cabaret performer of anarchist bent. Beginning in 1926, his study of Marx and socialism led him to develop stunning works that eviscerated the capitalist system and what we now term the military/industrial complex – in plays such as “The Threepenny Opera,” “Mahagonny,” and “Mother Courage.” He also worked with writing collectives to create a didactic “teaching theater” that would hasten a people’s revolution, preferably a Communist one.

Of course, Hitler didn’t like this at all. In February 1933, Brecht began his long hopscotching exile from Germany, settling first in Denmark and then, as German troops moved closer, to America. From 1941 through 1947 Brecht joined the American colony of European writers and artists dispossessed by the Nazis. During his time in New York and Los Angeles, he became familiar with prominent American theater and film people. He wrote “Galileo” for Charles Laughton, and penned the screenplay for “Hangmen Also Die!”, a thriller based on the assassination of fearsome Nazi Reinhard Heydrich in 1942.

Unfortunately, Brecht made the American government just as nervous as the Nazi government. The FBI began tracking his movements and monitoring his phone calls and mail almost from the moment he landed.
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Bertolt Brecht Committee Un-American Activities
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