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28 of 33 people found the following review helpful:
5.0 out of 5 stars
Boom Boom...Boo Hoo, October 9, 2003
Since this film first appeared about 20 years ago, it has become a favorite of those who comprise what is referred to as the "Baby Boomer" generation" but its appeal is by no means limited to that age group. So many of its themes (e.g. nostalgia, disenchantment, sexual frustration, egocentricity) are common to all generations. As is often the case, a reunion of friends occurs because of a death, in this case Alex whose corpse is being formally dressed for burial as the film begins. (It is Kevin Costner's body but his head is concealed, with the balance of Costner's appearance lying on a cutting room floor.) Sarah and Harold Cooper (Glenn Close and Kevin Kline) serve as unofficial hostess and host. After the burial, their friends return with them to their home where accommodations are provided. Their extended celebration of both Alex and themselves begins, during which Kasdan (who also wrote the screenplay) carefully reveals the strengths and weaknesses of each central character. The Coopers seem to be the strongest, happily married and prosperous but also generous and caring. Nick (William Hurt) is a confused and self-absorbed veteran (in some respects a survivor) of the Viet Nam war. The group includes one celebrity, Sam (Tom Berenger) who stars in a television series. Karen has always been in love with Sam. Now a somewhat unhappily married woman, she struggles with her conflict of emotions (obligations to husband and children juxtaposed with her enduring attraction to Sam). Mary Kay Place is a successful attorney who yearns for parenthood but not necessarily marriage. For me, the most interesting character is Michael (Jeff Goldblum) who comes across as a smarmy, almost desperate social misfit. Although claiming to be secure as a journalist with People magazine, he is obviously desperate to be accepted, to make favorable impressions, and if nothing else, taken seriously. His vulnerabilities are almost palpable.Kasdan and his associates have created in this film an especially effective portrayal of certain values during the period in which the action (such as it is) occurs. For example, most of the characters are almost wholly preoccupied with what they want but do not have. There is a strong element of codependency among them as they struggle to absorb and digest the reality of Alex's death. They are mutually devoted but, at the same time, several seem (to me) to be asking the same question once posed by Peggy Lee: "Is this all there is?" Much of the appeal of this film is explained by how seamlessly Kasdan coordinates the plot with the soundtrack which continues to be a bestseller. For example, it is an especially appropriate touch that he includes the Rolling Stones' "You Can't Always Get What You Want" early on during the funeral service for Alex. Other selections on the soundtrack include "I Heard It Through The Grapevine" (Marvin Gaye), "My Girl" (The Tempations), "Good Lovin'" (Rascals), "The Tracks Of My Tears" (Smokey Robinson and the Miracles), "Joy To The World" (Three Dog Night), "Ain't Too Proud To Beg" (Temptations), "(You Make Me Feel Like) A Natural Woman" (Aretha Franklin), "I Second That Emotion" (Smokey Robinson and the Miracles), "A Whiter Shade Of Pale" (Procol Harum), and "Tell Him" (Exciters).
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