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Product Details
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| Disc: 1 | |||
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| 1. Space Oddity | |||
| 2. The Man Who Sold The World | |||
| 3. Changes | |||
| 4. Life On Mars? | |||
| 5. Moonage Daydream | |||
| 6. Suffragette City | |||
| 7. Ziggy Stardust | |||
| 8. All The Young Dudes | |||
| 9. The Jean Genie | |||
| 10. Panic In Detroit | |||
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| Disc: 2 | |||
| 1. Ashes To Ashes | |||
| 2. Fashion | |||
| 3. Scary Monsters (And Super Creeps) | |||
| 4. Under Pressure | |||
| 5. Cat People (Putting Out Fire) | |||
| 6. Let's Dance | |||
| 7. China Girl | |||
| 8. Modern Love | |||
| 9. Blue Jean | |||
| 10. This is Not America | |||
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Disc 1
1. Space Oddity 2. The Man Who Sold The World 3. Changes 4. Life On Mars? 5. Moonage Daydream 6. Suffragette City 7. Ziggy Stardust 8. All The Young Dudes 9, The Jean Genie 10. Panic In Detroit 11. Rebel, Rebel 12. Diamond Dogs 13. Young Americans 14. Fame 15. Golden Years 16. TVC15 17. Sound and Vision 18. "Heroes" 19. D.J.
Disc 2
1.Ashes To Ashes 2. Fashion 3. Scary Monsters (And Super Creeps) 4. Under Pressure 5. Cat People (Putting Out Fire) 6. Let's Dance 7. China Girl 8. Modern Love 9. Blue Jean 10. This is Not America 11. Dancing In The Streets 12. Absolute Beginners 13. Time Will Crawl 14. Under The God 15. Jump They Say 16. The Heart's Filthy Lesson 17. I'm Afraid Of Americans 18. Thursday's Child 19. Slow Burn
This listing is very unique because it includes the big pop hits (the poppy R&B meets rock guitar "Let's Dance"), culturally significant songs (revolutionary singer-songwriter moments like "Changes" and "All The Young Dudes") and excellent singles that didn't get the attention they deserved the first time (the industrial rocker "Heart's Filthy Lesson"). The fact that "Best Of Bowie" takes songs form nearly every Bowie studio album (except for the cover packed "Pin Ups" and "Buddha Of Suburbia", which in all fairness was a soundtrack) shows all the levels that the man works on musically. The seventies are where Bowie shines with everything from the edgy alien hard rock of "Ziggy Stardust" to the glam rock perfection of "Rebel, Rebel". "Diamond Dogs" (only live track and the longest in length at over 6 minutes) should have been a shorter track, especially since they cut down the stellar cynical lyric with an R&B beat of "Young Americans" to a single edit. The Berlin tracks are a great way to end the first disc. "Low" is represented well by the dancy "Sound And Vision" while "Heroes" is tragic and wonderful. Then there is the eighties heyday from disco flavored new wave of "Fashion" to horn blasting "Modern Love" (which I viewed as a sardonic joke about yuppie culture, right?) to that poppy Motown cover "Dancing In The Streets" (with Mick Jagger adding his swagger). Then there was the nineties peak of creativity of the bleeping drum machine pop "Jump They Say" to the moody introspective AC of "Thursday's Child" to the techno rock dance of "I'm Afraid Of Americans" (the Trent mix) and closing with the passionate soul rock of "Soul Burn".
The unfortunate thing is that it misses with some track placement. I don't understand why "Time Will Crawl" represents "Never Let Me Down" and the obvious not "Day In, Day Out". Also, some tracks take getting used to like the collaboration with the Pat Methany Group with the world music with a dance groove "This is Not America". And now I understand why people dislike Tin Machine with the c-rocker blah bombast of "Under The God", but it shows an interesting side of Bowie. These very few questionable tracks (which I can live with) don't change my overall impression of the set being very strong. Slight omissions (why not "Rock And Roll Suicide" from "Ziggy Stardust..."?) and edits (or non-edits in some cases) doesn't change the fact that this album is filled with some of the greatest transformations from the rock chameleon that Bowie is. He has rocked us in a variety of ways and this album is needed for those who have adored him for years and is superb for those just starting out. Keep in mind that there are about 22 verisons of this CD, most single discs. This is the American double CD verison.
The abbreviated selections are "Young Americans," "Golden Years," "TVC 15," and "Heroes"--ironically, four of Bowie's most significant releases. Even more annoying, this is not indicated anywhere on the visible CD notes; it wasn't until I had the thing at home and on my DVD player that I realized something was amiss, and a glance at the inside liner notes confirmed my fears.
That said, it would be easy to quibble over what should and should not be included in this collection. If I myself had been programming it, I would have likely included "Lady Stardust" and "Rock and Roll Suicide"--and dropped several other titles in order to present every selection at full length. But the collection does hit all the most obvious choices and then some, even including the full-length and hard-to-find original film version of "Cat People," one of Bowie's most seductive vocals.
All of this said, since he first gained attention Bowie has been quite unlike any other recording artist--a true original whose recordings are still advanced even in comparison to those who followed in his wake. While the abbreviated selections will annoy purists like myself, the collection as a whole is an ideal choice for some one first coming to Bowie. Recommended, but with the stated reservations.
GFT, Amazon Reviewer