The In-Between World of Vikram Lall (Paperback)

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Editorial Reviews

From Publishers Weekly

As an Indian child growing up in 1950s Kenya, Vikram Lall is at the center of two warring worlds—one of childhood innocence, the other "a colonial world of repressive, undignified subjecthood" in which the innocent often meet with the cruelest of fates. He passes his early days in Nakuru playing with his sister, Deepa, their neighborhood friend Njoroge, and English expatriates Annie and Bill Bruce. Though Vic is third-generation African, he understands that Njo is somehow more Kenyan than he or his family will ever be. Police regularly raid Nakuru looking for Mau Mau rebels, who are terrorists in the eyes of Europeans, but freedom fighters to native Kenyans; one day tragedy strikes the Lall family's English friends. Haunted by a grisly description of the crime scene, the Lalls eventually pick up and move to Nairobi. Fast-forward to 1965, when Kenya has achieved independence and Mau Mau sympathizer Jomo Kenyatta is now the president of the nation. Njo, who worshipped Jomo from an early age, is a rising star in the new government. He tracks down the Lalls in Nairobi and begins an innocent courtship of Deepa, much to her parents' chagrin. Meanwhile, Vic continues to allow his memory of young Annie to define his life and, as a result, makes some morally ambiguous judgments when he lands a position in the new government. Telling his story from Canada, where he fled after getting top billing on Kenya's "List of Shame" as one of the most financially corrupt men in his country, Vic is a voice for all those who wonder about the price of the struggle for freedom. Vassanji, who was the 2003 winner of Canada's Giller Prize, explores a conflict of epic proportions from the perspective of a man trapped in "the perilous in-between," writing with a deftness and evenhandedness that distinguish him as a diligent student of political and historical complexities and a riveting storyteller.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From The New Yorker

In this novel set among Kenya's Indian diaspora, two ill-fated loves—Vikram Lall's for a young English girl, his sister's for a young African man—symbolize their family's tenuous social position as neither privileged oppressor nor righteous oppressed. Vikram, now in exile in Canada, recounts Kenya's painful process of decolonization and his own role laundering money for government officials, an activity that he justifies as the survival tactic of one considered "inherently disloyal" because of his race. Vikram's chilly amorality pervades this tautly written novel somewhat to its detriment. Although the narrative builds to the thawing of Vikram's frozen conscience, his professions of remorse are pro forma, and his return to Kenya in search of redemption feels forced. Still, the book admirably captures the tenor of the postcolonial period: the predicament of the Asian minority, the corruption that marred Kenya's fledgling independence, and the individual tragedies that were the cost of revolution.
Copyright © 2005 The New Yorker --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 384 pages
• Publisher: Vintage (November 8, 2005)
• Language: English
• ISBN-10: 1400076560
• ISBN-13: 978-1400076567
• Product Dimensions: 8 x 4.7 x 1 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (17 customer reviews)
• Amazon.com Sales Rank: #325,117 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

5.0 out of 5 stars Not to be missed, September 23, 2004

By	Candace "thepageturner" (Los Angeles, CA USA) - See all my reviews (TOP 1000 REVIEWER)

This review is from: The In-Between World of Vikram Lall (Hardcover)

This is one of the best books I've read this year. Memorable characters, a politically and emotionally-charged setting, and clean writing make Vikram Lall's in-between world a fascinating place to be.

When the novel opens, Vic Lall is in Canada, having fled his home in Kenya after being named the most corrupt man in the country. He is the grandson of a man who came from India to build the Kenyan railway, the son of a store owner in a small Kenyan town. He thinks back on the fun he had with his younger sister, Deepa, neighbor Njoroge, and Bill and Annie, two English children. It is the time of the Mau Mau rebellion when white families were being killed by rebels. It comes too close to their town, and the Lalls make a difficult move Nairobi.

By this time you are wondering how mild fellow like Vikram could possibly have it in him to be named the most corrupt man in an African nation. The story moves ahead to 1965 when former Mau Mau sympathizer Jomo Kenyata is now president of an independent Kenya. Njoroge is moving up in the government and Vic follows. Now the delicate dance of race and politics comes into play as Njoroge and Deepa begin to play out their childhood fascination with each other, and Vic learns that some things never change.

