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15 of 16 people found the following review helpful:
5.0 out of 5 stars
nice, but beware...., September 23, 2000
In some ways, this lp is a misnomer, as Miles recorded so little on the Blue Note label that all of the songs he did (2 lps worth-both compilations- in the end, other than "Birth of the Cool")are the essential recordings.Nevertheless, what Miles DID record for the label are gems. The bulk of the recordings were recorded in 2 sessions; May 1952, featuring JJ Johnson (trombone), Jackie MacLean (alto sax), Gil Coggins (piano), Oscar Pettiford (b), Kenny Clarke (dr) (tracks 4-6 on this cd)... April 1953: with Johnson, Jimmy Heath (tenor sax), Coggins, Percy Heath (b), and Art Blakey (dr) (tracks 7-11) Tracks 1-3 are from the "Birth of the Cool" Tracks 12-14 are from March 1954 with Horace Silver (piano), Percy Heath, and Art Blakey. The songs are classics, and the playing, while great at moments, belies the terrible heroin habit that Miles and some of the other players (notably MacLean, Jimmy Heath and Blakey) were suffering from; that is why Miles' tone seems very thin at times and other times it seemed like Miles had just started playing again after long stretches of not doing so (which in fact was true). So, take that all into consideration as you listen to these sides and get this cd. The songs are wonderful and while Miles was a junkie during this period, he could still coax a great performance out of himself, as many of these tracks show.
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