Betty Blue: The Director's Cut (English Subtitled) 2009 NR

Amazon Instant Video

(81) IMDb 7.4/10

An intimate portrayal of obsessive love, Betty Blue is the story of Zorg (Jean-Hugues Anglade), an aspiring novelist who gets by as a handyman and Betty (Dalle), a beautiful, unpredictable temptress who turns his life upside down. As Betty's mental state turns dark, Zorg desperately attempts to comfort her. Even when ensconced in a dreamy rural town, Betty's fantasy world encroaches on her reality as she slowly spirals out of control.

Starring:
Jean-Hugues Anglade, Béatrice Dalle
Runtime:
3 hours, 6 minutes

Available to watch on supported devices.

Betty Blue: The Director's Cut (English Subtitled)

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Product Details

Genres Drama, Romance, International
Director Jean-Jacques Beineix
Starring Jean-Hugues Anglade, Béatrice Dalle
Supporting actors Gérard Darmon, Consuelo De Haviland, Clémentine Célarié, Jacques Mathou, Vincent Lindon, Jean-Pierre Bisson, Dominique Pinon, Bernard Hug, Catherine D'At, Claude Aufaure, Louis Bellanti, Dominique Besnehard, Raoul Billerey, Nathalie Dalyan, Nicolas Jalowyj, André Julien, Daniel Millot, Marthe Moudiki-Moreau
Studio Cinema Libre
MPAA rating NR (Not Rated)
Rental rights 7-day viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

Overall, the acting is brilliant and the story is solid and interesting.
R. Frace
If there's one thing this film does well, it is the mixture of comedic and tragic scenes which makes it seem such a complete picture.
D. Mok
She is the only thing that has made him feel good in life, and he is not willing to part from her.
A Customer

Most Helpful Customer Reviews

92 of 95 people found the following review helpful By D. Mok on January 29, 2005
Format: DVD
Betty Blue is touted as an "erotic drama" by the distributor, a tag which sells the film grossly short. It certainly has frank depictions of sexuality and much nudity -- after all, this is a film that opens on a real-time extended sequence shot of two people having sex -- but to call this erotica is to miss the complete picture.

Betty Blue is an organic look at a troubled relationship in all its glory and ugliness, tenderness and violence, joys and sorrows, made possible by the director's sympathetic and unembarrassed eye, and the sheer dedication of lead actors Jean-Hugues Anglade and Beatrice Dalle. Seldom has a cinematic couple been better paired, and seldom with so much chemistry. Dalle conveys a world of psychological complexity in her face, her eyes seeming to shift with her inner beats. Dalle received the bulk of the attention for this, her breakthrough role, so it might be easy to overlook Jean-Hugues Anglade, a fantastic actor who's every bit as good as Gerard Depardieu, perhaps even half a notch above Jean Reno. In reality, he is the anchor for the film's wrenching emotional journey. When Zorg plays the piano theme for Betty, easily the loveliest scene in the film, Anglade's eyes seem to dance, and the actors say more with their looks during their moments together than all the sex scenes in the world. Thanks to the deft direction, all those nude scenes don't seem like titillation -- merely an illuminating fly-on-the-wall view into the relationship. This couple certainly seems like the type who would be comfortable being naked around each other, and those scenes create a sense of genuine intimacy, rather than intent to arouse.

If there's one thing this film does well, it is the mixture of comedic and tragic scenes which makes it seem such a complete picture.
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31 of 31 people found the following review helpful By M. J. Dirou on December 27, 2005
Format: VHS Tape
'Betty Blue', the movie that, as one reviewer put it,' sent shock waves rippling through arthouse cinemas everywhere' and introduced unforgettable 'Beatrice Dalle', a sort of modern day (though far wilder) 'Bardot', with an even more generous mouth. Who else but the French could pull off a film like this with such depth and style. An exploration of L'amour in all its beautiful and tragic complexities. Certainly to the faint hearted it may have seemed a little shocking. There is plenty of of full frontal nudity, both male and female (unlike the double standard in American cinema), and a very realistic sex scene to confront audiences in the very opening scene. But the erotica in this movie is really very natural with nothing perverse or kinky about it. It has an uninhibited earthiness about it that we have come to expect from French Movies. To others what may have seemed more shocking was the rather dark and depressing nature of the story, (if you haven't seen this movie don't go looking for a happy ending).
Director 'Jean-Jacques Beineix', in an article I read, said something like: that he dedicated this film to a generation of French Cinema watchers, who still believed in perfect love but knew it couldn't last. This indeed seems to be the underlying theme of the film, that young love and passion can't last, something has to kill it, you want to preserve it in time like a beautiful photograph or picture, before it withers or tarnishes. The sense of impending doom that hangs over Betty and Zorg's passionate and beautiful love affair, is present from the beginning.
The early part of the film is light and hopeful.
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29 of 30 people found the following review helpful By burneyfan@btinternet.com on January 14, 2001
Format: VHS Tape
This is a heartbreakingly tragic film centred around Betty, (Beatrice Dalle) a beautiful but unstable young woman, whose instability - or madness - becomes progressively worse throughout the film. In the beginning we think she is just an admirablely rebellious and fiery person who is over-sensitive to slight and imagined insult. Later she is engulfed by these irrational and self-destructive bouts of hysteria for no perceptible reason. But this happens only occasionally; between times she behaves like a perfectly normal and happy person, as she has every reason to be. It is easy to become impatient with her. She keeps saying she has nothing to live for, that nothing she has ever done has worked out right, but how can this be when she is so much better off than so many millions of others, with beauty, two good friends and a good man who loves her to distraction despite everything? And she loves him in return.
Zorg (Jean-Hughes Anglalde) is an aspiring novelist with a novel in manuscript he has given up all hope of ever seeing published. But she believes in him and, using only two fingers, types out the manuscript with painful slowness, and, with an heroic persistence, continues sending it out to the publishers despite receiving a steady stream of rejection slips. And here-in lies the tragedy ; at the end of the film, when she is dead to the world and past caring, her efforts bear fruit and the manuscript is accepted. How happy knowing this would have made her. But too late.
We leave him alone in his kitchen about to start a new novel, a novel that she will never see, leading to a success and prosperity she will have no share in. My God isn't that sad? "What might have been." the saddest words in the English language.
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