From Library Journal
Skip the careless intro (in which editor Bright has Lady Chatterly's sic Lover first appearing in Switzerland in 1946--off by 18 years and some 200 miles!) and go for the stories themselves, a varied, substantial, sometimes disturbing, and almost always arousing selection. Some are excerpts from well-known works such as Nicholson Baker's Vox ( LJ 11/15/91). Others have appeared in periodicals far outside the mainstream and cater to most of the major persuasions. Two short, sweet standouts: "Why" by Bob Flanagan and "Five Dimes" by Anita "Melissa" Mashman. Highly recommended for public libraries that can take the heat.
- Grove Koger, Boise P.L., Id.Copyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
Another blow in the battle to legitimate literary titillation: an anthology more militant but less preachy than similar collections edited by Lonnie Barbach (Erotic Interludes, 1986) and Michele Slung (Slow Hand, 1992). In her introduction, editor Bright (Herotica and Herotica 2--not reviewed), after the obligatory review of the debate between the labels ``pornography'' and ``erotica,'' emphasizes the distinctive quality of ``femmchismo''--``the aggressive, seductive and very hungry sexual ego of a woman''--in the emerging new erotica. And her selection of 20 tales, including seven reprints from previously published hardcovers, offers plenty of evidence throughout (check out the Contributor Notes, in which one author describes herself as ``a fairly studly white trash bar dyke who writes the way she talks''). Mostly, though, the contributors have been assembled as painstakingly as Bill Clinton's Cabinet to look like America, all America, at play. In addition to predatory females (Anne Marie Meredith, Trish Thomas, Lisa Palac), there are epiphanies of gay love (Leigh Rutledge, Carter Wilson, Samuel R. Delany, Carol A. Queen) and lesbian (Pat Williams and Blake C. Aarens), sadism and masochism (Bob Flanagan and Pat Califia), exhibitionism (Barbara Gowdy), high-tech coupling (Ronald Sukenick), and of course frustrated vampirism (Anne Rice). Sadly, despite the all-American heterogeneity of the participants, there's little sense of play here: except for Magenta Michaels's ``Rubenesque,'' Anita ``Melissa'' Mashman's ``Five Dimes,'' and a piece from Nicholson Baker's Vox, there's more tristesse than joy on display. That isn't to say that the stories don't deliver on their promise of titillation. But whatever you may think of sex, erotica seems--for the moment at least--to be serious business. --
Copyright ©1993, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
