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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A Key Musical Event Of 2004, October 25, 2005
This review is from: Best 25 Years of Pop - Prod By Trevor Horn (DVD)
I was lucky enough to be at this show last year, and it was a wonderful evening. Very rarely does an opportunity arise for so many great artists to come together and perform on one stage, so it was moving to see so many acts, and fans, gather together to pay tribute to the talents of Trevor Horn, possibly the greatest producer of the last 30 years.
All the performances were of a high standard, including Trevors' own band The Buggles, who opened the show with two UK top 20 hits, "Video Killed The Radio Star" and "The Plastic Age". Other highlights included the reformed and newly fronted Frankie Goes To Hollywood, Yes ("Owner Of A Lonely Heart"), the divine Ms Grace Jones, vocal spot on and oozing charisma on "Slave To The Rhythm", and of course ABC. Martin Fry is a true showman and he was on top form for this performance.
For me, the highlight however was the duo DOLLAR. They reunited especially for this event - no mean feat given Thereza Bazar now lives in Australia. Dollar are a group who have never been given their rightful place in musical history. They were the first act who recognised Trevors producer potential from The Buggles records, and as such were the first to utilise him as a producer (and song writer). The result was 4 smash hit UK singles, two of which are included here, "Give Me Back My Heart" and "Mirror Mirror". It was the sheer magnificence of these records (most notably "Hand Held In Black And White") that attracted ABC to Trevor Horn. ABC of course became a global phenomena, opening the door for Frankie, Art Of Noise, Seal. You get the picture. Upshot is, had it not been for Dollar, you probably wouldn't have the chance to view this magnificent show, because a lot of these records wouldn't have been made.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
An Incredible Epic of Performance and History!, January 13, 2006
This review is from: Best 25 Years of Pop - Prod By Trevor Horn (DVD)
Produced by Trevor Horn, a concert for The Prince's Trust, is a musical tribute spanning 25 years of British Pop and the legendary career of producer Trevor Horn.
This concert is currently being shown as a reduced 90 minute version on the High Definition channel, HD-Net this January, 2006. If this show is any indication as to the quality of the upcoming DVD, then sign me up now! Over a year in post-production, "The Best 25 Years of Pop" will be an epic DVD when it's fianlly released this March.
Video and sound quality is absolutely incredible! Shot in HD and Dolby Digital 5.1 Surround Sound, the highlights I was most impressed with was YES's "Owner of a Lonely Heart", Seal's "Killer" and Frankie Goes to Hollywood's entire set. The sound definitely captured the presence of the evening, and had the walls of my house vibrating with glorious sub-harmonics. The Bass was clean and tight, pulsating rythym sections, and the vocals, crystal clear. It was said that over three million dollars was spent in the production of this event, and it's clearly evident. A must own!
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Whew!, December 12, 2006
This review is from: Best 25 Years of Pop - Prod By Trevor Horn (DVD)
A real stunner. I too saw the 90 minute version on HDNet. Top notch the entire way through. And better still, the reviews below are as learned about the music, performers, and production as Horn is. He must be a man of details. Many of his records are audiophile dreams, with procuction and musicianship that has drama and tension, which are captured beautifully here in the concert. Many original musicians came to play, and best of all, all those little moments that run throughout these songs that we've memorized over the years are here in the concert too, without being pedestrian. No song sounds loose or slapped together. Pleasuredome was everything I was hoping it would be. All the best dramatic musical moments were nailed. Fry was incredible. Seal sounded better than I've ever heard him, and Grace looked like it was still 1987. A real energy throughout. Would have liked to have heard Tempus Fugit though. Still, to do Pleasuredome, at all, and then to do it so well. That's encouraging.
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