Sue Harris's provocative study of the films of Bertrand Blier traces the director's career from the early 1960s to the present. Harris outlines the forms, themes, and styles which dominate Blier's work. Her original and controversial discussion considers Blier's alleged misogyny, and looks at the scatological, corporeal, and ludic aspects of his film-making in terms of popular dramatic culture.
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...the discussion is clear, theoretically sophisticated, and closely argued... Choice
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About the Author
Sue Harris is Lecturer in French at Queen Mary and Westfield College, University of London.
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