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  • Betty Blue (Unrated Director's Cut)
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Betty Blue (Unrated Director's Cut)


Price: $39.99 & FREE Shipping. Details
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DVD Unrated Director's Cut
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Betty Blue (Unrated Director's Cut) + Diva (Remastered Widescreen Edition)  (Meridian Collection)
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Product Details

  • Actors: Jean-Hugues Anglade, Béatrice Dalle, Gérard Darmon, Consuelo De Haviland, Clémentine Célarié
  • Directors: Jean-Jacques Beineix
  • Writers: Jean-Jacques Beineix, Philippe Djian
  • Producers: Jean-Jacques Beineix, Claudie Ossard
  • Format: Closed-captioned, Color, Director's Cut, Dubbed, Subtitled, Widescreen, NTSC
  • Language: English (Dolby Digital 1.0), French (Dolby Digital 1.0)
  • Subtitles: English, Spanish, French, Portuguese
  • Dubbed: English
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: October 12, 2004
  • Run Time: 185 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (80 customer reviews)
  • ASIN: B0002TSZH4
  • Amazon Best Sellers Rank: #162,670 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Betty Blue (Unrated Director's Cut)" on IMDb

Special Features

None.

Editorial Reviews

Product Description

Zorg is a handyman working in France, maintaining and looking after a collection of beach bungalows. He lives a quiet and peaceful life, working diligently and writing in his spare time. One day Betty walks into his life, a young woman who is as beautiful as she is wild and unpredictable. Suddenly, Betty's wild manners start to get out of control. Zorg sees the woman he loves slowly going insane. When their relationship turns to the worst, can his love prevail?

Amazon.com

Sex and sunlight are on ample display in Betty Blue, director Jean-Jacques Beineix's passionate look at mad love. (Every French director is contractually required to make at least one movie about l'amour fou.) It begins at the seashore, where handyman and failed novelist Zorg (Jean-Hugues Anglade) has his life electrified by Betty, a woman whose sense of abandon frequently tips over into the pathological. This was the role that introduced gap-toothed, voluptuous Beatrice Dalle to the world, and neither Dalle nor the world has ever quite recovered. Traces of Beineix's preciousDiva are still present, though this is a darker and more memorable ride, especially in the three-hour "version integrale" that restores an hour of footage. Its copious nude scenes are a drawing card, but stick around for the age-old alchemy of life translated into art. Gabriel Yared's score is a favorite of movie-soundtrack mavens, especially its haunting piano theme. --Robert Horton

Customer Reviews

She is the only thing that has made him feel good in life, and he is not willing to part from her.
A Customer
If there's one thing this film does well, it is the mixture of comedic and tragic scenes which makes it seem such a complete picture.
D. Mok
The sense of impending doom that hangs over Betty and Zorg's passionate and beautiful love affair, is present from the beginning.
M. J. Dirou

Most Helpful Customer Reviews

91 of 94 people found the following review helpful By D. Mok on January 29, 2005
Format: DVD
Betty Blue is touted as an "erotic drama" by the distributor, a tag which sells the film grossly short. It certainly has frank depictions of sexuality and much nudity -- after all, this is a film that opens on a real-time extended sequence shot of two people having sex -- but to call this erotica is to miss the complete picture.

Betty Blue is an organic look at a troubled relationship in all its glory and ugliness, tenderness and violence, joys and sorrows, made possible by the director's sympathetic and unembarrassed eye, and the sheer dedication of lead actors Jean-Hugues Anglade and Beatrice Dalle. Seldom has a cinematic couple been better paired, and seldom with so much chemistry. Dalle conveys a world of psychological complexity in her face, her eyes seeming to shift with her inner beats. Dalle received the bulk of the attention for this, her breakthrough role, so it might be easy to overlook Jean-Hugues Anglade, a fantastic actor who's every bit as good as Gerard Depardieu, perhaps even half a notch above Jean Reno. In reality, he is the anchor for the film's wrenching emotional journey. When Zorg plays the piano theme for Betty, easily the loveliest scene in the film, Anglade's eyes seem to dance, and the actors say more with their looks during their moments together than all the sex scenes in the world. Thanks to the deft direction, all those nude scenes don't seem like titillation -- merely an illuminating fly-on-the-wall view into the relationship. This couple certainly seems like the type who would be comfortable being naked around each other, and those scenes create a sense of genuine intimacy, rather than intent to arouse.

If there's one thing this film does well, it is the mixture of comedic and tragic scenes which makes it seem such a complete picture.
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31 of 31 people found the following review helpful By M. J. Dirou on December 27, 2005
Format: VHS Tape
'Betty Blue', the movie that, as one reviewer put it,' sent shock waves rippling through arthouse cinemas everywhere' and introduced unforgettable 'Beatrice Dalle', a sort of modern day (though far wilder) 'Bardot', with an even more generous mouth. Who else but the French could pull off a film like this with such depth and style. An exploration of L'amour in all its beautiful and tragic complexities. Certainly to the faint hearted it may have seemed a little shocking. There is plenty of of full frontal nudity, both male and female (unlike the double standard in American cinema), and a very realistic sex scene to confront audiences in the very opening scene. But the erotica in this movie is really very natural with nothing perverse or kinky about it. It has an uninhibited earthiness about it that we have come to expect from French Movies. To others what may have seemed more shocking was the rather dark and depressing nature of the story, (if you haven't seen this movie don't go looking for a happy ending).
Director 'Jean-Jacques Beineix', in an article I read, said something like: that he dedicated this film to a generation of French Cinema watchers, who still believed in perfect love but knew it couldn't last. This indeed seems to be the underlying theme of the film, that young love and passion can't last, something has to kill it, you want to preserve it in time like a beautiful photograph or picture, before it withers or tarnishes. The sense of impending doom that hangs over Betty and Zorg's passionate and beautiful love affair, is present from the beginning.
The early part of the film is light and hopeful.
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28 of 29 people found the following review helpful By burneyfan@btinternet.com on January 14, 2001
Format: VHS Tape
This is a heartbreakingly tragic film centred around Betty, (Beatrice Dalle) a beautiful but unstable young woman, whose instability - or madness - becomes progressively worse throughout the film. In the beginning we think she is just an admirablely rebellious and fiery person who is over-sensitive to slight and imagined insult. Later she is engulfed by these irrational and self-destructive bouts of hysteria for no perceptible reason. But this happens only occasionally; between times she behaves like a perfectly normal and happy person, as she has every reason to be. It is easy to become impatient with her. She keeps saying she has nothing to live for, that nothing she has ever done has worked out right, but how can this be when she is so much better off than so many millions of others, with beauty, two good friends and a good man who loves her to distraction despite everything? And she loves him in return.
Zorg (Jean-Hughes Anglalde) is an aspiring novelist with a novel in manuscript he has given up all hope of ever seeing published. But she believes in him and, using only two fingers, types out the manuscript with painful slowness, and, with an heroic persistence, continues sending it out to the publishers despite receiving a steady stream of rejection slips. And here-in lies the tragedy ; at the end of the film, when she is dead to the world and past caring, her efforts bear fruit and the manuscript is accepted. How happy knowing this would have made her. But too late.
We leave him alone in his kitchen about to start a new novel, a novel that she will never see, leading to a success and prosperity she will have no share in. My God isn't that sad? "What might have been." the saddest words in the English language.
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