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The Best Women's Stage Monologues of 1991
 
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The Best Women's Stage Monologues of 1991 [Paperback]

Jocelyn A. Beard (Editor)

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Book Description

1880399016 978-1880399019 June 30, 1992
The follow-up to the best-selling The Best Women's Stage Monologues of 1990. There are 54 brand-new monologues for women from plays originally produced during the 1991 theatrical season.

Including selections from: The Closer by Willy Holtzman, Same Old Moon by Geraldine Aron, Love Diatribe by Harry Kondoleon, The Tattler by Terri Wagener, I Stand Before You Naked by Joyce Carol Oates, Love Lemmings by Joe DiPietro.


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Frequently Bought Together

The Best Women's Stage Monologues of 1991 + Best Womens Stage Monologues of 1990 (Best Women's Stage Monologues) (Best Women's Stage Monologues & Scenes) + 100 Women's Stage Monologues from the 1980's (Monologue Audition Series)
Price For All Three: $35.85

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Editorial Reviews

From Publishers Weekly

These collections offer monologues--51 for actors, 54 for actresses--selected by Beard ( One Hundred Men's Stage Monologues from the 1980s ) from some of the better plays of 1991. Each volume contains an introduction by a veteran director, David Frank of the Wisconsin-based American Players Theater and Josephine Abady of the Cleveland Playhouse, offering useful suggestions for the choice and performance of audition monologues. Both collections display a good range of material in terms of age, dialect, ethnicity and class, tone and subject matter. The rhymed quatrains of David Hirson's La B ete and the blank verse of Miriam Hoffman's A Rendezvous with God in the men's volume and free verse by Ntozake Shange and Emily Mann ( Betsey Brown ) and Joyce Carol Oates ( I Stand Before You Naked ) in the women's volume add further variety. The playwrights represented are a distinguished lot, including Jon Robin Baitz, Christopher Hampton, Beth Henley, Harry Kondoleon and Romulus Linney. The depth of writing talent suggested by these excerpts is a hopeful sign for theater in the '90s, particularly for the actors and actresses likely to refer to these volumes.
Copyright 1992 Reed Business Information, Inc.

From Library Journal

These companion volumes follow in the footsteps of last year's highly praised Best Women's . . . and Best Men's Stage Monologues of 1990 (both Smith & Kraus, 1991). The 105 audition pieces presented in these two books are taken from plays written in the past year and represent contemporary authors such as Ntozake Shange, Harry Crews, Jon Klein, Beth Henley, and Joyce Carol Oates. We are introduced to courageous and outrageous characters and to situations dealing with violence, passion, racial tension, addictions, and gay relationships. Aspiring actors and actresses will find within these books many roles to challenge their dramatic abilities. Recommended for modern drama collections in academic and public libraries.
- Howard E. Miller, Blue Cross & Blue Shield of Missouri Lib., St. Louis
Copyright 1992 Reed Business Information, Inc.

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