M.G. Vassanji won Canada's prestigious Giller Prize for this novel, and well he should have, even though he beat out Ann-Marie MacDonald whose "The Way the Crow Flies" was probably my favorite book last year. In "The In-Between World of Vikram Lall" he spins a rich, subtle, carefully layered tale which is also very hard to put down.

5 of 5 people found the following review helpful:

5.0 out of 5 stars Everything that "The Kite Runner" is not., August 1, 2005

By	algo41 "algo41" (cinnaminson, nj United States) - See all my reviews

This review is from: The In-Between World of Vikram Lall (Hardcover)

"The In-Between World of Vikram Lall" is an excellent novel of personal growth, while also being a fine social history (Indians in Kenya) and remarkable political history (Kenya). As political history it is a chilling account of how corruption in an African country destroys the promise of independence. It brings the face of corruption home to the reader as only fiction can. The protagonist, Vikram Lall, is a venal man who transcends time and place - one can picture him as an assistant at Enron. While focusing on Lall, the novel is rich in characters and relationships, and all the characters are nuanced and credible, including Kenyatta, the real world leader of Kenyan independence. In fact, it is in the novel's portrayal of Kenyatta, and Lall's fictional boss (at least I couldn't find him on the internet) that it is most chilling, though these people are not pathological murderers and sadists like Idi Amin of Uganda. The prose is not special, just very good, as Vassanji is equally capable with character, dialogue, natural setting. The plot is always interesting, and becomes something of a page turner at the end. The story of Lall's childhood, adolescence and young adulthood is as interesting as the rest. I feel Vassanji made an error in introducing gun running, it just was not necessary, but that is a small thing and my own opinion. This book is everything that "The Kite Runner" is not, despite the latter's much greater popularity

5 of 5 people found the following review helpful:

5.0 out of 5 stars "Myth and reality often got mixed up in our lives.", October 6, 2004

By	Mary Whipple (New England) - See all my reviews (TOP 50 REVIEWER)    (COMMUNITY FORUM 04)

This review is from: The In-Between World of Vikram Lall (Hardcover)

Growing up in Nakuru, Kenya, in the 1950s, Vikram Lall and his sister Deepa, the children of Indian merchants, become friends with British children Bill Bruce and his sister Annie, and with Njoroge, a Kikuyu who lives with his grandfather, the family's gardener. While Vic is secretly in love with Annie, Njoroge is secretly in love with Deepa, both childhood relationships ignoring the cultural and color barriers of the times. The Mau Mau, a Kikuyu group dedicated to ridding the country of the British, are on the march, attacking and killing British men, women, and children. To Lall and his friends, who live in an area where violence has not yet struck, however, they are almost mythic creatures, until the violence strikes close to home, and Vic's life and perceptions are altered forever.

Alternating points of view between the present, when Vikram Lall is in his fifties and living outside Toronto, Canada, where he is "numbered one of Africa's most corrupt men," and the early 1950s, when he lived in a diverse Kenyan community, Vassanji shows how the Lalls are doubly alienated, first from their family in India, whose village, thanks to the British Partition of India, is now part of Pakistan, and from the majority population of Kenya. His depiction of the Lall family, the Indian merchant community, and the African community's hostility towards British rule sets the scene for the action during the next forty years.

When Vic, as a young man living in the ultimately independent Kenya, works in the Ministry of Transport and moves up the political ladder, he is powerless to resist orders from his superiors, even though his job is to launder cash coming in as bribes. The story of Jomo Kenyatta and his successors, and the growing corruption which taints their governments--and Vic--becomes increasingly compelling as the stories of Vic, Deepa, and Njoroge continue to intersect and overlap.

Vassanji tells a fully developed saga that stimulates the reader's emotions at the same time that it reflects historical realities, and the plot is filled with the excitement of change along with its problems. Through intense and vividly rendered descriptions, he juxtaposes the natural world against the unnatural violence of the times. Strong love stories, told realistically, run parallel to the action and keep the reader involved on a level beyond that of history and theme, as the characters evolve in response to the changing times. Fascinating and involving on all levels, this novel, winner of Canada's Giller Prize, should win a broad new audience for M. G. Vassanji. Mary Whipple