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The Best of Erik Satie
 
 

The Best of Erik Satie

Erik Satie , Jérôme Kaltenbach , Klára Körmendi , Orchestre Symphonique et Lyrique de Nancy Audio CD
4.1 out of 5 stars  See all reviews (14 customer reviews)

Price: $8.30 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Formats

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MP3 Download, 23 Songs, 2000 $7.99  
Audio CD, 2000 $8.30  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. 3 Gymnopedies: No. 1: Lent et douloureuxKlara Kormendi 2:46$0.89 Buy Track
listen  2. 3 Gymnopedies: No. 2: Lent et tristeKlara Kormendi 2:12$0.89 Buy Track
listen  3. 3 Gymnopedies: No. 3: Lent et graveKlara Kormendi 2:03$0.89 Buy Track
listen  4. Gnossienne No. 5: No. 1: LentKlara Kormendi 3:10$0.89 Buy Track
listen  5. Gnossienne No. 5: No. 2: Avec etonnementKlara Kormendi 1:38$0.89 Buy Track
listen  6. Gnossienne No. 5: No. 3: LentKlara Kormendi 2:25$0.89 Buy Track
listen  7. Gnossienne No. 5: No. 4: LentKlara Kormendi 3:01$0.89 Buy Track
listen  8. Gnossienne No. 5: No. 5: ModereKlara Kormendi 2:28$0.89 Buy Track
listen  9. Gnossienne No. 5: No. 6: Avec conviction et une tristesse rigoureuseKlara Kormendi 1:46$0.89 Buy Track
listen10. Je te veux : Je te veux (Valse pour Piano)Klara Kormendi 4:28$0.89 Buy Track
listen11. Avant-dernieres pensees: 1. Idylle 2. Aubade 3. MeditationKlara Kormendi 3:33$0.89 Buy Track
listen12. La diva de l'Empire: La Diva de l'Empire (Intermezzo Americain d'apres la celebre chanson)Klara Kormendi 2:33$0.89 Buy Track
listen13. Les 3 valses distinguees du precieux degoute: 1. Sa Taille - 2. Son Binoche - 3. Ses JambesKlara Kormendi 3:55$0.89 Buy Track
listen14. 3 Sarabandes : Premiere SarabandeKlara Kormendi 4:29$0.89 Buy Track
listen15. 3 Sarabandes : Deuxieme SarabandeKlara Kormendi 4:24$0.89 Buy Track
listen16. 3 Sarabandes : Troisieme SarabandeKlara Kormendi 3:52$0.89 Buy Track
listen17. Nocturnes Nos. 1-3: Premier NocturneKlara Kormendi 2:28$0.89 Buy Track
listen18. Nocturnes Nos. 1-3: Deuxieme NocturneKlara Kormendi 1:49$0.89 Buy Track
listen19. Nocturnes Nos. 1-3: Troisieme NocturneKlara Kormendi 2:30$0.89 Buy Track
listen20. Reverie du pauvre: Reverie du PauvreKlara Kormendi 4:14$0.89 Buy Track
listen21. 3 Gymnopedies: No. 1: Lent et douloureux (orch. Debussy)Jerome Kaltenbach 4:01$0.89 Buy Track
listen22. 3 Gymnopedies: No. 2: Lent et triste (orch. Roland-Manuel)Jerome Kaltenbach 2:43$0.89 Buy Track
listen23. 3 Gymnopedies: No. 3: Lent et grave (orch. Debussy)Jerome Kaltenbach 2:17$0.89 Buy Track


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Frequently Bought Together

The Best of Erik Satie + After the Rain...The Soft Sounds of Erik Satie + Satie: Orchestral Works
Price For All Three: $32.82

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Product Details

  • Audio CD (May 16, 2000)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Naxos
  • ASIN: B00004SYFP
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #4,175 in Music (See Top 100 in Music)

