From Publishers Weekly
Declares Cahill (
Jaguars Ripped My Flesh) in his introduction to the seventh edition of Houghton's annual collection, "Story is the essence of the travel essay." So perhaps it's no surprise to see several contributions from writers with literary reputations. Gary Shteyngart revisits his native St. Petersburg for the holidays; George Saunders takes a surreal journey through Dubai; and Alain de Botton explains why he loves "boring and bourgeois" Zurich so much. But more traditional travel writers make their presence felt as well.
Outside columnist Mark Jenkins hikes across the steppes from Afghanistan into China; in another article from that magazine, Michael Behar finds himself getting shot at by natives in the rain forests of West Papua. Airplanes come in for a lot of ribbing: P.J. O'Rourke jokes his way through a sneak peek at the jumbo-sized Airbus A380, while David Sedaris bears the resentment of his seatmate on a crowded flight after refusing to switch places with her husband. In a charming touch, the anthology begins and ends with stories about food: Chitrita Banerji's reflections about a Calcutta wedding feast are book-ended by Calvin Trillin's marvelous
New Yorker piece about spending a week in Ecuador indulging his love for "thick and hearty"
fanesca soup, a perfect mix of exotic locale and elegant prose.
(Oct. 11) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Series editor Jason Wilson muses on travelers' "endless quest for the authentic," and guest editor Cahill considers the nature of travel writing itself; both agree the best travel tales are told in the first person. And indeed, voice and story are the criteria here, for the concept of travel includes both Ian Frazier's thoughtful exploration of why he left Ohio and P. J. O'Rourke's gimlet-eyed appraisal of the behemoth Airbus A380. Other standouts include Michael Behar's troubling account of a guided tour promising first contact with indigenous people in West Papua, Indonesia, and George Saunders' exuberantly introspective junket to Dubai, an oil country retooling itself as the Disney/Vegas of the Middle East. But that's just scratching the surface. Cahill notes that "We seem to be in a golden age of American travel writing," suggesting one reason for the depth and quality here. Whatever the reason, The Best American Travel Writing series has become so reliable that reviewing it would seem almost unnecessary--except that reviewers want to read it, too.
Keir GraffCopyright © American Library Association. All rights reserved
--This text refers to the
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