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There are several things to consider before buying this DVD. First, the song selections are _extremely_ esoteric. I have a fairly broad range of interest in various types of music, but I had heard of only 9 of the 15 acts. Furthermore, I have never before heard _any_ of the 15 songs. This is the antithesis of a pop music collection; it takes a sense of music appreciation bordering on snobbery to love the whole thing.
Using a recording studio for live acts has both positive and negative aspects. On the one hand, the sound is crisp and clear, and every instrument can be heard in detail. On the other, the raw, unprocessed sound does not get the color it would enjoy if recorded at a real concert venue at high sound pressure levels. Drums and bass guitar sound especially weak on this DVD. The acoustic instruments fare the best here, with Marsalis' "Back to Basics" giving us the best mix of the bunch (but the most musically challenging, unfortunately). Another aural treat is Langlois' "Orange Kay" instrumental piece for drum sequencer and highly-processed electric guitar.
Of the other cuts, I would award special kudos for Suzanne Vega's "Caramel," Shawn Colvin's "Diamond in the Rough," Sinead O'Connor's "The Last Day of Our Acquaintance," and Patti Smith's "People Have the Power."
A full list of all the performances follows:
1. Wynton Marsalis with the Lincoln Center Jazz Orchestra--Back to Basics
2. Suzanne Vega--Caramel
3. Richard Thompson--I Feel So Good
4. Shawn Colvin--Diamond in the Rough
5. Ani DiFranco--32 Flavors
6. Nil Lara--How Was I To Know
7. Rickie Lee Jones--Road Kill
8. Daniel Lanois--Orange Kay
9. Emmylou Harris--Wrecking Ball
10. Ben Folds Five--Smoke
11. Keb' Mo'--Just Like You
12. Sinead O'Connor--The Last Day of Our Acquaintance
13. Yo-Yo Ma--Libertango
14. Patti Smith--People Have the Power
15. Jane Siberry--Love Is Everything
Sony then sponsored Sessions at West 54th Street. All of the off beat and eclectic but really cool stuff I loved in college was given a venue. Jazz, "poetry", rhythms, sounds. I had forgetten what an eclectic collection of music was. That is until Sessions was broadcast on PBS this past year.
The problem was I'd always forget to have a tape in the VCR to catch the shows. And of course the sound would be VHS Hi-Fi (ooh boy, pinch me I must be dreamin').
I'd seen the Sessions DVD listed but never got around to buying it, until now. Why did I wait?!
The performances captured on this disk are the ones I most liked. Rickie Lee Jones "Road Kill" is one of the funkiest spoken word with a groove pieces I've ever heard with some really twisted imagery (Moonlight on the hill -- lights up the road kill, moonlight on the hill -- lights up the future). Daniel Lanois' "Orange Kay" is an apocolyptic piece that amazes me every time I watch it. How can a man with a drum machine, a guitar, and an effects peddle create such dramatic music by himself?
As for the DVD - it's a showcase piece for the technology. The mastered from digital video sources and with a phenomenal Dolby Digital 5.1 surround sound track, makes you wish you could watch the broadcast shows with the same clarity and audio.
If you have eclectic tastes in music and want a disc to show off your DVD player and AV setup to yourself and your friends, "Sessions at West 54th" is a must have. END
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