An ancient society of cartographer wasps create delicately inscribed maps; a bodyjacking parasite is faced with imminent extinction; an AI makes a desperate gambit to protect its child from a ravenous dragon; a professor of music struggles with the knowledge that murder is not too high a price for fame; living origami carries a mother's last words to her child; a steam girl conquers the realm of imagination; Aliens attack Venus, ignoring an incredulous earth; a child is born on Mars... The science fiction and fantasy fiction fields continue to evolve, setting new marks with each passing year. For the sixth year in a row, master anthologist Jonathan Strahan has collected stories that captivate, entertain, and showcase the very best the genre has to offer. Critically acclaimed, and with a reputation for including award-winning speculative fiction, The Best Science Fiction and Fantasy of the Year is the only major "best of" anthology to collect both fantasy and science fiction under one cover. Jonathan Strahan has edited more than twenty anthologies and collections, including The Locus Awards (with Charles N. Brown), The New Space Opera (with Gardner Dozois), and The Starry Rift. He has won the Ditmar, William J. Atheling Jr., and Peter McNamara awards for his work as an anthologist and reviewer, and was nominated for a Hugo Award for his editorial work. Strahan is currently the reviews editor for Locus.
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Most Helpful Customer Reviews
14 of 15 people found the following review helpful
4.0 out of 5 stars
Bees, trolls, dragons, vampires, robots, Mars, Venus, and more ... too much more
March 8, 2012
Format:Paperback
Despite their occasional overlap and inevitable shelving together in libraries and bookstores, science fiction and fantasy are typically as different as physics and magic. One problem with including both fantasy and science fiction in a "best of" anthology is that fans of one but not the other must endure (or skip) a number of stories that they aren't likely to enjoy. Another problem is that the anthologist, in order to please everyone, must assemble a large volume that probably won't entirely please anyone. As dictated by my own preferences, I tended to favor the science fiction over the fantasy in this collection, although Jonathan Strahan selected stories in both genres that I enjoyed.
Two memorable stories that start the collection -- one clearly fantasy and the other sort of a hybrid -- revolve around bees. Eugenia Lily Yu's allegorical "The Cartographer Wasps and the Anarchist Bees" imagines map-making and empire-building wasps negotiating with delegates from a hive of bees to resolve a territorial dispute. In "The Case of Death and Honey," Neil Gaiman sends Sherlock Holmes to China, where black honeybees figure in his investigation of the greatest crime of all: the inevitability of death.
Other stories also stand out. Jeffery Ford writes of a weary priest at the end of the world, a talking fish, and the lives changed by the foot of a dead saint (or maybe she was a sinner, and maybe it isn't her foot at all) in "Relic." Paul McAuley tells an unconventional story about a common sf topic in "The Choice" as two young men decide whether and how to use an alien artifact they come to possess. "Malak" refers a robotic military craft with a twist; Peter Watts has imbued his robot with a type of conscience, the ability to assess collateral damage and (if not overridden) to take it into account when making tactical decisions. I would never have thought I'd admire a story about a troll, but Peter S. Beagle's "Underbridge," about a washed-up professor who befriends Seattle's Fremont Troll, made me a believer.
File these under interesting but odd: In Geoff Ryman's "What We Found", a young man tells of growing up in Nigeria before discovering the scientific principle that truth wears out over time. I can't begin to understand "The Server and the Dragon," Hannu Rajaniemi's story about a server (one of many seeding the universe) that has sex with a dragon, but I admire the way it is written. In "The Dala Horse," Michael Swanwick writes of a little Swedish girl with a toy horse who turns out to be something quite different than she first appears ... or is it is the horse that is different?
Funny is always difficult to do well. Cory Doctorow kept me laughing (and thinking about whether "smart" technology might be too smart) with "The Brave Little Toaster," his tale of a squeeze pouch energy drink that turns out to be a rhyming prankster. Dylan Horrocks contributes the very funny (and serious and bizarre and strangely touching) "Steam Girl," about a girl who tells (and illustrates) stories about a dimension-jumping steampunk heroine on Mars ... or perhaps she's telling (and drawing) true stories about herself. How does a colonist establish diplomatic relations with body-snatchers on an alien planet, particularly when the colonist is terrified of them and specializes in waste disposal rather than diplomacy? That's the question posed in An Owomoyela's amusing story, "All That Touches the Air." Karen J. Fowler's "Younger Women" is a cute story about a woman's reaction to the discovery that her daughter is dating a vampire.
