Beside Manners Are Extra [Import]

Greenslade | Format: Audio CD

Product Details

• Audio CD (August 5, 1997)
• Number of Discs: 1
• Format: Import
• Label: Warner Bros UK
• ASIN: B000006UN6
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.6 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #226,872 in Music (See Top 100 in Music)

Track Listings

1. Bedside Manners Are

2. Pilgrims Progress

3. Time To Dream

4. Drum Folk

5. Sunkissed You're Not

6. Chalkhill

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

4.0 out of 5 stars Great and underrated prog rock, May 5, 2005

By 

BENJAMIN MILER (Veneta, Oregon) - See all my reviews
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This review is from: Beside Manners Are Extra (Audio CD)

I have been long aware of Dave Greenslade, like his works with Colosseum, his stuff with his group Greenslade, and his solo efforts. Bedside Manners are Extra is my first try at a Greenslade album, but not my first exposure to Mr. Greenslade himself (for example, I have Colosseum's Valentyne Suite, which I highly recommend to those who like bluesy progressive jazz rock).

This is Greenslade's second album, released later the same year as their self-entitled debut (1973). Cover artwork is by Roger Dean, just like their first album. The Greenslade logo was also created by Dean, which is pretty obvious. Each of the four musicians had already been in established bands. Keyboardist/vocalist Dave Lawson had been previously in a final version of Web (after the group's original vocalist John L. Watson left in 1970) for their album I Spider (1970). The group then changed their name to Samurai and released one, self-entitled album in 1971 (not to be confused with a Japanese band called Samurai who existed at the same time and released a couple albums themselves with Green Tea and Kappa). Keyboardist Dave Greenslade, well we all know his involvement with Colosseum, who three studio albums (as well as American variants on the ABC/Dunhill label to confuse matters worse) and one live album. Bassist Tony Reeves was also involved in Colosseum (only on their first two albums), and prior to that, John Mayall's Bluesbreakers (in which another Colosseum member participated, that is Dick Heckstall-Smith). And then we have Andrew McCulloch, who was briefly a member of King Crimson for their album Lizard, and then with Fields (which featured ex-Rare Bird keyboardist Graham Field).

There is one thing Greenslade had in common with the 1969-70 version of Rare Bird and that was the group featured two keyboardists and no guitarists (let's not forget that Dave Greenslade's first solo effort, Cactus Choir from 1976 featured ex-Rare Bird vocalist Steve Gould). But musically, they don't sound much like Rare Bird. The music has a more bombastic-style of keyboard-lead prog, although more restrained than Emerson or Wakeman. I notice the ocassional Genesis and ELP-influence in the music. For the most part the music is more traditional prog rock, and I recommend to those who might have not been too keen on the bluesy jazzy nature of Colosseum. There isn't much of that Colosseum sound to be found here.

Bedside Manners Are Extra features plenty of Mellotron (a good reason to buy this album), as well as Hammond organ, piano, electric piano, and ARP synth. The title track starts off deceptively as soft rock. Most of this piece tends to be mellow, but it gets more progressive as the synthesizers and Mellotron kicks in. Perhaps the biggest problem one has of the Greenslade album is Dave Lawson's singing. Here he has that high-pitched voice that's definately an acquired taste (he didn't have such a high-pitched voice on Web's I Spider). Only three of the album's six cuts have vocals, the rest are instrumental. The next piece, "Pilgrim's Progress" features a recurring theme played on Mellotron. I was a bit thrown-off by the lighthearted nature of this piece. "Time to Dream" has a more Genesis-like feel in places, especially the Mellotron passages. "Drum Folk" is one of the more criticized pieces on this album because the drum solo occurs twice, but the wonderful themes and great use of Mellotron more than makes up for it. "Sunkissed You're Not" is another pleasant number, with some nice jazzy passages to go with it. The last piece, "Chalkhill" starts off with a theme being repeated a few times before going in to a lenghty keyboard solo that closes the album.

To me, this is actually an excellent prog rock album to have. Maybe just a little short of being essential, but still worth having for those who enjoy keyboard-dominated prog rock.

1 of 1 people found the following review helpful:

4.0 out of 5 stars excellent and a half, April 29, 2010

By 

Bill Your 'Free Form FM Handi Cyber Print DJ ... (Mahwah, NJ USA) - See all my reviews
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This review is from: Beside Manners Are Extra (Audio CD)

Prog is a big term. People who know big music names will think ELPs Tarkus when you say the P word. Some love this P- flair, other's recoil at it.

Actually, progressive covers a lot more than what most ascribe to the term, which, again, shows you the futility of genre names. John Lennon said that the Beatles were progressive, and was he ever right. I consider Steely Dan progressive--getting the best musicians and mixing rock with traditional jazz, creating a new type of perfection. If there was ever a progressive idea, it was Aja.

Greenslade is almost on that level of spit-shine perfection, although a listen to Bedside Manners Are Extra will show this band enjoyed those little detours that made prog--in the strict sense- prog.

But what makes Greenslade so enjoyable is how they kept Rover on a leash. All the experimentation here is done in the context of tracks that, take out the back alleys, would have almost worked as straight pop. Check out how on "Sunkissed You're Not," they take a track that could have come from any mainstream, high end 70s pop album, and add a jam coda.

It clicks, and if more art rock bands had this type of restraint and taste, the P-Thang would now have a much better name.

1 of 1 people found the following review helpful:

3.0 out of 5 stars Good, but needs a little tweaking, August 1, 2005

By 

Jeffrey J.Park (Massachusetts, USA) - See all my reviews
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This review is from: Beside Manners Are Extra (Audio CD)

This is the 2nd album by keyboardist Dave Greenslade, who is joined by fellow Colosseum alumnus bassist Tony Reeves, superb drummer Andy McCullough (he played on King Crimson's Lizard LP, 1970), and keyboardist/vocalist Dave Lawson. While all of the musicians are decent enough, it is Andy McCullough that really makes this recording take off. His great drumming, along with the heavy use of synthesizers and moody mellotron atmospherics, makes this recording very listenable and yes, even enjoyable. All of the six pieces feature wonderful melodies, and are evenly divided between instrumental passages and vocal pieces. While the instrumental pieces are pretty good (especially Pilgrim's Progress) and feature some nimble ensemble work, Dave Lawson's vocals are an acquired taste and can be best described as unnaturally high-pitched and somewhat forced - it sounds as if he sings with his throat and not his diaphragm. While most tracks flow reasonably well, the instrumental Drum Folk is desperately in need of a better arrangement. This track alternates thunderous, highly virtuosic drum solos by Andy McCullough with riff heavy ensemble work, and very haunting, delicate parts played on mellotron and soft organ. Trust me, it as much of a messy hodgepodge as it sounds, and it's unfortunate too - the drum solo is excellent and the haunting parts are just great. I just wish it had all been integrated better. All in all, I enjoyed this disc and would recommend it to any fan of progressive rock, although I suspect the typical Yes/Genesis/ELP devotee might find it a bit lacking.