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A Better Pencil: Readers, Writers, and the Digital Revolution [Hardcover]

Dennis Baron
3.6 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

September 24, 2009 0195388445 978-0195388442 ZZZ
Computers, now the writer's tool of choice, are still blamed by skeptics for a variety of ills, from speeding writing up to the point of recklessness, to complicating or trivializing the writing process, to destroying the English language itself.

A Better Pencil puts our complex, still-evolving hate-love relationship with computers and the internet into perspective, describing how the digital revolution influences our reading and writing practices, and how the latest technologies differ from what came before. The book explores our use of computers as writing tools in light of the history of communication technology, a history of how we love, fear, and actually use our writing technologies--not just computers, but also typewriters, pencils, and clay tablets. Dennis Baron shows that virtually all writing implements--and even writing itself--were greeted at first with anxiety and outrage: the printing press disrupted the "almost spiritual connection" between the writer and the page; the typewriter was "impersonal and noisy" and would "destroy the art of handwriting." Both pencils and computers were created for tasks that had nothing to do with writing. Pencils, crafted by woodworkers for marking up their boards, were quickly repurposed by writers and artists. The computer crunched numbers, not words, until writers saw it as the next writing machine. Baron also explores the new genres that the computer has launched: email, the instant message, the web page, the blog, social-networking pages like MySpace and Facebook, and communally-generated texts like Wikipedia and the Urban Dictionary, not to mention YouTube.

Here then is a fascinating history of our tangled dealings with a wide range of writing instruments, from ancient papyrus to the modern laptop. With dozens of illustrations and many colorful anecdotes, the book will enthrall anyone interested in language, literacy, or writing.

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Editorial Reviews

Review


"[A] splendid history... Baron's retelling of the history of techno-skepticism is edifying."--City Journal


"Baron offers a breezy overview of the ways that technology is shaping reading and writing practices. This book will be valued in future as a well-contextualized survey of issues that surface among writers in the current online landscape. Today's reader will appreciate the conversational style and the reminders that many of the supposed consequences of the digital revolution were ever thus. Some may smile with recognition as they recall WordStar and the evolution of word processing applications." --CHOICE


"His fast-paced, chatty, engaging history of reading and writing implicitly leads toward some sort of insight about the future."--Frederick E. Allen, Technology and Culture


About the Author


Dennis Baron is Professor of English and Linguistics at the University of Illinois at Urbana-Champaign.

Product Details

  • Hardcover: 280 pages
  • Publisher: Oxford University Press, USA; ZZZ edition (September 24, 2009)
  • Language: English
  • ISBN-10: 0195388445
  • ISBN-13: 978-0195388442
  • Product Dimensions: 6.5 x 0.9 x 9.6 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,014,974 in Books (See Top 100 in Books)

More About the Author

Dennis Baron is professor of English and linguistics at the University of Illinois and has written books on the technologies of communication; language policy and reform; language legislation and minority language rights; gender issues in language; and the history and present state of the English language. He's the author of the blog "the Web of Language" (www.illinois.edu/goto/weboflanguage) he's regularly quoted in the news and appears frequently on radio and t.v. discussing the English language and the digital revolution.

Customer Reviews

3.6 out of 5 stars
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3.6 out of 5 stars
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Most Helpful Customer Reviews
8 of 9 people found the following review helpful
3.0 out of 5 stars Not Much about the "Revolution" September 25, 2009
Format:Hardcover|Amazon Verified Purchase
A slim book, but not an easy read. Lots of repetition of ideas and content, as if the book had been written as separate essays and then stitched together without the aid of a good editor. He goes off on tangents within chapters which often had me re-reading pages to see if I had missed a transition.

Pitched as a book about how people have reacted to and adopted new communication technologies, it is really more a light historical overview of the topic. Disappointing. If you like technology and history you've already read most of this book elsewhere. Lots of rehashing of Petroski's book on the pencil and on Thoreau. Chapters on handwriting and Wordstar don't really add much. The last few chapters begin to get at what I thought the book was about -- how people react to and adopt new writing/communication technologies. The illustrations are also not the best, although some are at least interesting. The early Photoshop ad showing Marilyn Monroe holding Abraham Lincoln's arm is something I had not seen before.

