Customer Reviews

The Best American Travel Writing 2002

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I have been a big fan of this series and really enjoyed last year's compilation edited by Theroux. I also must admit that I really enjoy Theroux's travel writing as well. This year's edition, edited by Mayes, has the same faults that her books do, namely, they are long on description and short on plot. I have not gotten all of the way through The Best American Travel Writing of 2002 yet but what I have read is very similar to Mayes' "Under the Tuscan Sun". If you really like tales of flowery, descriptive (and dull) walks though Italian streets, etc. you will probably enjoy this book but if you are looking for more "great adventures" travel stories, try the 2001 edition instead.

This was a frustratingly uneven collection - when I pick up a book like this I expect consistent quality because the editors have done the work for me. But like another reviewer, perhaps I should have considered the fact that Frances Mayes edited this collection, and I'm not a fan of her work.
That said, a number of these pieces are worth seeking out. The best include Michael Finkel's "Thirteen Ways of Looking at a Void," which will take you into the heart of the Sahara. Devin Friedman's "Forty Years in Acapulco," William Booth's "Throw Junior from the Car," and Lawrence Millman's "In the Land of the White Rajahs" are all very funny takes on the people and places that move us to travel. Kate Wheeler's "The Fist of God" is a stunning piece on the shocking fight festivals still held in some corners of Bolivia. Isabelle Tree's "Spetses, Greece" is a charming glipse of a corner of the world she has made into a home. And Tom Mueller's "Ancient Roads, Walled Cities" is a moving meditation on Roman roads and the power of stone to hold memory. David Sedaris' "The Man Upstairs" is funny but quite short.
On the downside, three pieces on 9/11 challenged my definition of travel writing. Only Scott Anderson's "Below Canal Street" had anything new to say on the topic, although to be fair all were writen much closer to that tragic day. Steven Bodio's "Sovereigns of the Sky" was much less about a place than a sport, and an archaic one that I didn't want to see up this close - hunting with birds. Rod Davis' "A Rio Runs Through It" told us a lot about the state and culture of life along the Rio Grande, but it is overlong and gets redundant. And I found Elizabeth Nickerson's "Where the Bee Sucks" to be a self-indulgent mess.
When this collection is good it's very good, but when it's bad it's awful.

Scott Anderson's "Below Canal Street"is worth the entire price of the book: a vivid description of the city on September 11th. The aim of the essay is not to upset or exploit, its goal it to take you there and make you see the whole through each tiny detail. You walk with Scott through the day, seeing as he did. A beautiful piece.

The rest of the essays are all well written, with this year's selection more varied and relaxed than last year's (The Best American Travel Writing 2001). Frances Mayes was an inspired choice for editor and you can sense her professionalism (she is an English professor) throughout.

I look forward to the 2003 edition!

What a convenience to be able to find high-quality travel writing all condensed into one volume. This book covers the globe in its range of articles and essays, from Papa New Guinea to the Texas/Mexican border, from Greece to the Sahara, from Bolivia to Israel.

I found several inclusions to be truly excellent - especially Scott Anderson's piece on 9/11, Rod Davis's article on the US-Mexican border in Texas, Michael Finkel's article about the void in the Sahara, Elizabeth Nickson's piece on Salt Spring Island, Molly O'Neill following a Cambodian chef home, Kira Salak in Papa New Guinea, and Kate Wheeler in violent Bolivia. Some pieces though were a bit blah and the fact that they were alphabetically arranged meant the flow wasn't ideal. For example, the first 144 pages of the book were all by male writers, leaving me starved for a different perspective by the time I reached Kate Hennessey's piece.

There is a decidedly male tone to the book, which I found disappointing, with only 7 women represented among the 26 writers. This was reflected in a thematic focus of finding the most outlandish, isolated place on earth. I would have liked a little less reading about people setting out to do what no one had done before, and more human interactions with people of different places and cultures.

But overall, this book offers armchair travelers the opportunity to enter many different worlds from the comfort of their favorite reading place.

If you like short stories and travelogues you'll love this book. These are the best of the best. And like some reviewers have already mentioned, there are a wide variety of experiences and information in this collection of essays. I found myself laughing in Devin Friedman's "Forty Years in Acapulco" and Lawwrence Millman's "In the Land of the White Rajahs" and learning new information from Molly O'Neill's "Home For Dinner." I admit, however, that I did enjoy soem of the essays much better than others, but they are all very well-written and image provoking. It's as if I traveled the world without leaving my room.