Most Helpful Customer Reviews
50 of 52 people found the following review helpful:
5.0 out of 5 stars
Many happy hours of reading, January 23, 2000
One of the things I have always liked about Updike is that he is willing to undertake something like this--even though it will inevitably make him vulnerable to criticisms like the ones raised in other reviews here. I can see why some omissions rankle: but, but BUT! Look at what's here! Almost all of the stories are nothing short of brilliant. Yes, "The Lottery" was probably amongst the best of the century, but it is anthologized everywhere in the universe: many of these are not. Many are not-so-well-known works by the best writers the 20th century had. I could quibble about many of the selections. For instance, I wouldn't have chose "Greenleaf" to represent one my favorites, Flannery O'Connor, or "The Killers" to represent Ernest Hemingway. But they're still great stories, worth including and worth reading. The best I think are those from the early part of the century, but that's probably my own bias talking. I'm not a fan of many of the representatives chosen for the latter half of the century, and the selection for 1999--yuck! But I'm willing to trust Updike's judgment over my own for a little while, and if he thinks Annie Proulx is worth reading...ok: It's worth a few pages of my time to find out. The anthology also does a good job of tracing in fiction the transformations of American culture: the first are immigrant stories, the next are primarily rural-based farming stories (A Jury of Her Peers--great story), and then the last are urban, ex-urban, and suburban stories. Read and enjoy.
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37 of 38 people found the following review helpful:
4.0 out of 5 stars
Full of pleasant surprises, July 13, 1999
By A Customer
When I bought this book, I first checked to see if my favorite contemporary authors were represented: the impossibly great Alice Munro, Thom Jones, Lorrie Moore ... and they indeed are in there. I'm intrigued by Updike's choices for those authors, because they weren't the choices I would have made. I enjoyed thinking about why he made those choices; I wish I could join Updike for lunch and debate him. What I most enjoy about this collection is the surprises. I had always thought Hemingway was overrated, but his tale here, "The Killers," is a hair-raising gem. And I had never heard of J.F. Powers, who has a wonderful shaggy-dog story in this collection that made me laugh out loud. You can see that Joyce Carol Oates was writing about the same subject matter in 1962 that she writes about now, but the telling is fresh in her 37-year-old story, "Where Are You Going, Where Have You Been?". Yes, I quibble with the exclusion of Shirley Jackson and J.D. Salinger, but not too much. "A Perfect Day for Bananafish" and "The Lottery" would have been predictable and boring selections (actually, I like "Seymour: An Introduction" better). This is not a boring collection.
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21 of 22 people found the following review helpful:
5.0 out of 5 stars
Great Stories, July 4, 2000
I believe that most writers or short story readers will agree that these are not the "best" stories of the 20th century. Such a collection would include better known masterpieces like Shirley Jackson's "The Lottery," and Flannery O'Connor's "A Good Man is Hard to Find." Instead, this a collection of brilliant, but lesser known stories by accomplished writers. I think Updike makes it clear that his goal was to assemble great stories from all decades, but not necessarily the best stories. I believe there was a pointed effort made, in assembling these stories, not to include the well-known American standards that most college educated people have read. The New York Times sums up the result : "Finding wonderful stories that you don't already know is one of this collection's greatest pleasures . . Updike has made some surprising, even striking selections." Most of Updike's surprising selections are very enjoyable. My only disappointment was the 1999 story by Pam Houston. There are too many great writers these days to include this contemporary mediocrity. What about Rick Bass, Charles Baxter, Mark Richard? Just my opinion. Overall, I recommend this book without reservation.
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