Many of the stories are good but not exceptional. Ian McDonald contributes a fairly ordinary story of Martian adventure called "Digging." Ellen Krages writes about the first baby born on Mars in "Goodnight Moons." In the world Kij Johnson constructs in "The Man Who Bridged the Mist," an architect faces the daunting task of building a life-altering bridge over a dangerous divide between the two sides of the Empire, a mysterious flowage of mist in which monsters dwell. Robert Reed writes of a digital man, seemingly immortal, who travels the stars and encounters new life, all the while pining for the long-dead woman who created him, the "Woman in Room." Grown in Tower 7 with a variety of other freaks, an accelerated woman with unusual abilities discovers a secret and yearns for freedom in Nnedi Okorafor's "The Book of Phoenix." What starts as a first contact story turns into something quite different as the approaching aliens bypass Earth so they can focus their attention on the vastly more intelligent Venusians in "The Invasion of Venus" by Stephen Baxter. In "Old Habits," Nalo Hopkinson writes about ghosts who live in a mall, haunted by the life that surrounds them. Echoing Amadeus, "A Small Price for Birdsong" by K.J. Parker explores the relationship between murder, freedom, and musical genius. After America self-destructs, the mother and daughter in "After the Apocalypse" start walking toward a rumored camp in Canada -- Maureen McHugh's answer to The Road (featuring a parent who is less noble but considerably more complex than the "man carry fire" character in Cormac McCarthy's novel).
Strahan chose some stories that, while not necessarily bad, just didn't appeal to me. They were written by Caitlín R. Kiernan, Catherynne M. Valente, Ken Liu, Kelly Link, M. Rickert, Robert Shearman, Bruce Sterling, Margo Lanagan, and Libba Bray.
On the whole, I think there are better annual collections than this one (if only because they are more limited in scope), but the book still offers a chance to read some very good stories.
Two memorable stories that start the collection -- one clearly fantasy and the other sort of a hybrid -- revolve around bees. Eugenia Lily Yu's allegorical "The Cartographer Wasps and the Anarchist Bees" imagines map-making and empire-building wasps negotiating with delegates from a hive of bees to resolve a territorial dispute. In "The Case of Death and Honey," Neil Gaiman sends Sherlock Holmes to China, where black honeybees figure in his investigation of the greatest crime of all: the inevitability of death.
Other stories also stand out. Jeffery Ford writes of a weary priest at the end of the world, a talking fish, and the lives changed by the foot of a dead saint (or maybe she was a sinner, and maybe it isn't her foot at all) in "Relic." Paul McAuley tells an unconventional story about a common sf topic in "The Choice" as two young men decide whether and how to use an alien artifact they come to possess. "Malak" refers a robotic military craft with a twist; Peter Watts has imbued his robot with a type of conscience, the ability to assess collateral damage and (if not overridden) to take it into account when making tactical decisions. I would never have thought I'd admire a story about a troll, but Peter S. Beagle's "Underbridge," about a washed-up professor who befriends Seattle's Fremont Troll, made me a believer.
File these under interesting but odd: In Geoff Ryman's "What We Found", a young man tells of growing up in Nigeria before discovering the scientific principle that truth wears out over time. I can't begin to understand "The Server and the Dragon," Hannu Rajaniemi's story about a server (one of many seeding the universe) that has sex with a dragon, but I admire the way it is written. In "The Dala Horse," Michael Swanwick writes of a little Swedish girl with a toy horse who turns out to be something quite different than she first appears ... or is it is the horse that is different?
Funny is always difficult to do well. Cory Doctorow kept me laughing (and thinking about whether "smart" technology might be too smart) with "The Brave Little Toaster," his tale of a squeeze pouch energy drink that turns out to be a rhyming prankster. Dylan Horrocks contributes the very funny (and serious and bizarre and strangely touching) "Steam Girl," about a girl who tells (and illustrates) stories about a dimension-jumping steampunk heroine on Mars ... or perhaps she's telling (and drawing) true stories about herself. How does a colonist establish diplomatic relations with body-snatchers on an alien planet, particularly when the colonist is terrified of them and specializes in waste disposal rather than diplomacy? That's the question posed in An Owomoyela's amusing story, "All That Touches the Air." Karen J. Fowler's "Younger Women" is a cute story about a woman's reaction to the discovery that her daughter is dating a vampire.
