3 of 3 people found the following review helpful:
3.0 out of 5 stars
An interesting collection, October 2, 2011
This review is from: Big Chills (Kindle Edition)
I want to thank Mr. McDonnell for providing me with this book for free.
I am not unfamiliar with the horror/thriller genre, however I am new to the flash fiction genre. So this is somewhat new to me, and i'm without and real points of reference on this. So I'm going completely by what I felt while reading this.
This is a relatively short ebook filled with nine short stories. I felt that while they all had an interesting aspect to them some of them weren't quite 'thrilling' to me. I'm not saying that those particular stories were bad because they are pretty good, what I am saying is that when I see something with the word 'Chill' in the title I'm expecting something that will get to me. It doesn't have to scare me or make me shudder, but I do expect it to at least make me stop for a moment at the end and shake my head. They do all manage to trip you up and make sure your initial guess will probably be wrong, which I really liked. My favorite stories were probably Beautiful Hands and The New Boy, probably because they had more of a horror effect to them.
This collection reminds me of those stories you learn as a kid to try and scare your friends when you have a sleepover or camp out. In fact I'm sure some of these would be perfect for that. Some of the content keeps me from recommending this to younger readers but I'd say that from about 16 up would be perfect.
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4.0 out of 5 stars
Revenge is a dish best served cold, February 12, 2012
This review is from: Big Chills (Kindle Edition)
This was also a quick read for actual length, but also for engaging content.
The first story, All The Time In The World, begins in the 1500s on a sugar plantation, in media res of a conflict between a Spanish plantation owner presented with an african slave prophet who is causing an uproar among the slaveworkers of his Canary Islands plantation. Urged by his priest, his solution is swift and brutal - but the retaliation that follows is equally as brutal, and with long-reaching consequences for such a short tale.
One thing that struck me as I read was the consistently recurring theme, from a fantasy kingdom with a giant to a parson's clairvoyant wife in possession of a Thor's Hammer necklace to a particularly snide babysitter, of revenge. In most of the stories, someone is done wrong, and in one way or another are made to pay a price for their crimes. Some tales, particularly the story of an aging former model with Beautiful Hands, accomplish this in such a way that you can perfectly imagine it as a tale being told while sitting around a s'mores-toasting campfire, while others such as The New Boy attain their resolution in a way that even an experience reader of horror and thrillers would not expect.
The New Boy as well as New Year are both tales that leave the reader almost with more questions than when the story began, and New Year in particular is one that I personally would love to see expanded into a longer work. The premise presented is incredibly engaging, and I desperately wanted more of it.
Quite likely my favorites in this volume are So Few Giants and The Bad Babysitter. So Few Giants is the only outright fantasy-set piece in the collection, and manages in quite a short time to accomplish several twists of who is the good guy, and who is the bad. The closing line, echoing the title, gives it a wonderfully cyclical feel, and leaves one to consider what constitutes a giant and conversely the smallness of mind and intent that plagues all too many people. The Bad Babysitter delighted me in dealing directly and unabashedly with children and monsters, and with a wonderful deconstruction in brief of what Satan is in terms of evil:
Melissa sat down on the couch. "It's a primitive defense mechanism, actually. I've studied it. It makes people feel safer if they have this cartoon figure to give them an alibi when they do something wrong."
"Cartoon figure?"
"Yes. The long nose. The pointy beard. The horns. Like a Disney character, actually. It has nothing to do with real evil. We have more real evil in our basement than you'll even find worshipping Satan. I still say you couldn't go down our basement in the dark and stay there for a minute."
It's precisely this sort of wry, impudently cheeky sense of humor that really makes the collection, in my mind; set against the recurrent theme of revenge, it really underlines the horrors that happen to the victims and antagonists, and leaves the reader with a wonderfully smug sense of "I told you so."
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