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Romantic adventure, marital crisis, and the tragedy of global hunger are combined with mixed but respectable results in
Beyond Borders, starring Angelina Jolie in a role that reflects her off-screen efforts as a United Nations goodwill ambassador. Jolie plays a naive American socialite, unhappily married and living in London, whose life is revolutionized when a passionate doctor (Clive Owen, replacing original costar Kevin Costner) draws her into the cause of humanitarian aid in the world's most dangerous political hot-spots including Ethiopia, Cambodia (where Jolie adopted her first child), and Chechnya in the 1980s and '90s. Directed by Martin (
Goldeneye) Campbell, who replaced Oliver Stone during troubled pre-production, this well-meaning film suffers from schizophrenic priorities: Is it a globetrotting love story? An impassioned political exposé? Powerful scenes and fine performances can't entirely offset the film's identity crisis, and the ending strives for a quality of martyrdom that it doesn't really earn.
--Jeff Shannon
From The New Yorker
High-minded romantic drama set against "strife-torn" (there is no other phrase) backgrounds. The sensationally charismatic Clive Owen is Nick Callahan, a fiery London doctor who devotes himself to the mangled poor in Ethiopia, Cambodia, and Chechnya. Angelina Jolie, with a witchy drape of black hair surrounding her face, is Sarah Jordan, a married American who keeps leaving her husband (Linus Roache, in a pathetic role) and traipsing after the doctor, showing up with supplies and keen moral intuitions. They have stormy arguments that are, one supposes, a kind of relief workers' foreplay, and finally get passionate in various uncomfortable climes. The movie is not worthless-some of the backgrounds are vivid and scary-but it can't break free of its old-Hollywood silliness. -David Denby
Copyright © 2006
The New Yorker