Many of the stories are good but not exceptional. Ian McDonald contributes a fairly ordinary story of Martian adventure called "Digging." Ellen Krages writes about the first baby born on Mars in "Goodnight Moons." In the world Kij Johnson constructs in "The Man Who Bridged the Mist," an architect faces the daunting task of building a life-altering bridge over a dangerous divide between the two sides of the Empire, a mysterious flowage of mist in which monsters dwell. Robert Reed writes of a digital man, seemingly immortal, who travels the stars and encounters new life, all the while pining for the long-dead woman who created him, the "Woman in Room." Grown in Tower 7 with a variety of other freaks, an accelerated woman with unusual abilities discovers a secret and yearns for freedom in Nnedi Okorafor's "The Book of Phoenix." What starts as a first contact story turns into something quite different as the approaching aliens bypass Earth so they can focus their attention on the vastly more intelligent Venusians in "The Invasion of Venus" by Stephen Baxter. In "Old Habits," Nalo Hopkinson writes about ghosts who live in a mall, haunted by the life that surrounds them. Echoing Amadeus, "A Small Price for Birdsong" by K.J. Parker explores the relationship between murder, freedom, and musical genius. After America self-destructs, the mother and daughter in "After the Apocalypse" start walking toward a rumored camp in Canada -- Maureen McHugh's answer to The Road (featuring a parent who is less noble but considerably more complex than the "man carry fire" character in Cormac McCarthy's novel).
Strahan chose some stories that, while not necessarily bad, just didn't appeal to me. They were written by Caitlín R. Kiernan, Catherynne M. Valente, Ken Liu, Kelly Link, M. Rickert, Robert Shearman, Bruce Sterling, Margo Lanagan, and Libba Bray.
On the whole, I think there are better annual collections than this one (if only because they are more limited in scope), but the book still offers a chance to read some very good stories.
13 of 15 people found the following review helpful
Format:Paperback
The Best Science Fiction and Fantasy of the Year Vol. 6 from Nightshade Books review
Edited by: Jonathan Strahan
4 out of 5 stars
Disclosure: I received a free eBook ARC galley from NetGalley.com in exchange for an honest review
Synopsis from Goodreads: The science fiction and fantasy fields continue to evolve, setting new marks with each passing year. For the sixth year in a row, master anthologist Jonathan Strahan has collected stories to captivate, entertain, and showcase the very best the genre has to offer. Critically acclaimed, and with a reputation for including award-winning speculative fiction, The Best Science Fiction and Fantasy of the Year is the only major "best of" anthology to collect both fantasy and science fiction under one cover. Jonathan Strahan has edited more than thirty anthologies and collections, including The Locus Awards (with Charles N. Brown), The New Space Opera (with Gardner Dozois), and Swords and Dark Magic: The New Sword and Sorcery.
TABLE OF CONTENTS
Introduction, Jonathan Strahan
The Case of Death and Honey, Neil Gaiman, (A Study in Sherlock)
The Cartographer Wasps and the Anarchist Bees, E. Lily Yu, (Clarkesworld, 4/11)
Tidal Forces, Caitlín R Kiernan, (Eclipse Four)
Younger Women, Karen Joy Fowler, (Subterranean, Summer 2011)
White Lines on a Green Field , Catherynne M. Valente, (Subterranean, Fall 2011)
All That Touches The Air, An Owomoyela, (Lightspeed Magazine, 4/11)
What We Found, Geoff Ryman, (F&SF, 9-10/11)
The Server and the Dragon, Hannu Rajaniemi, (Engineering Infinity)
The Choice, Paul McAuley, (Asimov`s, 1/11)
Malak, Peter Watts, (Engineering Infinity)
Old Habits, Nalo Hopkinson, (Eclipse Four)
A Small Price to Pay for Birdsong, K. J. Parker, (Subterranean, Winter 2011. )
Valley of the Girls, Kelly Link, (Subterranean, Spring 2011)
Brave Little Toaster, Cory Doctorow, (TRSF)
The Dala Horse, Michael Swanwick, (Tor.com, 7/11)
The Corpse Painter's Masterpiece, M Rickert, (F&SF, 9-10/11)
The Paper Menagerie, Ken Liu, (F&SF, March/April 2011)
Steam Girl, Dylan Horrocks, (Steampunk!)
After the Apocalypse, Maureen F. McHugh, (After the Apocalypse)
Underbridge, Peter S. Beagle, (Naked City)
Relic, Jeffrey Ford, (The Thackery T. Lambshead Cabinet of Curiosities)
The Invasion of Venus, Stephen Baxter, (Engineering Infinity)
Woman Leaves Room, Robert Reed, (Lightspeed Magazine, 3/11)
Restoration, Robert Shearman, (Everyone's Just So So Special)
The Onset of a Paranormal Romance, Bruce Sterling, (Flurb, Fall-Winter 2011)
Catastrophic Disruption of the Head, Margo Lanagan, (The Wilful Eye: Tales from the Tower Vol. 1)
The Last Ride of the Glory Girls, Libba Bray, (Steampunk!)