Editorial Reviews

From ClassicsToday.com

For me, the real "Best of Satie" would include at least

excerpts from the opera Socrate and the ballet Parade. But this is a

nice overview of the eccentric composer's keyboard gems, culled from

Klára Körmendi's excellent Satie cycle for Naxos. Many pianists

take Satie's wistful melodic sensibility as license to let the music

wallow and droop. Körmendi will have none of that. Her sensitive,

expertly colored playing brings uncommon, refreshing urgency to the

first three Nocturnes, the well-worn Gymnopédies, and all six

Gnossiennes. Moreover, she has a way of making the composer's

idiosyncratic expressive indications audible without hitting listeners

over the head. The disc concludes with the Gymnopédies in their

familiar orchestrations by Debussy (Nos. 1 & 3) and Roland-Manuel

(No. 2). The French orchestra plays rather patchily in the first but

redeems itself with some very nice playing in the other two. No. 3

features a lovely oboe soloist surrounded by silvery, reed-organ-like

high strings. If you're looking for a Satie piano music start-up kit,

this is the one.

Product Description

The Best of Satie CD.

 

Customer Reviews

14 Reviews
5 star:
 (8)
4 star:
 (3)
3 star:
 (1)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (14 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

28 of 28 people found the following review helpful:
5.0 out of 5 stars Got Satie?, July 26, 2005
By 
This review is from: The Best of Erik Satie (Audio CD)
... Well folks. This may be the perfect album to get started. This features some of the best-known works by the wierd and witty Erik Satie, including the Gymnopedies (both the original piano and the orchestrated versions), the Gnossiennes, just to name a few.

The performance done by pianist Klara Kormendi is relatively plain and simple, just as Satie might have wanted. Some of his music is actually not too difficult to play... A great CD at a budget price. Kudos to Naxos for a good performance at a good price.

Also, what I'm equally impressed is the fact that in this "appreciation" album, the listener will actually be listening to many "sets" of pieces. Some of those albums (Beethoven and Mozart for example) are mere collections of selected tracks, many just one movement of a large work, such as a symphony. In some you will only be listening to selected numbers of different large "sets" of pieces. In Chopin's for example one may listen only few of the 20+ nocturnes (No. 2 for example), 15+ waltzes, and 20+ mazurkas he wrote, so one would not feel complete listening to the whole "cycles" of short pieces. Satie, fortunatley, prefered using tiny sets of pieces, most of them only comprising of three movments each. Plus each piece is short. ALL of the three Gymnopedies. ALL of the six Gnossiennes. ALL of the three Sarabandes. ALL of the three nocturnes. One can already feel happy listening to couple "sets" within a single CD.

Once again, this may be the perfect album to get started with Erik Satie. And get ALL out of those pieces!!!
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19 of 19 people found the following review helpful:
5.0 out of 5 stars An excellent introduction to Satie's music, May 30, 2004
This review is from: The Best of Erik Satie (Audio CD)
'Best ofs' rarely do justice to classical music composers; the compilations' limited space often results in selections which are cut from their context, short excerps of longer works, etc. This Naxos release has none of these problems. It wisely offers complete opuses (i.e. all three Gymnopedies, Sarabandes and Nocturnes, all six Gnossiennes), and its focus on pieces for solo piano (the only orchestrations included here were not done by Satie himself) gives the disc a lot of cohesion. It doesn't sound much like a typical 'Best of' - this isn't a drawback but a virtue! - and rather is a thoughtful selection of some of Satie's most interesting works. The playing is also excellent: I was personally accustomed to slower Gymnopedies, but these faster versions are worth hearing; the beautiful Gnosiennes are also nicely rendered. This recording emphasizes the 'openness' of Satie's music: the (interior) spaces it evokes can become a springboard for reflexion, relaxation, or both depending on the listener's mood. Those who are new to Satie should definitely purchase this disc.
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19 of 19 people found the following review helpful:
4.0 out of 5 stars Simplistic Beauty, January 25, 2002
By 
This review is from: The Best of Erik Satie (Audio CD)
A good compilation of Erik Satie's work, though missing a few notables (the only reason I gave 4 stars instead of 5). During his life Satie didn't intend for his music to be highlighted, rather he prefered the music to be a "backround" to everyday life....as his pieces were played at concerts, Satie encouraged the the crowd to talk, carry on...behave as if nothing of paticular interest was occuring. He felt his music was not for special attention, and would rather it play as a soundtrack to a typical day. With apologies to Satie, this work is simply too beautiful to not stop and take notice.
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