The Best of Steve Winwood - 20th Century Masters:(Millennium Collection) [Original recording remastered]

Steve Winwood | Format: Audio CD

Product Details

• Audio CD (October 19, 1999)
• Original Release Date: October 19, 1999
• Number of Discs: 1
• Format: Original recording remastered
• Label: Island
• ASIN: B00002CF4Z
• In-Print Editions: MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (23 customer reviews)
• Amazon Best Sellers Rank: #24,825 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

29 of 29 people found the following review helpful:

4.0 out of 5 stars Winwood is the (3-D) man, January 2, 2004

By 

Don Schmittdiel "running_man" (Clinton Twp., MI) - See all my reviews

This review is from: The Best of Steve Winwood - 20th Century Masters:(Millennium Collection) (Audio CD)

Few artists in the field of rock and roll have grown a catalog as wide and deep as Steve Winwood, and this 'Millenium Collection' serves as a scythe to mow down a hearty harvest of his early work. To do so, producer Bill Levenson reaped the firstfruits from Winwood's plantings in three important bands: The Spencer Davis Group, Traffic, and Blind Faith.

The Spencer Davis Group was the muscle car, the GTO of 1960's rock and roll, and the only Winwood band to produce music suitable to Top-40 radio. Their two biggest hits, both from 1967, 'Gimme Some Lovin' (charting out at #7), and 'I'm a Man' (#9) are included here. Both songs feature guitar and organ riffs reminisent of a runaway locomotive, and both feature no less than 6 percussionists adding to the barely controlled din, including 3 future members of Traffic: Dave Mason (at that time a roadie for the band), Jim Capaldi and Chris Wood. It is hard to believe that Winwood was only 19 years old and a 5 year veteran of The Spencer Davis Group when these songs were recorded. Not surprisingly rhythm guitarist Davis consented to a modification of the band's name after the success of these two songs: The Spencer Davis Group featuring Steve Winwood.

But most of the songs on 'Millennium' are drawn from the progressive rock produced by Winwood's second band, Traffic. It is hard to argue with the selections here, beginning with 'Paper Sun' (the band's most successful US single, topping out at number 74, though in the UK it rose to #5) and 'Dear Mr. Fantasy' from late 1967, and '40,000 Headmen' and 'Pearly Queen' from late 1968. The two former songs were prototypes in the emergence of acid-rock, simultaneously pioneered by artists such as The Beatles, The Byrds, Jefferson Airplane, and Jimi Hendrix. 'Pearly Queen' has become a rock classic in its own right, and perhaps the most covered Winwood song ever.

Winwood broke with Traffic briefly in 1969 to team with future Traffic bassist Rick Grech and two-thirds of Cream, Eric Clapton and drummer Ginger Baker, to form the short-lived 'supergroup' Blind Faith. Two of Winwood's best compositions from that band's only release are included here, 'Had To Cry Today', which climaxes in a captivating mix of guitar virtuosity from Clapton and Winwood, and the soft and thoughtful 'Can't Find My Way Home'.

The collection concludes with selections from Winwood's second stint with Traffic. First up are two selections from the 'John Barleycorn Must Die' album, 'John Barleycorn' himself, and the classic 'Empty Pages' (the band's only other US single, stopping dead at #94). If I was given my druthers, I would have chosen 'Freedom Rider' rather than 'John Barleycorn' from the 'John Barleycorn...' album, but given the emphasis on Traffic's epic rock numbers here, the selection of the melodious 'John Barleycorn' is understandable. Further, the song has lyrics penned by poet Robert Burns in the 18th Century, based on a character created by Jack London, lending it historical interest. 'John Barleycorn' was the first American novel to explore the tribulations of alcoholism.

The last song on the CD may be the best known of all Traffic recordings, 'Low Spark of High-Heeled Boys', with lyrics penned by Capaldi (and inspired by 'Bonnie and Clyde' actor Michael J. Pollard) and music by Winwood. Like many Traffic recordings, the lyrics of 'Low Spark...' are steeped in the symbolism characteristic of good psychedelia. Winwood's taste for challenging lyrical content actually harkens back to some of his earliest compositions. Consider this line from 'I'm a Man': "If I had my choice of matter, I would rather be with cats, all engrossed in mental chatter, showing where our minds are at". If you've been around since the 60's and haven't 'gotten it' yet, the stylings of Winwood's imaginative mind may elude you. So be forewarned, but hopefully tuned into, this impressive collection.

11 of 11 people found the following review helpful:

5.0 out of 5 stars A Good Deal, April 29, 2001

By 

David J Rubenstein (Federal Way, WA) - See all my reviews

This review is from: The Best of Steve Winwood - 20th Century Masters:(Millennium Collection) (Audio CD)

If your just looking for some highlights from early Steve Winwood, I think this disc does a very nice job. You get two songs from Blind Faith (both winners), and some darn good picks from the days of Traffic. The Spencer Davis Group makes an appearance on this disc as well. I was very surprised to hear some pretty decent sound come from this CD - I was expecting the worst and actually wound up being impressed. You get 11 tracks, which is just right for the casual fan - a nice little package with some very good picks here. Highly recommended.

7 of 7 people found the following review helpful:

3.0 out of 5 stars Nice lineup, but..., November 6, 2000

By 

"unklejoe" (up in the sky) - See all my reviews

This review is from: The Best of Steve Winwood - 20th Century Masters:(Millennium Collection) (Audio CD)

Unlike much most of Universal's "Millenium" series, this collection is actually quite well thought out. It provides a nice sampling of Stevie's early work (Spencer Davis, Blind Faith, both periods of Traffic), and features such classics as "Paper Sun", "Dear Mr. Fantasy", and "Can't Find My Way Home". At fifty-seven minutes, it's a good value, as well. Unfortunately, the sound is not very good at all, which keeps it from getting a fourth star. It's sad that a major label can't do better work than this, especially when all these songs appeared in fine-sounding versions on the "Finer Things" box set.