The Book of Phoenix (Excerpted from The Great Book) , Nnedi Okorafor, (Clarkesworld, 3/11)
Digging, Ian McDonald, (Life on Mars)
The Man Who Bridged the Mist, Kij Johnson, (Asimov's, 10-11/11)
Goodnight Moons, Ellen Klages, (Life on Mars)
My Thoughts: One can't say a lot about an anthology, not without taking up pages and pages of notes. However, I'll comment on some of the stories that stuck in my head. Obviously, being as I am a Sherlock Holmes fan, I loved Neil Gaiman's theory about why Holmes really retired to be a beekeeper in "The Case of Death and Honey." Catherynne M. Valente has a wickedly sharp sense of humor, which comes through in her story utilizing the Coyote mythos, "White Lines on a Green Field." "All That Touches The Air," by An Owomoyela was an interesting take on the whole alien planet/human settler meme, asking the question ,"what if there were already a dominant species on the planet?" Nalo Hopkinson's "Old Habits," about ghosts in a mall, left me with goosebumps. "The Last Ride of the Glory Girls" was an excellent example of a Weird West tale, a genre I am finding that I quite like.
I should point out that I didn't love all the stories. I couldn't even finish Peter S. Beagle's story, because of bad things to do with a cat; I just quit reading it right there. "Catastrophic Disruption of the Head" just didn't make much sense to me. There were a few that didn't really make an impact on me one way or the other. But overall the stories were good. Taking into account that this was an ARC, the editing started out pretty good but was deteriorating fast by the end, which was sort of strange. I'm guessing that will be fixed by the final edition.
At any rate, for fans of sci-fi and fantasy this anthology will be a must-read - jam-packed full of great stuff.
Edited by: Jonathan Strahan
4 out of 5 stars
Disclosure: I received a free eBook ARC galley from NetGalley.com in exchange for an honest review
Synopsis from Goodreads: The science fiction and fantasy fields continue to evolve, setting new marks with each passing year. For the sixth year in a row, master anthologist Jonathan Strahan has collected stories to captivate, entertain, and showcase the very best the genre has to offer. Critically acclaimed, and with a reputation for including award-winning speculative fiction, The Best Science Fiction and Fantasy of the Year is the only major "best of" anthology to collect both fantasy and science fiction under one cover. Jonathan Strahan has edited more than thirty anthologies and collections, including The Locus Awards (with Charles N. Brown), The New Space Opera (with Gardner Dozois), and Swords and Dark Magic: The New Sword and Sorcery.
TABLE OF CONTENTS
Introduction, Jonathan Strahan
The Case of Death and Honey, Neil Gaiman, (A Study in Sherlock)
The Cartographer Wasps and the Anarchist Bees, E. Lily Yu, (Clarkesworld, 4/11)
Tidal Forces, Caitlín R Kiernan, (Eclipse Four)
Younger Women, Karen Joy Fowler, (Subterranean, Summer 2011)
White Lines on a Green Field , Catherynne M. Valente, (Subterranean, Fall 2011)
All That Touches The Air, An Owomoyela, (Lightspeed Magazine, 4/11)
What We Found, Geoff Ryman, (F&SF, 9-10/11)
The Server and the Dragon, Hannu Rajaniemi, (Engineering Infinity)
The Choice, Paul McAuley, (Asimov`s, 1/11)
Malak, Peter Watts, (Engineering Infinity)
Old Habits, Nalo Hopkinson, (Eclipse Four)
A Small Price to Pay for Birdsong, K. J. Parker, (Subterranean, Winter 2011. )
Valley of the Girls, Kelly Link, (Subterranean, Spring 2011)
Brave Little Toaster, Cory Doctorow, (TRSF)
The Dala Horse, Michael Swanwick, (Tor.com, 7/11)
The Corpse Painter's Masterpiece, M Rickert, (F&SF, 9-10/11)
The Paper Menagerie, Ken Liu, (F&SF, March/April 2011)
Steam Girl, Dylan Horrocks, (Steampunk!)
