From Publishers Weekly
Dooling, who was an NBA finalist for his White Man's Grave a few years back, never writes the same kind of book twice, and this time he's produced a sort of techno-noir thriller set within the confines of the insurance business. The reader learns a great deal about insurance scams and the cynicism pervading the industry, and the Omaha setting is piquant for its contrast with the high-living, trendy insurance investigators who are the book's stars, but the book's virtues end there. The plot is extraordinarily convoluted, with villains both expected and unexpected popping up every few pages, and neither Carver Hartnett, the narrator; his alcoholic, pill-popping buddy, Leonard Stillmach, whose mysterious death precipitates the action; nor beautiful but apparently unattainable Miranda Pryor are either appealing or believable. Carver, for instance, plays teenage blow-'em-away computer games with Leonard, Miranda downs gallons of vintage wine while fending off Carver's advances and all are given to sudden pseudo-profound pronouncements. One scene, in which Carver goes after Miranda while spouting chunks of the Abraham and Isaac story from the Bible, only to have her reply in kind, is an over-the-top classic of weirdness. There are nice touches-a low-profile local homicide detective sneering at the high-tech FBI, for instance-but for the most part the book is a stylistically perplexing mess.
Copyright 2002 Reed Business Information, Inc.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
"In my line of work, we call it the f-word. Not the familiar obscenity but a close cousin and mercenary variant called fraud." Narrator Carver Harnett's job is to investigate insurance scams for Reliable Allied Trust in Omaha, NE, but it's a thankless task because "fraud runs through the insurance business like waste through a treatment plant," and the company would rather raise premiums on their honest customers than prosecute the fraudulent. When a fellow investigator is fired and later dies mysteriously, Carver discovers that deception and trickery run close to home. Why did the late Lenny Stillmach buy and then sell several life insurance policies worth a half million dollars to Heartland Viatical, a company he was supposed to be investigating? Did Lenny really have AIDS, as he claimed on the insurance applications, or was he involved in some huge con game? And what was his relationship with Miranda Pryor, a sexy co-worker for whom Carver feels unrequited lust? In his third novel, National Book Award finalist Dooling (White Man's Grave) tackles the murky world of viatical insurance ("where investors bet on how fast AIDS victims die") with mixed results. The premise is intriguing and the writing stylish, but the characters are mostly caricatures, and after a while the narrative becomes repetitive, tedious, and at times unbelievable. For larger collections.
Wilda Williams, "Library Journal"
Copyright 2002 Reed Business Information, Inc.
Wilda Williams, "Library Journal"
Copyright 2002 Reed Business Information, Inc.