If you haven't any background in the history of technology and want a very brief overview, this might be of interest. For me there are better sources and better edited books written in a more engaging style.I expected a lot more than I got.
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4 of 4 people found the following review helpful
4.0 out of 5 stars Confessions of a Recovering Neo-Luddite April 9, 2010
Format:Hardcover|Amazon Verified Purchase
Have you ever felt yourself longing for the "good old days" when you could just sit down at a typewriter and clack away to your heart's content? Or better yet, take out a freshly sharpened pencil and practically feel your thoughts pouring out onto the page? If so, then you're not alone. According to Dennis Baron's A Better Pencil, people from all walks of life have been publicly mourning the loss of older (and therefore somehow purer?) writing technologies, while at the same time expressing those opinions through word processors and websites. Baron adds that such laments are nothing new. People have mistrusted emerging writing technologies ever since the first marks appeared on clay tablets in ancient Mesopotamia. Several millennia later, Plato warned against the ill effects of writing on human memory, despite being among the 10% of Athenians who could read and write. Jump ahead another two thousand years, when the scribes of the Middle Ages feared that Gutenberg was doing the Devil's work, although they were probably more afraid that his printing press would put them out of a job. Likewise, Thoreau's disparaging of the telegraph may have had as much to do with protecting the family business - Thoreau Drawing Pencils - as it did with protecting the environment. Even the humble pencil, beloved of neo-Luddites everywhere, was once decried because its erasability meant that students no longer had to carefully plan essays in their heads before committing words to paper. Instead, they could (god forbid!) revise as they wrote.

Today, computers allow us to revise in ways that don't leave so much as a smudge behind. For example, I can revise this review a hundred times and no one but me would know (although it's fairly obvious that I didn't). Most newsgroups and wikis allow for revisions even after posting something for all the wired world to see. At the same time, critics claim that web writing (e.g., email, IM, blogs, etc.) causes writers to ignore the well-established conventions of grammar and spelling, thus posing a threat to the survival of the English language. But as anyone who's ever taken a linguistics course knows - and as Baron is quick to point out over and over again - languages change, and one of the reasons for this change is the impact that new technologies have on the way we think, talk, and write about the world.

One might expect that by repeatedly driving home the same point throughout much of the book, Baron would come across as a terrible bore. To the contrary, he is insightful, humorous, self-deprecating, instructional, and encouraging. His detailed history of the pencil, from its humble beginnings as a carpenter's tool to its current status as an emblem of simpler times, helps us reposition our hopes and fears regarding computers in a historical context. Baron understands our reluctance to embrace new technologies, going so far as to imply that it may be in our best interest as a species to maintain a little healthy suspicion (imagine what would happen if we ALL embraced each new innovation with unbridled enthusiasm!), and he certainly doesn't shy away from discussing the "dark side" of the Internet. But as Baron points out, the pencil is itself a technological marvel, one that required as much engineering know-how in its day as the iPad does now. That realization makes any anti-technology screed seem all the more futile. The fact remains technologies come and go. Perhaps the best those of us with a nostalgic streak can hope for is that some of the older ones will continue to coexist with the newer ones... at least for a few more decades.
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4 of 4 people found the following review helpful
3.0 out of 5 stars Evolution not Revolution February 11, 2010
Format:Hardcover|Amazon Verified Purchase
A Better Pencil by Dennis Baron puts forth the argument that so many in the field of Composition have over-reacted to the role of technology and writing, and that in fact writing has always been technology. Using the metaphor (and analogy) of the pencil, Baron demonstrates that most of the resistance to how computers and other "new media" devices are affecting composition is no different than the age-old arguments against all new forms of communication mediums. While this is a good argument and a useful swing of the pendulum from reactionary Luddites, Baron fails to offer a serious treatment of many of the most substantial critiques of new media as revolutionary rather than evolutionary and all the problems that results in.

While offering a narrative history of resistance to the tools of communication from the clay tablet to the typewriter, Baron does not seem to treat the sweeping rhetorical changes specific to new media technology and how that can (should?) impact composition. The first of two fundamental differences in composition is the audience(s) that new media authors should (must?) consider as a result of the delivery method. No longer does a composition target an individual reader, but instead social networks, blogs, wikis, and tweets all can be read by millions. The rhetorical choices one makes as a result of this larger and mostly unkown audience are significant, and yet Baron still wants to say that the computer is only another in a long line of tools that we use to compose with.

The second rhetorical revolutionary change is the time from composition to publishing. From our daily news sources to our professional and personal compositions, little time is spent analyzing what was said and the accuracy of what was said before the "send" key is pressed. True, it does not HAVE to be this way, but in a society where the speed of communicatiom is highly praised (can you do it in 140 characters or less?) that is the result.

I appreciated the narrative style and the lesson in the history of writing tools. But to suggest that new media and technology is just another pencil is to ignore the rhetorical challenges of a generation.
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