WILL EISNER was born William Erwin Eisner on March 6, 1917 in Brooklyn, New York. By the time of his death on January 3, 2005, Will Eisner was recognized internationally as one of the giants in the field of sequential art, a term he coined.
In a career that spanned nearly eight decades -- from the dawn of the comic book to the advent of digital comics - Will Eisner was truly the 'Orson Welles of comics' and the 'father of the Graphic Novel'. He broke new ground in the development of visual narrative and the language of comics and was the creator of The Spirit, John Law, Lady Luck, Mr. Mystic, Uncle Sam, Blackhawk, Sheena and countless others.
During World War II, Will Eisner used the comic format to develop training and equipment maintenance manuals for the US Army. After the war this continued as the Army's "PS Magazine" which is still being produced today. Will Eisner taught Sequential Arts at the New York School of Visual Arts. The textbooks that he wrote based on his course are still bestsellers. In 1978, Will Eisner wrote "A Contract with God," the first modern Graphic Novel. This was followed by almost 20 additional graphic novels over the following 25 years.
The "Oscars" of the Comic Industry are called The Eisner Awards, and named after Will Eisner. The Eisners are presented annually before a packed ballroom at Comi-Con International in San Diego, America's largest comics convention.
Wizard magazine named Eisner "the most influential comic artist of all time." Michael Chabon's Pulitzer-prize winning novel "Kavalier and Clay" is based in good part on Eisner. In 2002, Eisner received a Lifetime Achievement Award from the National Federation for Jewish Culture, only the second such honor in the organization's history, presented by Pulitzer-prize winning cartoonist Art Spiegelman.
You can always find more information about Will Eisner at www.willeisner.com.
| |||||||||||||||
Frequently Bought Together
Editorial Reviews
From School Library Journal
Grade 6 Up–This reproduction of a classic goes back to the heyday of comics, and it's full of complex characters, plot twists, and classic storytelling. While this comic never obtained the status of some of the publisher's series like Batman, it is no doubt excellent in every way and will keep the interest of any comic-book readers who give it a try. Typical of DC comics, the illustrations are dark and full of energy, perfectly complementing the text. Its only real drawback is that the art looks dated, which will turn off some readers who want a fresher look.–Scott La Counte, Anaheim Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Balk at acquiring DC's $50-per-tome series reprinting all of The Spirit because, well, you've just never read the strip? Then this paperback showcasing the strip's essence in 22 vintage stories is your book. The earliest 2, "The Origin of the Spirit" (1940) and "Silk Satin" (1941), respectively introducing the hero and a recurring character, aren't as visually adventurous as Eisner's work after his World War II hiatus from The Spirit. Still, they already demonstrate two of Eisner's strengths in the skewed perspective and the bold, anti-naturalistic color juxtapositions of virtually every panel. In the 20 postwar stories, playing with perspective is subordinated to point of view, and expressionistic lighting justifies the clashing hues. If the changes dissipate the low-rent-cubist elan of the early stories, Eisner compensates with special effects--panels in monochrome and dichrome, special styles of panel framing, visually bracketing one stream of action within another, photo backdrops--and seldom uses any one device throughout the story. Not as easy to see but no less virtuosic than the artwork is The Spirit's complex tone as a piece of pop art that indulges and satirizes the improbabilities of crime comics but doesn't countenance any carping about the heroic and social virtues its protagonist exemplifies. Maybe you do need that big, pricey series. Ray Olson
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Product Details
Would you like to update product info or give feedback on images?
|
More About the Author
Customer Reviews
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
29 of 30 people found the following review helpful:
3.0 out of 5 stars
great comics -- poor package,
By
This review is from: The Best of the Spirit (Spirit (DC Comics)) (Paperback)
Eisner's "Spirit" work is landmark watershed etc. no question about it. And perhaps the stories in this volume are cream of that crop (there were so many Spirit stories that it seems impossible to really assemble just a few into a "best of") but be warned that this particular package has its drawbacks. As another reviewer noted, they are reprinted at standard comic book size, while the originals were at magazine size, so the art is a bit cramped and details muddied. That's to be expected but the cheap paper doesn't help any, causing some of the finer lines to look blurry, at least to me. Add to that what could be a recoloring job that seems slapdash, and it's not the easiest read. I'm not sure if the coloring follows the originals, or IS the originals in most cases, but in the case of the character Ebony, Spirit's youthful sidekick, he is definitely recolored. The original was a pretty standard (and admittedly, to current views, extremely offensive) "boy" in his coloring: looking like he's stepped off the stage of a minstrel show. In this volume he's been recolored as a blond caucasian. It's an understandable alteration, given what I assume is the wide -- and not necessarily Eisner- or old-comics- fluent audience for this volume. I'm not really complaining about the recoloring of the character (though I'm not sure why he couldn't have been recolored black but w/out the white lips etc.), but if they recolored that, what else was retouched?
