On the heels of their disastrous collaboration with Lou Reed, "Lulu", Metallica releases "Beyond Magnetic", which I imagine is sort of musical damage control. After all, while "Death Magnetic" still has had its fair share of detractors, I think it is considered by a majority of metal fans to be at least a relative return to form. So after squandering their newfound goodwill by indulging in what could be best described as a musical vanity project with Lulu, it makes sense that they would dip back into the Death Magnetic well, with this release of 4 tracks that were completed for that album, but not fully mixed and released on it.
Listening to it, it reminds me of how confused the band must've been in the time leading up to the Death Magnetic recording sessions. Since the dawn of the 90's, Metallica were being increasingly influenced by their producer, Bob Rock, which resulted in them attempting to re-brand themselves as a heavy rock band, as opposed to a heavy metal band. Load and Reload were both ostensibly attempts to "branch out" into styles that the band members may have already had some interest in, but it was clear that the process was somehow...just not natural. Everything sounded too restrained, too calculated, which I believe was in part due to Bob Rock insisting that they "play it safe", and keep things simplified enough to be commercially viable. Eventually, it all broke down when St. Anger was being made, and with Bob Rock's departure, the band was left adrift in strange and out of tune waters. They had the pent-up rage, but had forgotten how to harness that emotion in the form of actually listenable songs. The songs on Beyond Magnetic are interesting in that they provide an insight on the path back from the confusion of St. Anger, as it is clear why these were not included on Death Magnetic, while at the same time being songs that wouldn't necessarily sound out of place on that album.
Let's get the bad out of the way first: the songwriting here is not as tight and well-polished as what made it onto Death Magnetic, and as the songs were released without the same final mixing and post-production as those on DM, it's a less user-friendly experience in some ways(although with DM's way too hot mix, that may be open to debate). As a result, there's a bit of that scruffy New Wave of British Heavy Metal vibe, which makes sense, given that I think the band went back to those influences on Death Magnetic. Of the 4 tracks here, the weakest among them is clearly "Hell and Back". It wouldn't surprise me in the least if this was one of the first songs written for these sessions, as it sometimes sounds closer to St. Anger than Death Magnetic, and it shares the same overwrought, confessional tone as St. Anger. I will say that the song improves halfway through, and has the kind of pyrotechnic soloing that was absent on St. Anger, but it doesn't have the same success in blending Metallica's different eras together as the songs that made it onto Death Magnetic.
The good news is that the other 3 songs are all pretty damn solid pieces of work. The unfortunately-titled "Hate Train" turns out a lot better than the name would indicate, as it starts off switching back and forth between the heavy-rock boogie of a song like "Fuel", and straight-on metal galloping, with some clean-sounding, melodic choruses. About 2/3 of the way through, the song shifts gears completely, and throws a 1-2 punch of a somewhat thrashy, palm-muted theme and a slower, heavier riff, both backed with some nice guitar harmonies. "Just A Bullet Away" is even more unabashedly metal, relying on a chunky, rapid-fire backing riff that builds up, until everything goes silent, and the band breaks out a clean, mournful section where guitar harmonies sprout like bamboo stalks, until things build back up into the main riff. "Rebel of Babylon" can best be compared to "All Nightmare Long", although the emphasis here is less on fast riffs (which are still present), and more on slower, doomier riffs. The common thread, however, is that these 3 songs don't quite seem to have the same confident tone as those that made it onto Death Magnetic, despite the generally competent songwriting and performance present.
So overall, Beyond Magnetic is a must-have for those who enjoyed Death Magnetic. Those who dismissed Death Magnetic as Metallica trying too hard to recapture the essence of a band they no longer are, are unlikely to find anything to change their minds here. If "Hell and Back" had been a stronger track, this EP could've easily rated 4 stars instead of a "very high 3 stars" (Amazon, please change the ratings to a 10 star system!). This leaves us with the question of whether Metallica's "Lulu" misadventure was just a brief accidental detour, and whether they can regain their momentum that they seemed to have reclaimed in 2008. Only time will tell, but I'm hoping for the best.