Customer Reviews

Best of Shelter Years

5 star:		(6)
4 star:		(3)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

I bought this CD primarily, because I don't own any other Freddie King CD's, had decided to try him out and this was the only one available at my local record store.

Having listened to it for several days now I can write a one word review: FANTASTIC!

I've read the other reviews concerning this CD and have learned that Freddie, like most other musicians, apparently evolved and changed stylings somewhat over time. The work during his Shelter Records time certainly does have a 70's sound. And it does have a definite Leon Russell footprint, in production and sound, including Leon's signature piano tinklings and his gospel-esque background vocals on many cuts. But what's wrong with that? The answer is: Absolutely Nothing!

This CD is great from start to finish. Freddie unleashes some wonderful guitar riffs and his vocals are straight from blues heaven.

In short....... if Freddie's early stuff is half as good as his efforts later in his career, than I'm in for a quite treat when I can locate some of them.

Point is; you can't go wrong with this CD. Shelter era, Pre-Shelter era..... It's all Freddie King!

This is a hard CD to review. On the one hand, if this was all I knew of Freddie King, I'd say it was very good. On the other hand, if you know of his recordings for King/Federal, this definitely pales in comparison.

The songs are largely covers, which is strange as King showed himself, in his earlier recordings, capable of writing blues classics all on his own. Some kind of hilarious cover-tune nadir is reached when they take John Fogerty's country tune, "Lodi," and turn it into a fast shuffle. Freddie insists on singing, "Stuck in Lowdown again," instead of Lodi, thus accounting for the song title "Lowdown in Lodi."

Another minus: the instrumentation and recording reeks of the 1970s; no reverb, flat drum sounds and (shudder) strings a' la' B.B. King's "The Thrill is Gone" on some songs. Leon Russell made sure his keyboards were right up there in the mix, too; not so much that they overwhelm Freddie King's guitar and vocals, but he's definitely trying to prove he's there.

Another drawback is the 70's funk touches on some tunes, which make it sound like Freddie's trying to encroach on Albert King's 70's territory. The problem is that the musicians here aren't terribly funky. Albert had Stax's house band when he went toward the funky blues, where Freddie here has to contend with guys who sound like they would be more at home on a J.J. Cale record.

Overall it's really shocking how much this resembles an Eric Clapton record from the 1970s. If you were to find someone who had never heard of Freddie King, and play this album and any one of Clapton's mid-70's albums back to back, they might be forgiven for thinking it was all the same guy.

But...Freddie King performs magnificently. His vocals are in top form and his guitar playing is stellar. I feel like a curmudgeon for even pointing out the flaws in this, simply because none of the blame for the flaws lands on Freddie. He does what he does best, which is sing and play guitar like an angel.

So, let's sum up: this is not as vital or as essential as Freddie King's recordings for King/Federal records, not by a long shot. But if you prefer your blues on the rock & roll side, are fond of mid-70's Eric Clapton, or are curious to hear how Freddie King evolved/devolved (according to your opinion) during his Shelter Records period, this would be a good choice, because it would be a lot easier to get through this than the original three albums that this is drawn from.

This may well be the best of the Shelter Records years, but don't confuse it for the best of Freddie King. That title goes to CD's like "Let's Hide Away And Dance Away," and "Freddie King Sings," both of which you should get before you invest in this.

But, again, Freddie King is in top form vocally and instrumentally here, so it's a very hard call. Anyone who is a Freddie King fan, but hesitates to invest in his flawed later work would probably find this CD to be all they would need of his music from the 70's. And those who fell in love with Freddie during his nonstop tours with rock stars in the 1970s will dig this deeply. I would still recommend the King/Federal work over this, but "The Best Of The Shelter Years" still has its strong points.

Yes, as another reviewer mentions, I also prefer the older Freddy King stuff... BUT, I could not live without 'Goin'Down', and _this_ cd is the best place to have it on. These truly are the best Freddy tracks from the Shelter period,( the tracks that I skipped over before are gone now), and the new mix is noticeably better. To complete the rehab, the pamphlet notes,(by Bill Dahl, who also compiled the set), are more complete and worthwhile than anything on the originals.

I got this album simply because there was a quote from Eric Clapton on the cover saying that Freddie King was an essential influence on his guitar style. As noted in other reviews, this is quite apparent. The CD offers some great songs and passionate blues and is highly recommended for those interested in quality blues. My favorites are "Woman Across the River," "Going Down," and "Palace of the King" (since I was born in Dallas myself!!) This is a great album, don't overlook it!

I absolutely love this album. Track after track King proves himself to be a blues guitar giant who had much influence over the next generation of guitarists. One important factor that makes many of these songs as good as they are is that King's voice is marvelous and does a great job of supplementing his guitar work. His guitar phrases are beautifully done. King's sound is really nice- it's almost a tight sound, and very invigorating. I love ninety percent of the tracks on this album, it's one of those albums where each song really is great, track after track. I highly recommend this album.

I recently got this album for Christmas. Having listen extensively to these recordings of Freddie King, I was extremely pleased to find that these recordings had been mixed again digitally by The Right Stuff or by Leon Russell. I thought I was back in Texas listening to Freddie King in Austin in 1974 or 1975. This is a superb recording!!!! Listen to Freddie playing acoustic on Jimmy Rogers "Walking by Myself" and you know he had a deep love for his Chicago friends. You can really hear the instruments clearly and upfront. Freddie justs roars through these songs on this particular CD. I'm just sorry I never got to see him live!!!!!

Magic Fred

I think this CD is well worth purchasing. Even after the first listen it is obvious that without Freddie King, Rock & Roll would probably have a very different sound. King's guitar attack was fierce and has been well plagiarized by Rock and Blues guitarists. This compilation illustrates why Texas Blues is really a genre and a style unto itself and was pioneered, if not started, by Freddie King. Jimmie and Stevie Ray Vaughn both owe a lot to Freddie King.
Freddie's 70's musical output had a lot of Rock elements but I don't think it was worse than his 60's material. In my estimation, it's different but comparable. This disc has a lot of his best material from the 70's but there are some good songs from his tenure with the RSO label. The highlights of which can be found on the "Stayin' Home with the Blues" compilation. That disc features material from the "Burglar" album which Eric Clapton guested on. Freddie King's most influential and most popular material from the 60's can be found on "The Very Best of Freddy King Volume 1." Almost all of Freddie King's musical output from that period can be found on the three discs in that series.

I loved the Shelter period, the Federal period, lord they're all good and kudos to Freddie for evolving.

Very nice track order here. Note that Amazon has misspelled the name of final track which should be 'Boogie Funk'!!

Get this and enjoy why Freddie was one of the best blues guitar players others tried to duplicate.

Have to admit this is my first exposure to Freddie (Freddy) King and was very impressed. His combination of the Chicago and Texas blues guitar style is very evident in the playing of several blues masters including Eric Clapton.

Some excellent cuts from his 3 year stint with Shelter records with Leon Russell at the helm playing piano and some guitar on every cut with great session players like D. Dunn from Booker T. and Carl Radle and Jim Gordon from Derek and the Dominoes.

His solos are very vibrant his voice is great and at times eerily (to me anyway) much like EC's and as Eric Clapton wrote "(Freddie) taught me how to make love to the guitar".

Very highly recommended.