In short, for the price (esp here on Amazon) and convenience, it's hard to beat this as an intro to Eisner and the Spirit. The hardcover archives are much more expensive, even for the better quality, and the old reprints (from Warren & Kitchen Sink) were the right size, but B&W, so these are a good choice to start. But still, they look kind of crappy. Btw, my fave spirit stories (not included) are "The Spirit in Space" -- amazing Wally Wood art in a story about the Spirit going to the moon w/a bunch of convicts. Wood at his best.
22 of 23 people found the following review helpful:
5.0 out of 5 stars
A TRUE MASTER AT WORK!,
This review is from: The Best of the Spirit (Spirit (DC Comics)) (Paperback)
Will Eisner is a genius, plain and simple and his genius extends to far more than his work on the Spirit. Eisner was only 19 when he and partner Jerry Iger opened the Eisner & Iger studio to produce comics for comic publishers. Among the artists they recruited were legends Jack Kirby, Lou Fine, and Eisner's high school friend, Batman creator Bob Kane. Then in 1939 Eisner was approached to produce a weekly comic supplement that would be syndicated in numerous Sunday newspapers. The shrewd Eisner agreed as long as he could keep the copyright to the characters, including the main feature of the supplement, the crime-fighting Spirit. This was quite a coup for Eisner as he knew he would never be able to get the same rights if he had his work published by an actual comic book publisher. And as the owner, Eisner also had creative control which other artists and writers of the day didn't have. Thus Eisner was decades ahead of his time.
This collection from DC comics includes 22 eight page Spirit adventures beginning with the Spirit's origin from June, 1940. Eisner would lose a few years to World War II but returned to his strip when he got back home in 1945 and continued with it until 1952. The Spirit is Denny Colt, private investigator and criminologist. While tracking down the devious villain Dr. Cobra, he is saturated with experimental chemicals and goes into a state of suspended animation, making him appear to be dead. He crawls from his grave and dons a simple mask and the moniker of the Spirit to battle crime in Central City. The cast of the Spirit includes Police Commissioner Dolan and the Spirit's sometimes sidekick, the orphan African American kid Ebony White who provided some comic relief. Eisner loved sexy, beautiful, bad girls and women were the Spirit's antagonists as often were men. In "Postage Stamp he tussles with the beautiful thief Dulcet Tone and later with a spy called Satin as he tries to locate a secret letter filled with the names of war criminals. It's often said that artist Jim Steranko introduced pop culture and cinematic art to comics, but Eisner did it long before Steranko. Eisner often cleverly utilized the Spirit logo on the splash page making it part of the story. He lettered his text in creative ways such as pyramid or circular forms, not seen in other comics of the times. Eisner used true cinematic vision in laying out his panels, like a meticulous film director. He used downward perspective and other interesting angles that are still innovative today. What truly sets the Spirit is that while comic books were written for kids, Eisner clearly aimed the Spirit at an adult audience, employing sly, sometimes tawdry humor that would be over the head of most children. Another interesting device Eisner employed is that quite often the Spirit would barely make an appearance in his own stories. A good example from this collection is the story "Christmas Spirit of 1948". At the state prison, convict Basher Brains is sick of hearing about Christmas until he receives a visit from Santa Claus himself who says that even Basher is on his list. Basher's request is to get out of jail and borrows Santa's outfit to escape. But Basher would soon learn the true spirit of Christmas from some street kids. The Spirit does not make an appearance until the final few panels. It's utterly amazing that these stories were produced at a time when comics were churned out as quickly and mundanely as they were. Sixty years later they have lost none of their potency or their humor. This is a marvelous collection, especially if you are new to the Spirit. My highest recommendation! By the way, I am uploading a picture of the actual book cover, which is not the one Amazon displays. Reviewed by Tim Janson
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Start here,
By
This review is from: The Best of the Spirit (Spirit (DC Comics)) (Paperback)
The only reason I'm holding one star back is because I'm old. The art in these stories is so nuanced and rich that it should have been presented larger than standard comic book size. But that's the only bone I have to pick with this volume. Younger readers who don't have to squint to read this will be well rewarded.
And with a price like this, there's really no excuse not to treat yourself. Will Eisner may not have invented the comic book, but he was one of the people who made them good. His talent and influence helped transform the medium from kids' throwaway entertainment to literature. "The Spirit" is Eisner at the height of his powers, and this collection is the best of the best. The phrase "no collection should be without it" has become watered-down through overuse, but in this case it is no less than the truth. If you're at all interested in comic books, this is where you start.
Share your thoughts with other customers: Create your own review
|
|
What Other Items Do Customers Buy After Viewing This Item?
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Listmania!
|
|