After the Apocalypse, Maureen F. McHugh, (After the Apocalypse)
Underbridge, Peter S. Beagle, (Naked City)
Relic, Jeffrey Ford, (The Thackery T. Lambshead Cabinet of Curiosities)
The Invasion of Venus, Stephen Baxter, (Engineering Infinity)
Woman Leaves Room, Robert Reed, (Lightspeed Magazine, 3/11)
Restoration, Robert Shearman, (Everyone's Just So So Special)
The Onset of a Paranormal Romance, Bruce Sterling, (Flurb, Fall-Winter 2011)
Catastrophic Disruption of the Head, Margo Lanagan, (The Wilful Eye: Tales from the Tower Vol. 1)
The Last Ride of the Glory Girls, Libba Bray, (Steampunk!)
The Book of Phoenix (Excerpted from The Great Book) , Nnedi Okorafor, (Clarkesworld, 3/11)
Digging, Ian McDonald, (Life on Mars)
The Man Who Bridged the Mist, Kij Johnson, (Asimov's, 10-11/11)
Goodnight Moons, Ellen Klages, (Life on Mars)
My Thoughts: One can't say a lot about an anthology, not without taking up pages and pages of notes. However, I'll comment on some of the stories that stuck in my head. Obviously, being as I am a Sherlock Holmes fan, I loved Neil Gaiman's theory about why Holmes really retired to be a beekeeper in "The Case of Death and Honey." Catherynne M. Valente has a wickedly sharp sense of humor, which comes through in her story utilizing the Coyote mythos, "White Lines on a Green Field." "All That Touches The Air," by An Owomoyela was an interesting take on the whole alien planet/human settler meme, asking the question ,"what if there were already a dominant species on the planet?" Nalo Hopkinson's "Old Habits," about ghosts in a mall, left me with goosebumps. "The Last Ride of the Glory Girls" was an excellent example of a Weird West tale, a genre I am finding that I quite like.
I should point out that I didn't love all the stories. I couldn't even finish Peter S. Beagle's story, because of bad things to do with a cat; I just quit reading it right there. "Catastrophic Disruption of the Head" just didn't make much sense to me. There were a few that didn't really make an impact on me one way or the other. But overall the stories were good. Taking into account that this was an ARC, the editing started out pretty good but was deteriorating fast by the end, which was sort of strange. I'm guessing that will be fixed by the final edition.
At any rate, for fans of sci-fi and fantasy this anthology will be a must-read - jam-packed full of great stuff.
4 of 4 people found the following review helpful
By A
Format:Paperback
...and I have read dozens over the years.
I had to skip a few of the stories, unfortunately, not because they were not good but because I had already read them somewhere else during the past year. This is an unfortunate risk with collections of this type. For this reason, I think it would be good if either Amazon or the publisher provided at least a table of contents, and maybe also a brief synopsis of each story, so that the buyer can decide if the volume overall has enough new material to be worth the money. Fortunately, in this case, this volume was well worth it for me. Almost every story was good, and I enjoyed even the fantasy tales despite being more of an SF aficionado. It is hard to pick a favorite, but in my opinion, 'Steam Girl', by Dylan Horrocks, was particularly noteworthy.
I had to skip a few of the stories, unfortunately, not because they were not good but because I had already read them somewhere else during the past year. This is an unfortunate risk with collections of this type. For this reason, I think it would be good if either Amazon or the publisher provided at least a table of contents, and maybe also a brief synopsis of each story, so that the buyer can decide if the volume overall has enough new material to be worth the money. Fortunately, in this case, this volume was well worth it for me. Almost every story was good, and I enjoyed even the fantasy tales despite being more of an SF aficionado. It is hard to pick a favorite, but in my opinion, 'Steam Girl', by Dylan Horrocks, was particularly noteworthy.
Most Recent Customer Reviews
5.0 out of 5 stars
An essential collection
A rich array of speculative fictions, including several major award winners. This was well worth my money and my time, and I will be looking forward to next year's collection.
Published 5 months ago by Patricia MacEwen
5.0 out of 5 stars
Amazing and well written stories
I love good SF short stories and this collection has some of the finest I've ever read. The other thing I really liked about this collection was how different they all were. Read more
Published 10 months ago by Sweenjr56
5.0 out of 5 stars
a panoramic view of the state of the genre - extremely diverse
I used to read a lot of science fiction back in the 1960s and 1970s. Among my favorite authors were Robert Heinlein, Theodore Sturgeon, Philip K. Read more
Published 12 months ago by Bookreporter
4.0 out of 5 stars
Excellent Variety and Some Real Hits
Whenever you get an anthology of short stories you're going to get some hits, some you can take or leave, and a few that you can't understand why they were included to begin with. Read more
Published 13 months ago by Neodoering
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