From Publishers Weekly
Named after the Portland, Oregon Victorian house in which its main office is located, Tin House magazine was founded in 1999 by Oregon publishing mogul and activist Win McCormack. Over the last seven years, the magazine has gone on to publish some of the biggest names in fiction, nonfiction and poetry. This cream-of-the-crop anthology consists of 27 short stories culled over the last four years, and follows up the magazine's previous anthology, Bestial Noise. It includes pieces from Aimee Bender, Deborah Eisenberg, Denis Johnson, Martha McPhee, Steven Millhauser, James Salter, Julia Slavin and many others. As the foreword from Dorothy Allison puts it: "Here you will find complicated, deep portraits of the human that sing of worth and hope and endurance." The cover design is fairly generic compared with the competition (i.e., McSweeney's), but what's inside is anything but.
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Review
"Tin House shows with this stunning collection that it has many rooms, all of them astonishing, full of the best writers in the country. To see what is going on right inside the front door of American letters, open this book." -RonCarlson, author of A Kind of Flying
"You find in Tin House what you hope to find in life. People who give the best of themselves in poems and stories and essays, who offer great conversation in the form of interviews, and who even set the table with recipes for food and drink. Around that table, you hear voices new and old, fresh and forgotten, lionized and overlooked. At dinner once, Frank Conroy raised his glass and offered this toast: If we feel the pain so acutely, why not the pleasure? A Tin House anthology is the glass raised, the guests honored, and a celebration for writer and reader alike." -Charles D'Ambrosio, author of The Dead Fish Museum
"Like many people, and most writers I know, I read every issue of Tin House, from cover to cover, for three reasons. One: Because it makes me believe that we still live in a world in which people care about writing, language, literature, and art. Two: Because there is nothing else like it. And three: Because it's so consistently smart, surprising, and so amazingly good." -Francine Prose, author of A Changed Man